“Admirers of Empress Orchid will be interested in this sequel. Others may find the introduction to relatively modern Chinese history a revelation” (Rocky Mountain News). During the tumultuous end of the nineteenth century in China, the only constant was the power wielded by one person: the resilient, ever-resourceful Tzu Hsi, Lady Yehonala—or Empress Orchid—as readers came to know her in Anchee Min’s critically acclaimed novel covering the first part of her life. In The Last Empress, Orchid moves from the intimacy of the concubine quarters into the spotlight of the world stage. Devastating personal losses take their toll, leaving her yearning to step aside, but only she—allied with the progressives, but loyal to the conservative Manchu clan of her dynasty—can hold the nation’s rival factions together. Anchee Min offers a powerful revisionist portrait based on extensive research of one of the most important figures in Chinese history. Viciously maligned by the western press of the time as the “Dragon Lady,” a manipulative, blood-thirsty woman who held onto power at all costs, the woman Min gives us is a compelling, very human leader who assumed power reluctantly, and who sacrificed all she had to protect those she loved and an empire that was doomed to die. “The vision of an empress who very nearly had it all: vulnerability and strength, motherhood and power, earthiness and dignity, compassion and ambition.” —The Washington Post “Invokes the intrigue and opulence of nineteenth-century China while telling the story of its improbably dominant ruler.” —Los Angeles Times

With the beautiful, powerful, and sexy Madame Chiang Kai-shek at the center of one of the great dramas of the twentieth century, this is the story of the founding of modern China, starting with a revolution that swept away more than 2,000 years of monarchy, followed by World War II, and ending in the eventual loss to the Communists and exile in Taiwan. An epic historical tapestry, this wonderfully wrought narrative brings to life what Americans should know about China -- the superpower we are inextricably linked with -- the way its people think and their code of behavior, both vastly different from our own. The story revolves around this fascinating woman and her family: her father, a peasant who raised himself into Shanghai society and sent his daughters to college in America in a day when Chinese women were kept purposefully uneducated; her mother, an unlikely Methodist from the Mandarin class; her husband, a military leader and dogmatic warlord; her sisters, one married to Sun Yat-sen, the George Washington of China, the other to a seventy-fifth lineal descendant of Confucius; and her older brother, a financial genius. This was the Soong family, which, along with their partners in marriage, was largely responsible for dragging China into the twentieth century. Brilliantly narrated, this fierce and bloody drama also includes U.S. Army General Joseph Stilwell; Claire Chennault, head of the Flying Tigers; Communist leaders Mao Tse-tung and Chou En-lai; murderous warlords; journalists Henry Luce, Theodore White, and Edgar Snow; and the unfortunate State Department officials who would be purged for predicting (correctly) the Communist victory in the Chinese Civil War. As the representative of an Eastern ally in the West, Madame Chiang was befriended -- before being rejected -- by the Roosevelts, stayed in the White House for long periods during World War II, and charmed the U.S. Congress into giving China billions of dollars. Although she was dubbed the Dragon Lady in some quarters, she was an icon to her people and is certainly one of the most remarkable women of the twentieth century.

In 1851, a sixteen-year-old girl named Yehonala entered the Imperial Palace of China as a concubine third grade, leaving behind her family, the love of her life, and nearly all contact with the outside world. She emerged as Tsu Hsi, Dowager Empress of China and one of the most powerful autocrats in history. A fascinating tale of love, betrayal, murder, intrigue, and survival, The Last Empress offers remarkable insight into life behind the closed doors of the forbidden city.

“A fascinating novel, similar to Arthur Golden’s Memoirs of a Geisha . . . A revisionist portrait of a beautiful and strong-willed woman” (Houston Chronicle). A San Francisco Chronicle Best Book of the Year From Anchee Min, a master of the historical novel, Empress Orchid sweeps readers into the heart of the Forbidden City to tell the fascinating story of a young concubine who becomes China’s last empress. Min introduces the beautiful Tzu Hsi, known as Orchid, and weaves an epic of the country girl who seized power through seduction, murder, and endless intrigue. When China is threatened by enemies, she alone seems capable of holding the country together. In this “absorbing companion piece to her novel Becoming Madame Mao,” readers and reading groups will once again be transported by Min’s lavish evocation of the Forbidden City in its last days of imperial glory and by her brilliant portrait of a flawed yet utterly compelling woman who survived, and ultimately dominated, a male world (The New York Times). “Superb . . . [An] unforgettable heroine.” —People “A sexually charged, eye-opening portrayal of the Chinese empire . . . with heart-wrenching scenes of desperate failure and a sensuality that rises off its heated pages.” —Elle

A sweeping story of passion and obsession, set against the upheavals of 19th-century imperial China. Samuel Pickens, a blue blood from Connecticut's Gold Coast, narrates this tale of obsession, lust, and lost love from his home within the walls of the Forbidden City.

"The last empress of China--Dowager Empress Tzu Hsi (1835-1908)--is remembered as one of history's monsters, an iron-willed concubine who, after usurping power in 1861, ruled from the Dragon Throne for half a century. Her reign, in the aftermath of the Opium Wars and through the Boxer Rebellion until the collapse of the 2,000-year-old empire, has traditionally been seen as one of murder, poison, and intrigue. But the wicked image is false." "In 1974, to the dismay of scholars, Sir Edmund Backhouse--the biographer most responsible for the widespread vision of Tzu Hsi as monster--was revealed to be a con man. And now the author of the celebrated best-seller The Soong Dynasty has undertaken the first complete reappraisal of the empress--exposing Backhouse's writings about her as a major hoax and forgery, and establishing that the most important Western correspondent in Peking during her reign--Dr. George Morrison of the London Times--kept a secret diary contradicting his own dispatches about Tzu Hsi." "Drawing on many unpublished or long-overlooked contemporary sources, Sterling Seagrave shows us Tzu Hsi as a complex woman whose desperate--though often misguided--efforts to hold her country together take on a different coloration in the context of unrelenting foreign attempts to colonize and tear it apart. Far from being all-powerful, she was actually a hostage of vengeful Manchu princes who were using her in a power struggle against both Chinese reformers and foreign interference." "Here at last is an authentic portrait of this fascinating historical figure, as well as insight into the Western craving to believe in a sinister, dragon-haunted Orient. Dragon Lady is at once a compelling biography and the equally compelling story of how a myth was contrived, how it endured, and how, ultimately, the truth has emerged."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Wedding in Gaul (414) -- Funerals in Barcelona (414-416) -- Making of an empress (417-425) -- Restoration and rehabilitation (425-431) -- Bride, a book, and a pope (437-438) -- Between Rome and Ravenna (438-450).