"A major Latino writer's intimate but healing journey through addiction, human desire and broken love. From "He Leaves a Message in the Middle of the Night" He loved beer and crack. He loved heroin, ecstasy, the sad music of the bars. He said he loved you too. You are thinking of the night you met him. Late October night, the breeze as soft as his black eyes. He was so hungry for trouble. You were so hungry for anything that resembled love. Your finger tracing the tattoos on his chest, you dreamed of living in the prison of his arms. But you refused to live in the prison of his deadly nights. You can't survive without the morning light. You repeat this again and again: He's a man, not an illness. Tattoos and prison. Novels and poems. A bird can love a fish but they can't live in your apartment. He called again last night and left a message that was meant to wound. He said: I want to know what you meant when you said I love you. You said: I love you. I meant I love you. He said: I want to know what you meant when you said goodbye. You said: Goodbye. I meant goodbye. You whispered his name in the dark. Benjamin Alire Saenz in 2013 won the Pen/Faulkner Award and the Lambda Award for his book Everything Begins and Ends at the Kentucky Club. His young adult novel Dante and Aristotle in Paradise was a 2013 Printz Honoree. He lives in El Paso, Texas"--

“A truthful and learned treasury of musings on the miracle drug.”—Beryl Bainbridge

All great writers in history were smokers but now smoking had been banned globally effective New Year’s Day 2009. The Act of Cessation was launched during the transition between the Bush and Obama administrations with dire implications because of the rampant rumor of Obama being a closet-smoker. This book is a parody about a brilliant writer who lives two lives – one in the media industry interfacing with celebrities, a number of whom make cameo appearances. The other is his secret life as the last smoker on earth. Facilitated by nicotine stimulation, the protagonist is on a mission to return literature to society as a closet-smoker, writing the great American novel in his surreptitious sojourns to the underground. If apprehended by the anti-tobacco police he will be incarcerated in a place called the Midnight Express and never heard from again.

The cigarette is the deadliest artifact in the history of human civilization. It is also one of the most beguiling, thanks to more than a century of manipulation at the hands of tobacco industry chemists. In Golden Holocaust, Robert N. Proctor draws on reams of formerly-secret industry documents to explore how the cigarette came to be the most widely-used drug on the planet, with six trillion sticks sold per year. He paints a harrowing picture of tobacco manufacturers conspiring to block the recognition of tobacco-cancer hazards, even as they ensnare legions of scientists and politicians in a web of denial. Proctor tells heretofore untold stories of fraud and subterfuge, and he makes the strongest case to date for a simple yet ambitious remedy: a ban on the manufacture and sale of cigarettes.

From A is for Aardvark—“We’re not allowed to tell you anything about Winston cigarettes, so here’s a stuffed aardvark”—to Z is for Zippo, the iconic American lighter, The Cigarette Book is the ultimate souvenir and celebration of the dying art of smoking. Encyclopedic in both layout and range, this is an ideal consolation gift for those who have stopped, an ideal aide de memoire for those who might, and a defiant puff of libertarian brilliance for those who won’t. Celebrate the Hollywood age of smoking when film stars lit up with glamorous abandon. Witty, illustrated, collectible, and up-to-date. "… All smokers know that cigarettes are dangerous. Each one is a dance with death—and the defiant smoker will say that therein lies its charm. So each puff is an existential gesture, an assertion of choice and life in the face of death." One day the last cigarette on earth will be smoked. One final puff will be sent heaven-bound, leaving a lingering, evanescent smoke ring. And the wise of this world will rejoice. Because logic demands that mankind is rid of this pernicious poison. And wasn’t that well-known logician Adolf Hitler the most virulent opponent of cigarette smoking in the last century? Until then, read this book.

Presents a collection of poems focusing on the border between the United States and Mexico.

How poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time The Anthropocene describes how humanity has radically intruded into deep time, the vast timescales that shape the Earth system and all life-forms that it supports. The challenge it poses—how to live in our present moment alongside deep pasts and futures—brings into sharp focus the importance of grasping the nature of our intimate relationship with geological time. In Anthropocene Poetics, David Farrier shows how contemporary poetry by Elizabeth Bishop, Seamus Heaney, Evelyn Reilly, and Christian Bök, among others, provides us with frameworks for thinking about this uncanny sense of time. Looking at a diverse array of lyric and avant-garde poetry from three interrelated perspectives—the Anthropocene and the “material turn” in environmental philosophy; the Plantationocene and the role of global capitalism in environmental crisis; and the emergence of multispecies ethics and extinction studies—Farrier rethinks the environmental humanities from a literary critical perspective. Anthropocene Poetics puts a concern with deep time at the center, defining a new poetics for thinking through humanity’s role as geological agents, the devastation caused by resource extraction, and the looming extinction crisis.