The time: The transition years between the nineteenth and the twentieth centuries. The space: The fertile delta of the Cauvery. The backdrop: The early stirrings of a freedom struggle against British colonialism in South India. Nothing can disturb the serenity of Tiruvaiyaru, South India, until Panju, a brilliant boy from an orthodox family, decides to join the revolutionary freedom movement. His actions affect not only him, but those he holds close-his sister Janaki who, breaking age-old tradition, aims to become the first local woman with a college education; his father Sambu who finds himself getting waylaid from his spiritual quest and the beauteous temple dancer Ranjitham, who covets Panju. As Panju's decisions come with ripple effects, Sambu, Ranjitham and Janaki are compelled to make compromises they had never bargained for. Like the Cauvery-who exhausts herself to a mere trickle to enrich those around her-the characters in the novel must learn the true meaning of sacrifice. With a cast of unforgettable personalities, Songs of the Cauvery is a poignant meditation on grace, virtue and renunciation.

A multidisciplinary environmental history of early China's political systems, featuring newly available Chinese archaeological data This book is a multidisciplinary study of the ecology of China's early political systems up to the fall of the first empire in 207 BCE. Brian Lander traces the formation of lowland North China's agricultural systems and the transformation of its plains from diverse forestland and steppes to farmland. He argues that the growth of states in ancient China, and elsewhere, was based on their ability to exploit the labor and resources of those who harnessed photosynthetic energy from domesticated plants and animals. Focusing on the state of Qin, Lander amalgamates abundant new scientific, archaeological, and excavated documentary sources to argue that the human domination of the central Yellow River region, and the rest of the planet, was made possible by the development of complex political structures that managed and expanded agroecosystems.

David Nichols tells the story of Australian rock and pop music from 1960 to 1985 – formative years in which the nation cast off its colonial cultural shackles and took on the world. Generously illustrated and scrupulously researched, Dig combines scholarly accuracy with populist flair. Nichols is an unfailingly witty and engaging guide, surveying the fertile and varied landscape of Australian popular music in seven broad historical chapters, interspersed with shorter chapters on some of the more significant figures of each period. The result is a compelling portrait of a music scene that evolves in dynamic interaction with those in the United States and the UK, yet has always retained a strong sense of its own identity and continues to deliver new stars – and cult heroes – to a worldwide audience. Dig is a unique achievement. The few general histories to date have been highlight reels, heavy on illustration and short on detail. And while there have been many excellent books on individual artists, scenes and periods, and a couple of first-rate encylopedias, there’s never been a book that told the whole story of the irresistible growth and sweep of a national music culture. Until now . . .