Tomas O'Crohan's sole purpose in writing The Islandman was, he wrote, "to set down the character of the people about me so that some record of us might live after us, for the like of us will never be seen again." This is an absorbing narrative of a now-vanished way of life, written by one who had known no other.

This book concerns Tomás O'Crohan of the Blasket Islands and offers a radical reinterpretation of this iconic Irish figure and his place in Gaelic literature. It examines the politics of Irish culture that turned O'Crohan into «The Islandman» and harnessed his texts to the national political project, presenting him as an instinctual, natural hero and a naïve, almost unwilling writer, and his texts as artefacts of unselfconscious, unmediated linguistic and ethnographic authenticity. The author demonstrates that such misleading claims, never properly scrutinised before this study, have been to the detriment of the author's literary reputation and that they have obscured the deeply personal and highly idiosyncratic purpose and nature of his writing. At the core of the book is a recognition that what O'Crohan wrote was not primarily a history, nor an ethnography, but an autobiography. The book demonstrates that the conventional reading of the texts, which privileges O'Crohan's fisherman identity, has hidden from view the writer protagonist inscribed in the texts, subordinating his identity as a writer to his identity as a peasant. The author shows O'Crohan to have been a literary pioneer who negotiated the journey from oral tradition into literature as well as a modern, self-aware man of letters engaging deliberately and artistically with questions of mortality.

Exploring An t-Oileánach (anglicised as The Islandman), an indigenous Irish-language memoir written by Tomás Ó Criomhthain (Tomás O'Crohan), Máiréad Nic Craith charts the development of Ó Criomhthain as an author; the writing, illustration, and publication of the memoir in Irish; and the reaction to its portrayal of an authentic, Gaelic lifestyle in Ireland. As she probes the appeal of an island fisherman’s century-old life-story to readers in several languages—considering the memoir’s global reception in human, literary and artistic terms—Nic Craith uncovers the indelible marks of Ó Criomhthain’s writing closer to home: the Blasket Island Interpretive Centre, which seeks to institutionalize the experience evoked by the memoir, and a widespread writerly habit amongst the diasporic population of the Island. Through the overlapping frames of literary analysis, archival work, interviews, and ethnographic examination, nostalgia emerges and re-emerges as a central theme, expressed in different ways by the young Irish state, by Irish-American descendants of Blasket Islanders in the US today, by anthropologists, and beyond.

Publisher description.

Peig Sayers was ‘the Queen, of Gaelic story-tellers’. She was born in the parish of Dunquin in Kerry and married into a neighbouring island, the Great Blasket, where she spent most of her life. Students and scholars of the Irish language came from far and wide to visit her. She was, as Robin Flower wrote in The Western Island, ‘a natural orator, with so keen a sense of the turn of phrase and the lifting rhythm appropriate to Irish that her words could be written down as they leave her lips, and they would have the effect of literature with no savour of the artificiality of composition’. Her Reflections are a collection of her fireside stories, most of them tales of her friends and neighbours on the Great Blasket, the island that also produced Maurice O’Sullivan’s Twenty Tears A-Growing and Tόmas ό Crohan’s The Islandman.

This engaging and provocative work consists of 29 chapters and discusses over 50 books that have been instrumental in the development of Irish social and political thought since the early seventeenth century. Steering clear of traditionally canonical Irish literature, Bryan Fanning and Tom Garvin debate the significance of their chosen texts and explore the impact, reception, controversy, debates and arguments that followed publication. Fanning and Garvin present these seminal books in an impelling dialogue with one another, highlighting the manner in which individual writers informed each other s opinions at the same time as they were being amassed within the public consciousness. From Jonathan Swift s savage indignation to Flann O'Brien s disintegrative satire, this book provides a fascinating discussion of how key Irish writers affected the life of their country by upholding or tearing down those matters held close to the heart, identity and habits of the Irish nation.

On an Irish Island tells the remarkable story of a remote outpost nearly untouched by time in the first half of the twentieth century, and of the adventurous men and women who visited and were inspired by it. In a love letter to a vanished way of life, Robert Kanigel brings to life this wildly beautiful island, notable for the vivid communal life of its residents and the unadulterated Irish they spoke well into the twentieth century. With the Irish language rapidly disappearing, Great Blasket became a magnet for scholars, linguists, and writers during the Gaelic renaissance. As we follow these visitors—among them John Millington Synge, author of The Playboy of the Western World—we are captivated both by the tiny group of islanders who kept an entire country’s past alive and by their complex relationships with those who brought the island’s story to the larger world.