Twelve-year-old Lewis and his best friend Rose Rita investigate a strange old house in their home town and discover that they may be dealing with powerful ancient Hawaiian spirits.

As Lewis and Rose Rita investigate all the supernatural happenings in New Zebedee, they get more than they bargained for when a new family moves into the Hawaii House. Lewis and Rose Rita are soon drawn into a mystery involving forces far beyond the shores of their imagination. Why are there strange drumbeats emanating from the top floor of the Hawaii House? And why is Lewis having dreams about Pele, the Hawaiian goddess of fire? For fans of Goosebumps.

The lovable underdog Lewis Barnavelt and his best friend Rose Rita are at it again—investigating the curious (and possibly supernatural?) goings-on in their town of New Zebedee. They get more than they bargained for when a new family moves into the Hawaii House, one of the oddest-looking houses in town, and Lewis and Rose Rita are drawn into a mystery involving forces far beyond the shores of their imagination. Why are there strange drumbeats emanating from the top floor of the Hawaii House? And why is Lewis having dreams about Pele, the Hawaiian goddess of fire? Incorporating actual Hawaiian legends with a spine-tingling story of suspense, this is another great addition to the Bellairs canon.

In this thoughtful, affectionate collection of interviews and letters spanning three decades, beloved poet Gary Snyder talks with South African writer and scholar Julia Martin. Over this period many things changed decisively—globally, locally, and in their personal lives—and these changing conditions provide the back story for a long conversation. It begins in the early 1980s as an intellectual exchange between an earnest graduate student and a generous distinguished writer, and becomes a long-distance friendship and an exploration of spiritual practice. At the project’s heart is Snyder’s understanding of Buddhism. Again and again, the conversations return to an explication of the teachings. Snyder’s characteristic approach is to articulate a direct experience of Buddhist practice rather than any kind of abstract philosophy. In the version he describes here, this practice finds expression not primarily as an Asian import or a monastic ideal, but in the specificities of a householder’s life as lived creatively in a particular location at a particular moment in history. This means that whatever “topic” a dialogue explores, there is a sense that all of it is about practice—the spiritual-social practice of a contemporary poet.

Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.

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