From the fictional world of vampires, zombies, and invaders from other worlds, to the very real world of revolutionary France and in between, the nature of the monster encompasses the very quality that makes them so believable - that which we perceive as 'other'. While there is a commonality in this otherness, the monster lurking in the shadows, concealed in darkness or conjured with a few lines from a horror novel suggests the monster as one onto which we are free to project the most distorted and un-human features. In each chapter of this volume, you will discover that the way in which we project what is monstrous is not a singular other but is in fact a part of our own self-identity. The greatest horror of the monster is not that it stands apart, but that once we pull it from the shadow of our own projected imagination we discover that that the monster we fear is also bound to our own mirror image. To look at the monster, to name that which must never be named, is to look upon a reflection and embrace a part of our nature we do not wish to see.

This edited volume takes a new look at an old question: what is the relationship between beauty and monstrosity? How has the notion of beauty transformed through the years and how does it coincide with monstrous ontologies? Contributors offer an interdisciplinary approach to how these two concepts are interlinked and emphasize the ways the beautiful and the monstrous pervade human experience. The two notions are explored through the axis of human transformation, focusing on body, identity, and gender, while questioning both how humans transform their body and space as well as how humans themselves are gradually transformed in different contexts. The pandemic, gender crisis, moral crisis, sociocultural instability, and environmental issues have redefined beauty and the relationship we have with it. Exploring these concepts through the lens of human transformation can yield valuable insights into what it means to be human in a world of constant change. The book will be of interest to scholars working in art history, archaeology, philosophy, architecture, and cultural studies.

This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.

Taking in a wide range of film, television, and literature, this volume explores 21st century horror and its monsters from an intersectional perspective with a marked emphasis on gender and race. The analysis, which covers over 70 narratives, is organized around four primary monstrous figures--zombies, vampires, witches and monstrous women. Arguing that the current horror renaissance is populated with willful monsters that subvert prevailing cultural norms and systems of power, the discussion reads horror in relation to topics of particular import in the contemporary moment--rampant sexual violence, unbridled capitalist greed, brutality against people of color, militarism, and the patriarchy's refusal to die. Examining ground-breaking films and television shows such as Get Out, Us, The Babadook, A Quiet Place, Stranger Things, Penny Dreadful, and The Passage, as well as works by key authors like Justin Cronin, Carmen Maria Machado, Helen Oyeyemi, Margo Lanagan, and Jeanette Winterson, this monograph offers a thorough account of the horror landscape and what it says about the 21st century world.

What has the zombie metaphor meant in the past? Why does it continue to be, so prevalent in our culture? This collection seeks to provide an archaeology of the zombietracing its lineage from Haiti, mapping its various cultural transformations, and suggesting the post-humanist direction in which the zombie is ultimately heading.

In the world of early Byzantine Christianity, monastic rules acknowledged but discouraged the homosexual impulses of adult males. What most disturbed monastic leaders was adolescent males being accepted as novices; adult men were considered unable to control their sexual desires for these "beautiful boys." John Chrysostom, the Archbishop of Constantinople (397-407), virulently denounced homosexuality, but was virtually the only Byzantine cleric to do so. Penances traditionally attached to heterosexual sins--including remarriage after divorce or widowhood--have always been much more severe than those for a variety of homosexual acts or relationships. Just as Byzantine churches have found ways to accommodate sequential marriages and other behavior once stridently condemned, this book argues, it is possible for Byzantine Christianity to make pastoral accommodations for gay relationships and same-sex marriage.

What goes through the dark minds of such notorious killers as Ted Bundy, Jeffrey Dahmer, David Berkowitz ("Son of Sam"), John Wayne Gacy, Dennis Rader (the "BTK Killer"), and others? In this chilling book, you’ll read exactly what they were thinking in their own words as they committed horrible crimes. Using court transcripts and police interviews, veteran true-crime and crime-fiction writer Tom Philbin has compiled the testimony of twenty infamous serial killers—nineteen men and one woman. For fans of crime stories who look for realism, this book is like no other. The descriptions couldn’t be more realistic since, in effect, the book is written by the serial killers themselves. Their words range from the bizarre and weirdly fascinating to the revolting and horrific. In each case, Philbin provides a background profile to give readers a sense of the context from which these monsters emerged. Though they come from different backgrounds, nationalities, and generations, their words do reveal certain common elements. Not one evinces any sense of compassion or sensitivity in regard to their victims. They appear to be unable to control the impulses that lead them to kill. And in many cases, they derive a perverse sexual satisfaction from their deeds. Taking true-crime reading to a new level of immediacy, this disturbing book offers a glimpse into the worst side of human nature.