The Hebrew Bible in Fifteenth-Century Spain: Exegesis, Literature, Philosophy, and the Arts investigates the relationship between the Bible and the cultural production of Iberian societies between the anti-Jewish riots of 1391 and the Expulsion of 1492. During this turbulent and transformative period, the Bible intersected with virtually all aspects of late medieval Iberian culture: its languages of expression, its material and artistic production, and its intellectual output in literary, philosophical, exegetic, and polemical spheres. The articles in this cross-cultural and interdisciplinary volume present instantiations of the Hebrew Bible’s deployment in textual and visual forms on diverse subjects (messianic exegesis, polemics, converso liturgy, Bible translation, conversion narrative, etc.) and utilize a broad range of methodological approaches (from classical philology to Derridian analysis).

The articles of this volume present instantiations of the Hebrew Bible’s deployment in textual and visual forms by Iberian Jewish, Christian and converso exegetes, translators, philosophers, artists, and literary authors between the anti-Jewish riots of 1391 and the Expulsion of 1492.

The Spanish Inquisition remains a fearful symbol of state terror. Its principal target was theconversos, descendants of Spanish Jews who had been forced to convert to Christianity some three generations earlier. Since thousands of them confessed to charges of practicing Judaism in secret, historians have long understood the Inquisition as an attempt to suppress the Jews of Spain. In this magisterial reexamination of the origins of the Inquisition, Netanyahu argues for a different view: that the conversos were in fact almost all genuine Christians who were persecuted for political ends. The Inquisition's attacks not only on the conversos' religious beliefs but also on their "impure blood" gave birth to an anti-Semitism based on race that would have terrible consequences for centuries to come. This book has become essential reading and an indispensable reference book for both the interested layman and the scholar of history and religion.

The current volume presents ten different studies dealing with the final stages of Hebrew book art production in medieval Iberia. Ranging from the Farhi Codex, copied and illuminated in the late 14th century, to the Philadelphia Bible, copied and illuminated in Lisbon in 1496, this volume discusses a wide scope of topics related with the production, consumption and circulation of medieval decorated Hebrew manuscripts. Among the issues discussed in this volume we highlight the role played by three distinct artistic languages (Mudejar, Late Gothic and Renaissance) in the shapping of 15th century Sephardic illumination, the codicological specificity of some solutions in terms of layout and the relation between the layout of these manuscripts and Hebrew incunabula, the use of geometric decoration in scientific diagrams, or the afterlife of these manuscripts in Europe and Asia following the expulsion of the Jews from Iberia.

This book discusses the decoration types of Sephardic illuminated Bibles in their broader historical, and social context in an era of cultural transition in Iberia and culture struggle within Spanish Jewry.