First Published in 2015. This book places in firm historical perspective the roots of Caribbean dependency, highlighting the ways in which the region has been and continues to be a pawn in Great Power politics and economics. The past is both haunting and daunting, seriously hampering the region's capacity to pursue an autonomous path. The author develops his argument by focusing on how politics, economics and race have shaped Caribbean history and contemporary life. Discussions and analysis include examples from the Anglophone, Spanish, French and Dutch speaking Caribbean islands and countries. Thompson also attempts to provide prescriptions that would free the region from the shackles of the past and place the countries on the path to independence.

"The Haunting Past is a brief but richly textured treatment of the role of the historian in dealing with information about contemporary political and legal matters."—Libraries and Culture

This book argues for a deconstructive approach to the past by looking at deconstruction's impact on American historians and then presenting an alternative hauntological theory and method of history influenced by, but not beholden to, the work of Jacques Derrida.

In a land occupied for thousands of years, mystery and unrest linger. Anguished soldierly figures dot the landscape of Pasco County, from the doomed march of Major Dade and his haunted hill to the ghost of Captain Jeffries standing watch over his homestead in Zephyrhills. A pair of spirits drifts about near a Dade City pond, perhaps the brother and sister cut down during the infamous Bradley Massacre. Echoes of the once rugged frontier rebound from the Ellis-Gillett feud, vigilantism and Sheriff Bart's justice. Obliterating the mounds of indigenous people cast an ever-present and ominous tone over sacred grounds throughout the county. Author Madonna Wise shares ethereal accounts of the Meighan Theatre, the treacherous Road to Nowhere, the Edwinola Hotel and more.

Possessions asks why this region just outside New York City became the locus for so many ghostly tales, and shows how these hauntings came to operate as a peculiar type of social memory whereby things lost, forgotten, or marginalized returned to claim possession of imaginations and territories. Reading Washington Irving's stories along with an array of narratives from local folklore and regional writings, Judith Richardson explores the causes and consequences of Hudson Valley hauntings to reveal how ghosts both evolve from specific historical contexts and are conjured to serve the needs of those they haunt. These tales of haunting, Richardson argues, are no mere echoes of the past but function in an ongoing, contentious politics of place."The author traces changing versions of several ghostly tales that mutated over time to reflect local conditions and controversies as well as national political issues like abolitionism. Richardson shows that, thanks to the Hudson Valley's long history of settlement, the 'legendizing impetus' created by Washington Irving, and the area's established position as a tourist destination, it inspired at least three sometimes overlapping traditions of hauntings: the 'aboriginal' Dutch and Indian hauntings, the Revolutionary War hauntings, and industrial hauntings, which are traced in Maxwell Anderson's High Tor and T. Coraghessan Boyle's World's End."-J. J. Benardete, Choice