In The Green Eagle Score, Parker cuts his vacation with Claire short with a new job: stealing the entire payroll of an Air Force base in upstate New York. With help from Marty Fusco, fresh out of the pen, and a smart aleck finance clerk named Devers, Parker tries to shorten the odds on the risky job. But the ice is thinner than Parker likes to think—and a wrench always gets thrown in the works.

Deadly Edge bids a brutal adieu to the 1960s as Parker robs a rock concert, and the heist goes south. Soon Parker finds himself—and his woman, Claire—menaced by a pair of sadistic, drug-crazed hippies. Parker has a score to settle while Claire’s armed with her first rifle—and they’re both ready to usher in the end of the Age of Aquarius. “Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.” — John Banville, Bookforum “The Parkers read with the speed of pulp while unfolding with an almost Nabovokian wit and flair.” — Richard Rayner, Los Angeles Times

A corrupt African colonel has converted half his country’s wealth into diamonds and smuggled them to a Manhattan safe house. Four upstanding citizens plan to rescue their new nation by stealing the diamonds back—with the help of a “specialist”: Parker. Will Parker break his rule against working with amateurs and help them because his woman would be disappointed if he doesn’t? Or because three hired morons have threatened to kill him and his woman if he does? They thought they were buying an advantage, but what they get is a predated death certificate.

The coldblooded criminal known as Parker tries, and fails, to stay under the radar in rural New England: “Nobody does the noir thriller better than Stark.” —San Diego Union-Tribune In Ask the Parrot, the followup to Nobody Runs Forever, ruthless thief Parker is back on the run, dodging dogs, cops, and even a helicopter. His escape brings him to rural Massachusetts, where he is forced to work with a small-town recluse nursing a grudge against the racetrack that fired him. Even in hiding, Parker manages to get up to no good. It’ll be a deadly day at the races . . . “Richard Stark’s Parker crime novels are the ultimate page-turners.” —Jonathan Ames, The Boston Globe “Parker is a blunt instrument of a human being.” —John Hodgman, Parade “Often funny, laced with Stark’s brutally morbid humor . . . fast-moving, tense scenes that drip with potential violence before, inevitably, exploding into actual violence.” —Christopher Bahn, AV Club

After the publication of Butcher's Moon in 1974, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, "suddenly, he came back from the dead, with a chalky prison pallor"--and the novels that followed showed that neither Parker nor Stark had lost a step. Backflash finds Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money--and he's willing to do anything to tilt the odds in his favor. Featuring a great cast of heisters, a striking setting, and a new introduction by Westlake's close friend and writing partner, Lawrence Block, this classic Parker adventure deserve a place of honor on any crime fan's bookshelf.

“Hearing the click behind him, Parker threw his glass straight back over his right shoulder, and dove off his chair to the left.” When a job looks like amateur hour, Parker walks away. But even a squad of seasoned professionals can't guarantee against human error in a high-risk scam. Can an art dealer with issues unload a truck of paintings with Parker’s aid? Or will the heist end up too much of a human interest story, as luck runs out before Parker can get in on the score? “Parker is refreshingly amoral, a thief who always gets away with the swag.”—Stephen King, Entertainment Weekly “Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World