November 1891, the heart of Gilded Age Manhattan. Thousands filled the streets surrounding Madison Square, fingers pointing, mouths agape. After countless struggles, Stanford White—the country’s most celebrated architect was about to dedicate America’s tallest tower, the final cap set atop his Madison Square Garden, the country’s grandest new palace of pleasure. Amid a flood of electric light and fireworks, the gilded figure topping the tower was suddenly revealed—an eighteen-foot nude sculpture of Diana, the Roman Virgin Goddess of the Hunt, created by Augustus Saint-Gaudens, the country’s finest sculptor and White’s dearest pal. The Grandest Madison Square Garden tells the remarkable story behind the construction of the second, 1890, Madison Square Garden and the controversial sculpture that crowned it. Set amid the magnificent achievements of nineteenth-century American art and architecture, the book delves into the fascinating private lives of the era’s most prominent architect and sculptor and the nature of their intimate relationship. Hinman shows how both men pushed the boundaries of America’s parochial aesthetic, ushering in an era of art that embraced European styles with American vitality. Situating the Garden’s seminal place in the history of New York City, as well as the entire country, The Grandest Madison Square Garden brings to life a tale of architecture, art, and spectacle amid the elegant yet scandal-ridden culture of Gotham’s decadent era.

Evelyn Nesbit was a popular American chorus girl, an artists’ model, and an actress. In the early part of the Twentieth century, the figure and face of Evelyn Nesbit were everywhere, appearing in mass circulation newspaper and magazine advertisements, on souvenir items and calendars, making her a cultural celebrity. But it was on the evening of June 25, 1906 that she gained worldwide notoriety, when her husband, multi-millionaire Harry Kendall Thaw, shot and murdered architect and New York socialite Stanford White on the rooftop theatre of Madison Square Garden—leading to what the press would call “The Trial of the Century”. The Harry K. Thaw—Evelyn Nesbit—Stanford White story remains one of the great crime sensations of the Twentieth Century. Stanford White, an enormously rich man of high social position and supposedly blameless reputation, nevertheless led a private life that was at variance with his public reputation. His lavish stag dinner parties were well-known, and later played an important part in the famous murder trial. A gripping read.

A master historian traces the flourishing of organized religion in Manhattan between the 1880s and the 1960s, revealing how faith adapted and thrived in the supposed capital of American secularism. In Gilded Age Manhattan, Catholic, Jewish, and Protestant leaders agonized over the fate of traditional religious practice amid chaotic and multiplying pluralism. Massive immigration, the anonymity of urban life, and modernity's rationalism, bureaucratization, and professionalization seemingly eviscerated the sense of religious community. Yet fears of religion's demise were dramatically overblown. Jon Butler finds a spiritual hothouse in the supposed capital of American secularism. By the 1950s Manhattan was full of the sacred. Catholics, Jews, and Protestants peppered the borough with sanctuaries great and small. Manhattan became a center of religious publishing and broadcasting and was home to august spiritual reformers from Reinhold Niebuhr to Abraham Heschel, Dorothy Day, and Norman Vincent Peale. A host of white nontraditional groups met in midtown hotels, while black worshippers gathered in Harlem's storefront churches. Though denied the ministry almost everywhere, women shaped the lived religion of congregations, founded missionary societies, and, in organizations such as the Zionist Hadassah, fused spirituality and political activism. And after 1945, when Manhattan's young families rushed to New Jersey and Long Island's booming suburbs, they recreated the religious institutions that had shaped their youth. God in Gotham portrays a city where people of faith engaged modernity rather than floundered in it. Far from the world of "disenchantment" that sociologist Max Weber bemoaned, modern Manhattan actually birthed an urban spiritual landscape of unparalleled breadth, suggesting that modernity enabled rather than crippled religion in America well into the 1960s.

Soon after his inauguration in 1934, New York City mayor Fiorello La Guardia began appointing women into his administration. By the end of his three terms in office, he had installed almost a hundred as lawyers in his legal department, but also as board and commission members and as secretaries, deputy commissioners, and judges. No previous mayor had done anything comparable. Aware they were breaking new ground for women in American politics, the "Women of the La Guardia Administration," as they called themselves, met frequently for mutual support and political strategizing. This is the first book to tell their stories. Author Elisabeth Israels Perry begins with the city's suffrage movement, which prepared these women for political action as enfranchised citizens. After they won the vote in 1917, suffragists joined political party clubs and began to run for office, many of them hoping to use political platforms to enact feminist and progressive public policies. Circumstances unique to mid-twentieth century New York City advanced their progress. In 1930, Governor Franklin D. Roosevelt authorized an inquiry into alleged corruption in the city's government, long dominated by the Tammany Hall political machine. The inquiry turned first to the Vice Squad's entrapment of women for sex crimes and the reported misconduct of the Women's Court. Outraged by the inquiry's disclosures and impressed by La Guardia's pledge to end Tammany's grip on city offices, many New York City women activists supported him for mayor. It was in partial recognition of this support that he went on to appoint an unprecedented number of them into official positions, furthering his plans for a modernized city government. In these new roles, La Guardia's women appointees not only contributed to the success of his administration but left a rich legacy of experience and political wisdom to oncoming generations of women in American politics.

From Sir John Franklin's doomed 1845 search for the Northwest Passage to early twentieth-century sprints to the South Pole, polar expeditions produced an extravagant archive of documents that are as varied as they are engaging. As the polar ice sheets melt, fragments of this archive are newly emergent. In The News at the Ends of the Earth Hester Blum examines the rich, offbeat collection of printed ephemera created by polar explorers. Ranging from ship newspapers and messages left in bottles to menus and playbills, polar writing reveals the seamen wrestling with questions of time, space, community, and the environment. Whether chronicling weather patterns or satirically reporting on penguin mischief, this writing provided expedition members with a set of practices to help them survive the perpetual darkness and harshness of polar winters. The extreme climates these explorers experienced is continuous with climate change today. Polar exploration writing, Blum contends, offers strategies for confronting and reckoning with the extreme environment of the present.

What do Adolf Hitler, Mahatma Gandhi, and Ed Sullivan have in common? Ottavio Canestrelli crossed paths with each. He performed with the Krone Circus in Italy and Germany from 1922 to 1924 on the eve of Hitler's rise to power; he witnessed a rally for Mahatma Gandhi in India in 1931; and he appeared twice on the Ed Sullivan Show during the 1960s. In The Grand Gypsy, Canestrelli, with his grandson, Ottavio Gesmundo, tells the story of a man who witnessed historical events as he toured with his family through five continents and countless nations, including experiences fighting in World War I and the excavation of the Sphinx in Egypt. It shares memories of life in the circus, filled with daring feats and tragic mishaps. With over one hundred and seventy historical photographs included, this memoir chronicles a circus dynasty from the late nineteenth-century in Europe to the new millennium in the United States.

“Supreme City captures a vanished Gotham in all its bustle, gristle, and glory” (Vanity Fair). In the 1920s midtown Manhattan became the center of New York City, and the cultural and commercial capital of America. This is the story of the people who made it happen. In just four words—“the capital of everything”—Duke Ellington captured Manhattan during one of the most exciting and celebrated eras in our history: the Jazz Age. Supreme City is the story of Manhattan’s growth and transformation in the 1920s and the brilliant people behind it. Nearly all of the makers of modern Manhattan came from elsewhere: Walter Chrysler from the Kansas prairie; entertainment entrepreneur Florenz Ziegfeld from Chicago. William Paley, founder of the CBS radio network, was from Philadelphia, while his rival David Sarnoff, founder of NBC, was a Russian immigrant. Cosmetics queen Elizabeth Arden was Canadian and her rival, Helena Rubinstein, Polish. All of them had in common vaulting ambition and a desire to fulfill their dreams in New York. As mass communication emerged, the city moved from downtown to midtown through a series of engineering triumphs—Grand Central Terminal and the new and newly chic Park Avenue it created, the Holland Tunnel, and the modern skyscraper. In less than ten years Manhattan became the social, cultural, and commercial hub of the country. The 1920s was the Age of Jazz—and the Age of Ambition. Transporting, deeply researched, and utterly fascinating, Supreme City “elegantly introduces one vivid character after another to re-create a vital and archetypical era…A triumph” (The New York Times).