Two months to live. That's what the doctor says. Sally responds with grace and optimism. Marisa responds by closing herself off. If her mother is going to die before she graduates from high school, why even try. Cancer has already ruined everything. Honest and heartfelt, "The Goodbye Diaries" offers a touching glimpse into both sides of terminal illness -- the one who will leave and the one who will be left behind. Told in alternating voices, Sally and Marisa reveal their fears, their frustrations, and their fierce connection to each other. -- back cover.

"Anguished, beautifully written... The Long Goodbye is an elegiac depiction of drama as old as life." -- The New York Times Book Review From one of America's foremost young literary voices, a transcendent portrait of the unbearable anguish of grief and the enduring power of familial love. What does it mean to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of fifty-five, Meghan O'Rourke found that nothing had prepared her for the intensity of her sorrow. In the first anguished days, she began to create a record of her interior life as a mourner, trying to capture the paradox of grief-its monumental agony and microscopic intimacies-an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond. O'Rourke's story is one of a life gone off the rails, of how watching her mother's illness-and separating from her husband-left her fundamentally altered. But it is also one of resilience, as she observes her family persevere even in the face of immeasurable loss. With lyricism and unswerving candor, The Long Goodbye conveys the fleeting moments of joy that make up a life, and the way memory can lead us out of the jagged darkness of loss. Effortlessly blending research and reflection, the personal and the universal, it is not only an exceptional memoir, but a necessary one.

The Glass Castle meets The Battle Hymn of the Tiger Mother in this dazzlingly honest and provocative family memoir by former child actress and current Fox Business Network anchor Melissa Francis. When Melissa Francis was eight years old, she won the role of lifetime: playing Cassandra Cooper Ingalls, the little girl who was adopted with her brother (played by young Jason Bateman) by the Ingalls family on the world's most famous primetime soap opera, Little House on the Prairie. Despite her age, she was already a veteran actress, living a charmed life, moving from one Hollywood set to the next. But behind the scenes, her success was fueled by the pride, pressure, and sometimes grinding cruelty of her stage mother, as fame and a mother's ambition pushed her older sister deeper into the shadows. Diary of a Stage Mother's Daughter is a fascinating account of life as a child star in the 1980's, and also a startling tale of a family under the care of a highly neurotic, dangerously competitive "tiger mother." But perhaps most importantly, now that Melissa has two sons of her own, it's a meditation on motherhood, and the value of pushing your children: how hard should you push a child to succeed, and at what point does your help turn into harm?

Personal memories of the sort her Chatelaine readers adored — a remarkable life story seen through the window of her relationship with her mother. Every woman’s relationship with her mother is special. Yet everyone will recognize some parts of another woman’s story, especially if it is told as honestly and as sensitively as Rona Maynard tells it here. As a little girl, Maynard soon came to see that her family was not an ordinary one. Her father, Max, was an artist and an alcoholic. Her mother was Fredelle Maynard, a brilliant academic who could not get a teaching job because she was a woman. Instead she became a writer — the author of Raisins and Almonds — and, above all, a driving, loving, ambitious, overpowering mother. In her shadow (and that of younger sister Joyce, who went off at eighteen to live with J.D. Salinger) Rona took time to blossom as a writer and editor in Toronto. This book takes us through her career, step by step, including the miseries of being accused by her son’s teachers — and her own mother — of being a bad mother, overly concerned with her own career. Rona’s strong, direct style will ring true for every working woman. Through the magic of her writing, she gives a clear-eyed and affectionate account of her relationship with a demanding, loving mother. I said to my father, "You don’t live here any more. This is Mother’s house, not yours. It’s time for you to go." My father cursed me. He shook his fist. Then he left and never came back. —From My Mother’s Daughter

"I wonder if my first breath was as soul-stirring to my mother as her last breath was to me." How do you let go of a hand you've held your whole life? When Lisa traveled home to visit her parents in December 2011, she never expected an ordinary three-day weekend to turn into an extraordinary 14-day observance of her mother’s life – and ultimately – death. 14 Days is a story of parental loss, and how to lovingly, bravely and gracefully let go of a hand you’ve been holding your entire life. From a child’s first breath, to a mother’s last, this memoir shows how closing that circle can be a celebration of this unbreakable bond.

2015-2016 Sarton Story Circle: Memoir Winner 2016-2017 Readers Views Award: Memoir/Autobiography/Biography Winner, West Pacific Regional Winner 2017 Independent Press Award: Relationships Winner 2017 Northern California Publishers and Authors Second Place in Book Cover 2017 Northern California Publishers and Authors Second Place in Memoir 2017 Readers' Favorite Book Award Bronze Winner 2017 International Book Awards: Autobiography/Memoir Finalist 2016 National Indie Excellence Awards: Memoir Finalist Everyone has or had a mother. Dr. Virginia A. Simpson did too. She thought they had a wonderful relationship and had worked out all of their issues when a life-threatening illness necessitated her mother, Ruth, come live with her. When her mother moved in, she brought with her all their old issues and during the six years they lived together, they added more. Although an expert in the field of death, dying, and bereavement, Virginia often found herself overwhelmed by her caregiving role as her mother’s health continued to decline. She also felt herself on a race against time to heal their relationship before her mother died. Described as “stunning, beautiful, and honest,” The Space Between: A Memoir of Mother-Daughter Love at the End of Life offers an intimate window into the challenges of being a caregiving while also providing important information about the realities of end of life care. The Space Between gives us hope that even the most contentious relationship can be healed. By the end of Ruth’s life, the only space between Virginia and her mother was filled with love.

The complex, deeply binding relationship between mothers and daughters is brought vividly to life in Katie Hafner’s remarkable memoir, an exploration of the year she and her mother, Helen, spent working through, and triumphing over, a lifetime of unresolved emotions. Dreaming of a “year in Provence” with her mother, Katie urges Helen to move to San Francisco to live with her and Zoë, Katie’s teenage daughter. Katie and Zoë had become a mother-daughter team, strong enough, Katie thought, to absorb the arrival of a seventy-seven-year-old woman set in her ways. Filled with fairy-tale hope that she and her mother would become friends, and that Helen would grow close to her exceptional granddaughter, Katie embarked on an experiment in intergenerational living that she would soon discover was filled with land mines: memories of her parents’ painful divorce, of her mother’s drinking, of dislocating moves back and forth across the country, and of Katie’s own widowhood and bumpy recovery. Helen, for her part, was also holding difficult issues at bay. How these three women from such different generations learn to navigate their challenging, turbulent, and ultimately healing journey together makes for riveting reading. By turns heartbreaking and funny—and always insightful—Katie Hafner’s brave and loving book answers questions about the universal truths of family that are central to the lives of so many. Praise for Mother Daughter Me “The most raw, honest and engaging memoir I’ve read in a long time.”—KJ Dell’Antonia, The New York Times “A brilliant, funny, poignant, and wrenching story of three generations under one roof, unlike anything I have ever read.”—Abraham Verghese, author of Cutting for Stone “Weaving past with present, anecdote with analysis, [Katie] Hafner’s riveting account of multigenerational living and mother-daughter frictions, of love and forgiveness, is devoid of self-pity and unafraid of self-blame. . . . [Hafner is] a bright—and appealing—heroine.”—Cathi Hanauer, Elle “[A] frank and searching account . . . Currents of grief, guilt, longing and forgiveness flow through the compelling narrative.”—Steven Winn, San Francisco Chronicle “A touching saga that shines . . . We see how years-old unresolved emotions manifest.”—Lindsay Deutsch, USA Today “[Hafner’s] memoir shines a light on nurturing deficits repeated through generations and will lead many readers to relive their own struggles with forgiveness.”—Erica Jong, People “An unusually graceful story, one that balances honesty and tact . . . Hafner narrates the events so adeptly that they feel enlightening.”—Harper’s “Heartbreakingly honest, yet not without hope and flashes of wry humor.”—Kirkus Reviews “[An] emotionally raw memoir examining the delicate, inevitable shift from dependence to independence and back again.”—O: The Oprah Magazine (Ten Titles to Pick Up Now)