In this fish-out-of-water story--the winner of the World Fantasy Award--two Scottish thistle fairies find themselves in Manhattan.

'I owned it for five years before reading it, then lent my copy to someone I thought should read it, and never got it back. Do not make either of my mistakes. Read it now, and then make your friends buy their own copies. You'll thank me one day' Neil Gaiman Morag and Heather, two eighteen-inch fairies with swords, green kilts and badly dyed hair fly through the window of the worst violinist in New York, an overweight and antisocial type named Dinnie, and vomit on his carpet. Who they are, how they came to New York and what this has to do with the lovely Kerry - who lives across the street, and has Crohn's Disease, and is making a flower alphabet - and what this has to do with the other fairies (of all nationalities) of New York, not to mention the poor repressed fairies of Britain, is the subject of this book. It has a war in it, and a most unusual production of Shakespeare's A Midsummer Night's Dream and Johnny Thunders' New York Dolls guitar solos. What more could anyone desire from a book? Why do readers love The Good Fairies of New York? 'Pure literary gold' 'I can't remember the last time a book gave me as many belly laughs as this one did' 'Hilarious' 'A fairy tale tale for the new kids on the block : irreverent, subversive, sexually liberated, rich in pop culture references' 'Page-turning . . . intelligent, but never overdone' 'Off-beat and quirky, but it's also a tale with a beating pulse and moral warmth. Martin Millar is an incredible addition to the paranormal scene - he dirties the genre, roughs it up and screams a story that rings in your ears long after the last page'

Morag and Heather, two eighteen-inch fairies with swords, green kilts and badly-dyed hair fly through the window of the worst violinist in New York, an overweight and antisocial type named Dinnie, and vomit on his carpet. Who they are, and how they came to New York and what this has to do with the lovely Ketty, who lives across the street, and is making a flower alphabet, and what this has to do with the other fairies (of all nationalities) of New York, not to mention the poor repressed fairies of Britain, is the subject of this book. It has a war in it, and a most unusual production of Shakespeare's 'A Midsummer Night's Dream' and Johnny Thunders' New York Dolls guitar solos.

Gwendolyn Carlisle loves fairies, perhaps too much. On her birthday, she receives the precious "kiss" necklace which has been passed down from mother to daughter ever since Peter Pan gave it to Wendy Darling. That night, Gwendolyn has the first of her visions—tantalizing, lifelike visions, almost as if she were actually in Fairy Haven. She sees animaltalent fairy Beck give a pie to wise Mother Dove and hears the voices of water-talent Rani and even Tinker Bell herself. More than anything, Gwendolyn wishes she could be there.

NATIONAL BESTSELLER • A curmudgeonly professor journeys to a small town in the far north in this “incredibly fun journey through fae lands and dark magic” (NPR), the start of a heartwarming and enchanting new fantasy series. “A darkly gorgeous fantasy that sparkles with snow and magic.”—Sangu Mandanna, author of The Very Secret Society of Irregular Witches A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, PopSugar Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party—or even get invited to one. And she prefers the company of her books, her dog, Shadow, and the Fair Folk to other people. So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, muddle Emily’s research, and utterly confound and frustrate her. But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones—the most elusive of all faeries—lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she’ll have to unlock the greatest mystery of all—her own heart. Book One of the Emily Wilde Series

"The Secret Commonwealth is a guide to fairies, doppelgängers, wraiths, and other beings that its author Robert Kirk, an unusually inquisitive seventeenth-century Scottish minister, identifies as being ?of a middle nature betwixt man and angel.? Circulated in manuscript by its author, whose religious and scientific interests drew him at some genuine personal risk to investigate the hidden realities of the spiritual world, this short work was first published by Sir Walter Scott and then again in the late nineteenth century in an edition prepared by the famous collector of fairy tales, Andrew Lang, and dedicated to Robert Louis Stevenson. Nonetheless, Kirk’s work, which is a fine example of English prose, an important document in the history of ideas, and an enchanting introduction to fairy lore has remained a rarity"--Publisher description.

In this best-selling sequel to Fairy Dust and the Quest for the Egg, Newbery Honor-winning author Gail Carson Levine and illustrator David Christiana spin a riveting fairy tale about the dangers of dreams come true.