Death hasn't visited Rowan Rose since it took her mother when Rowan was only a little girl. But that changes one bleak morning, when five horses and their riders thunder into her village and through the forest, disappearing into the hills. Days later, the riders' bodies are found, and though no one can say for certain what happened in their final hours, their remains prove that whatever it was must have been brutal. Rowan's village was once a tranquil place, but now things have changed. Something has followed the path those riders made and has come down from the hills, through the forest, and into the village. Beast or man, it has brought death to Rowan's door once again. Only this time, its appetite is insatiable. A YALSA Best Fiction for Young Adults Pick [STAR] "With stylish prose, richly developed characters and well-realized worldbuilding, Templeman plumbs archetypes of folklore to create a compelling blend of mythic elements and realistic teen experience."-Kirkus Reviews, Starred [STAR] "This has both the stylish beauty of those [classic fairy] tales and the chilling darkness that makes them timeless."-The Bulletin, Starred “The legion of Maggie Stiefvater fans out there ought to look this way.”-Booklist

After the murder of her cousin, everything changes for sixteen-year-old Rowan, who must not only seek the evil forces responsible before they destroy her family and village, but also set aside her studies when she becomes betrothed.

SOMETHING WICKEDLY WEIRD IS HERE The only thing worse than pirates are undead pirates. He might have survived the first two books, but Stanley Buggles has hardly found a quiet life in his home of Cramdon Rock. Now there are two more dead pirates out to find Stanely, and this time there's an army with them. They want the precious key to the Silver Casket. Stanley doesn't know what's inside the Silver Casket, but he and his friends will do everything in their power to not find out.

In Night Swim, Joan Kwon Glass navigates the dark sea of mourning after losing her sister and her 11-year old nephew to suicide within a two month span of time. Night Swim does not turn away from the ugly, unreconciled side of grief: the recurring nightmares, life with Post Traumatic Stress Syndrome, questions that will never have answers, the desire to hold someone responsible for the deaths when there is no one left to blame. The collection begins with a solitary, titular poem which asks the reader to consider what grief feels like when "the landscape doesn’t change // but everything else does." In this testimony of mourning and memory, the author weaves a suicide survivorship narrative told through the five stages of grief. This narrative includes the author’s memories of the weeks leading up to the deaths, her regrets, scenes from the funerals, erasures from police reports, and the excruciating forging ahead with daily life in spite of deep sorrow, maddening questions, and all that remains unresolved. It gives survivors permission to find their way through on their own terms: to hold a grudge against the dead while also wishing desperately for them to still be alive, to consider taking every door in your house off its hinges just to make more room for ghosts, to measure time by the ages the dead would have been if they were still here. Night Swim suggests that in order to live bravely again in a world without one’s beloved, the survivor may eschew the expectations of “appropriate” grief and tell the truth as it exists for them. What should we hold onto and what should we let go of? Although Night Swim shares a story of extraordinary loss, it is also a testament to how even against the harshest currents, in the darkest waters, we can swim up and through, where light and the shore will be waiting.

A triumphant tale of a young woman and her difficult childhood, The Glass Castle is a remarkable memoir of resilience, redemption, and a revelatory look into a family at once deeply dysfunctional and wonderfully vibrant. Jeannette Walls was the second of four children raised by anti-institutional parents in a household of extremes.

The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.