The shocking, definitive account of the lawyers and media tycoons who enabled the rise of Donald Trump, featuring new revelations from a Pulitzer Prize-winning Wall Street Journal team With his blunt-force fame and the myths he’s propagated about himself, Donald Trump has always moved in a world of gossip barons, crooked lawyers, and porn stars. But when he became the Republican nominee for the presidency in 2016, all of these characters crawled out from the underbelly of Trump’s stardom and stumbled onto the global stage with him. In The Fixers, Joe Palazzolo and Michael Rothfeld have produced a deeply reported and exquisitely drawn portrait of that world, full of secret phone calls, hidden texts, and desperate deals, unearthing the practice of “catch and kill” by which Trump surrogates paid hush money to cover up his affairs, and detailing Trump’s historic relationship with his fixers—from his early, influential relationship with Roy Cohn to his reliance on Michael Cohen, National Enquirer publisher David Pecker, and former New York mayor Rudy Giuliani. It traces the arc of their interactions from the 1970s through the 2016 campaign and beyond. It is a distinctly American saga that navigates the worlds of reality TV, cash-for-trash tabloids, single-shingle law shops, celebrity bashes, high-end real estate, pornography, and politics. The characters and settings of this book are part of a vulgar circus that crisscrosses the country, from New York to L.A. to D.C. Terrifying, darkly comic, and compulsively readable, The Fixers is an epic political adventure in which greed, corruption, lust, and ambition collide, and that leads, ultimately, to the White House. Advance praise for The Fixers “Of the dozens of books chronicling Donald Trump’s presidency, The Fixers is destined to sit atop the pile. It has everything you look for in a political page-turner: Colorful characters, intrigue, sex, corruption and—unlike much of the Trump canon—meticulous, factual reporting by two ace reporters. What a read!”—John Carreyrou, New York Times bestselling author of Bad Blood

Eddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood's golden age from the 1920s through the 1940s--including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them--solved their problems, hid their crimes, and kept their secrets. They were "the Fixers." At a time when image meant everything and the stars were worth millions to the studios that owned them, Mannix and Strickling were the most important men at MGM. Through a complex web of contacts in every arena, from reporters and doctors to corrupt police and district attorneys, they covered up some of the most notorious crimes and scandals in Hollywood history, keeping stars out of jail and, more importantly, their names out of the papers. They handled problems as diverse as the murder of Paul Bern (husband of MGM's biggest star, Jean Harlow), the studio-directed drug addictions of Judy Garland, the murder of Ted Healy (creator of The Three Stooges) at the hands of Wallace Beery, and arranging for an unmarried Loretta Young to adopt her own child--a child fathered by a married Clark Gable. Through exhaustive research and interviews with contemporaries, this is the never-before-told story of Eddie Mannix and Howard Strickling. The dual biography describes how a mob-related New Jersey laborer and the quiet son of a grocer became the most powerful men at the biggest studio in the world.

Winner of the 1966 Pulitzer Prize and National Book Award Kiev, 1911. When a twelve-year-old Russian boy is found stabbed to death, his body drained of blood, the accusation of ritual murder is levelled at the Jews. Yakov Bok - a handyman hiding his Jewish identity from his anti-Semitic employer - is first outed and blamed. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit. What becomes of this man under pressure, for whom acquittal is made to seem as hopeless as conviction, is the subject of a terrifying masterpiece of twentieth-century fiction. Acclaim for Malamud: 'Malamud is a rich original of the first rank' Saul Bellow 'Malamud has never produced a mediocre novel... He is always profoundly convincing' Anthony Burgess 'One of Malamud's extraordinary gifts has always been for lifting the realistic world up, into the realm of metaphysical fantasy. Another has been to take life, lives, seriously' Malcolm Bradbury 'One of those rare writers who makes other writers eat their hearts out' Melvyn Bragg Of Malamud's short stories: 'I have discovered a short-story writer who is better than any of them, including myself' Flannery O'Connor

"Though news fixers are vital to the practice of international reporting--helping journalists to understand foreign languages, set up compelling interviews, and navigate unfamiliar terrain--their role is rarely made transparent to news audiences. Without news fixers, journalists would struggle to cover stories that unfold outside their own countries. Yet, fixers are some of the most underprotected and undervalued employees in the foreign news industry. This book draws upon interviews with 75 news fixers from around the world, in hopes of learning more about fixers' own perspectives on their important work. Overwhelmingly, these news workers suggest that they play the precarious role of 'ultural mediator,'bridging the divides that might exist between foreign journalists and the people who live and work in the places the journalists cover. Fixers also suggest that they deserve more upward mobility in the field of international journalism, as well as more protection from the news organizations that depend so heavily on their work"

When her grandfather develops dementia, sixteen-year-old Tess, who has been keeping his Montana ranch going, is whisked away to Washington, D.C., by a sister she barely knows and thrown into a world of politics, power, wealth, love triangles, and family secrets.

What if a candidate who promised hope and change had agreed to staff his campaign with Wall Street insiders in exchange for very secret campaign cash? And what if those insiders then made sure that none of their own ever got caught when the financial crisis exploded? Fixers, by bestselling novelist and former Lehman Brothers partner Michael M. Thomas, is a shocking, wildly plausible thriller about the insider's insider who brokers the deal - and changed American history forever.

Stories of Newark’s postwar decline are easy to find. But in The Fixers, Julia Rabig supplements these tales of misery with the story of the many imaginative challenges to the city’s decline mounted by Newark’s residents and suburban neighbors. In these pages, we meet the black nationalists whose dynamic organizing elected African American candidates in unprecedented numbers. There are tenants who mounted a historic rent strike to transform public housing and renegade white Catholic priests who joined black laywomen to pioneer the construction of low-income housing and influence housing policy. These are just a few of the “fixers” we meet—people who devised ways to work with limited resources and pull together the threads of a patchwork welfare state. Rabig argues that fixers play dual roles. They support resistance, but also mediation; they fight for reform, but also more radical and far-reaching alternatives; they rally others to a collective cause, but sometimes they broker factions. Fixers reflect longer traditions of organizing while responding to the demands of their times. In so doing, they end up fixing (like a fixative) a new and enduring pattern of activist strategies, reforms, and institutional expectations—a pattern we continue to see today.