From James Preller, the author of Bystander, another unflinching book about bullying and its fallout. The summer before school starts, Sam's friend and classmate Morgan Mallen kills herself. Morgan had been bullied. Maybe she kissed the wrong boy. Or said the wrong thing. What about that selfie that made the rounds? Morgan was this, and Morgan was that. But who really knows what happened? As Sam explores the events leading up to the tragedy, he must face a difficult and life-changing question: Why did he keep his friendship with Morgan a secret? And could he have done something-anything-to prevent her final actions? This title has Common Core connections.

"This book makes you understand exactly what it is like to compete as a woman at the highest level in sport, and it is exhilarating and satisfying indeed." --Holly Sorensen, Television Creator/Showrunner, Make it or Break It, Step Up: High Water Audrey Lee is going to the Olympics. A year ago, she could barely do a push up as she recovered from a spine surgery, one that could have paralyzed her. And now? She's made the United States gymnastics team with her best friend, Emma, just like they both dreamed about since they were kids. She's on top of the world. The pressure for perfection is higher than ever when horrifying news rips the team apart. Audrey is desperate to advocate for her teammate who has been hurt by the one person they trusted most--but not all the gymnasts are as supportive. With the team on the verge of collapse, the one bright spot in training is Leo, her new coach's ridiculously cute son. And while Audrey probably (okay, definitely) shouldn't date him until after the games, would it really be the end of the world? Balancing the tenuous relationship between her teammates with unparalleled expectations, Audrey doesn't need any more distractions. No matter what it takes, she's not going to let anyone bring them down. But with painful revelations, incredible odds, and the very real possibility of falling at every turn, will Audrey's determination be enough?

Madeline Usher has been buried alive. The doomed heroine comes to the fore in this eerie reimagining of Edgar Allan Poe's classic short story "The Fall of the House of Usher." Gothic, moody, and suspenseful from beginning to end, The Fall is literary horror for fans of Miss Peregrine's Home for Peculiar Children and Asylum. Madeline awakes in a coffin. And she was put there by her own twin brother. But how did it come to this? In short, non-chronological chapters, Bethany Griffin masterfully spins a haunting and powerful tale of this tragic heroine and the curse on the Usher family. The house itself is alive, and it will never let Madeline escape, driving her to madness just as it has all of her ancestors. But she won't let it have her brother, Roderick. She'll do everything in her power to save him—and try to save herself—even if it means bringing the house down around them. With a sinister, gothic atmosphere and relentless tension to rival Poe himself, Bethany Griffin creates a house of horrors and introduces a whole new point of view on a timeless classic. Kirkus Reviews praised it in a starred review as "A standout take on the classic haunted-house tale replete with surprises around every shadowy corner."

When an M15 operation goes wrong, James Adams needs to use all of his skills to get out of Russia alive, while his sister Lauren is on her first solo mission to uncover a brutal human trafficking operation.

In R. J. Pineiro's The Fall, a sci-fi thriller, a man jumps from the upper-most reaches of the atmosphere and vanishes, ending up on an alternate Earth where he died five years earlier. Jack Taylor has always been an adrenaline junkie. As a federal contractor, he does dangerous jobs for the government that fall out of the realm of the SEALS and the Marines. And this next job is right up his alley. Jack has been assigned to test an orbital jump and if it works, the United States government will have a new strategy against enemy countries. Despite Jack's soaring career, his personal life is in shambles. He and his wife Angela are both workaholics and are on the verge of getting a divorce. But the night before his jump, Jack and Angela begin to rekindle their romance and their relationship holds promise for repair. Then comes the day of Jack's big jump. He doesn't burn up like some predicted—instead, he hits the speed of sound and disappears. Jack wakes up in an alternate universe. One where he died during a mission five years earlier and where Angela is still madly in love with him. But in this world, his boss, Pete, has turned to the dark side, is working against him, and the government is now on his tail. Jack must return to his own world but the only way for him to do that is to perform another orbital jump. This time is more difficult though—no one wants to see him go. Jack's adrenaline is contagious—The Fall will keep readers on the edges of their seats, waiting to find out what crazy stunt Jack will perform next and to learn the fate of this charming, daredevil hero.

After falling off the wall, Humpty Dumpty is very afraid of climbing up again, but is determined not to let fear stop him from being close to the birds.

Is it possible to die a happy death? This is the central question of Camus's astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man. In many ways A Happy Death is a fascinating first sketch for The Outsider, but it can also be seen as a candid self-portrait, drawing on Camus's memories of his youth, travels and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die 'without anger, without hatred, without regret'.