In this absorbing narrative Charles Royster traces the rise and fall of the eighteenth-century transatlantic culture that was built on the insatiable demand in Europe for Virginia tobacco and the equally insatiable American demand for European manufactured goods. Moving from the plantations of Virginia and Antigua to the warehouses of London and Glasgow, from the Gold Coast of Africa to the valleys of the Allegheny Mountains, from the iron furnaces of southern Wales to the subscribers' room of Lloyd's of London, Professor Royster gives us the story of the Dismal Swamp Company, a fantastically delusional enterprise that proposed draining and developing a vast morass along the Virginia-North Carolina border. Examining the interconnected lives of the company's partners, Royster reveals a colonial order built on a system of cronyism, conspicuous consumption, and debt that seems hauntingly familiar. He writes about the many schemers and dreamers (including George Washington, Robert "King" Carter, two William Byrds, Patrick Henry, Thomas Jefferson, and Robert Morris) who failed to amass their desired fortunes, and a few realists (Samuel Gist, Dr. Thomas Walker, and Anthony Bacon) who succeeded, but at the dire expense of others. And we see the breakdown of this culture and the transition to a more democratic, though similar, system after the Revolution. Throughout Royster's narrative we seepossessors possessed by their possessions, slaveholders possessed by slavery, and heirs possessed by litigation. Connecting all their stories are their unceasing efforts to make something substantial out of the insubstantial--chief among them the almost unbelievable delusion that fortunes could bemade from the Dismal Swamp.

"And then--the Veil. It drops as drops the night on southern seas--vast, sudden, unanswering. There is Hate behind it, and Cruelty and Tears. As one peers through its intricate, unfathomable pattern of ancient, old, old design, one sees blood and guilt and misunderstanding. And yet it hangs there, this Veil, between Then and Now, between Pale and Colored and Black and White -- between You and Me." W.E.B. DuBois, Darkwater: Voices from within the Veil, 1920 "As the promoters of Jamestown 2007 began to speak of the accomplishment of greater diversity in the nation, and to market the myth of the seamless confluence of Indian, European, and African traditions in the early colony, many reflected not only about how the United States' colonial origins were based on the entrepreneurial ambitions of English settlers, the conquest and degradation of native populations, and the subsequent uprooting and enslavement of untold numbers of Africans, but also about how the more recent legacy of decades of discrimination and marginalization continue to shape our world today. Despite the assimilation, acculturation, and dehumanization that have occurred in the Americas, African Americans have continued to refashion their cultures to fit their own social needs and aesthetic preferences." From Introduction Voices from within the Veil explores the 400-year prelude to the inclusion of African Americans in the commemoration of this nation's origins. With innovative approaches and pioneering research, these essays address both the conditions of African Americans' marginalization and some of the paths toward their empowerment: marronage, the Underground Railroad, social organization, and massive protest movements, among others.

To early European colonists the swamp was a place linked with sin and impurity; to the plantation elite, it was a practical obstacle to agricultural development. For the many excluded from the white southern aristocracy—African Americans, Native Americans, Acadians, and poor, rural whites—the swamp meant something very different, providing shelter and sustenance and offering separation and protection from the dominant plantation culture. Shadow and Shelter: The Swamp in Southern Culture explores the interplay of contradictory but equally prevailing metaphors: first, the swamp as the underside of the myth of pastoral Eden that defined the antebellum South; and second, the swamp as the last pure vestige of undominated southern ecoculture. As the South gives in to strip malls and suburban sprawl, its wooded wetlands have come to embody the last part of the region that will always be beyond cultural domination. Examining the southern swamp from a perspective informed by ecocriticism, literary studies, and ecological history, Shadow and Shelter considers the many representations of the swamp and its evolving role in an increasingly multicultural South.

Few if any are better endowed than George Garrett to comment on the general and the particular, the long and the short, of southern letters in our time. Garrett— a prolific and internationally renowned author of fiction, poetry, drama, and biography as well as a teacher, editor, critic, and frequent jurist for literary competitions—has been immersed in the writers and literature of his native region for almost a half century. Southern Excursions contains more than fifty of the best essays, reviews, and other short pieces of his career. For the connoisseur of good writing, this book is a depository, a treasure, a veritable time capsule of southern, literary, and American culture. Without sacrificing reverence for modern masters such as Faulkner, O’Connor, and Welty, Garrett has consistently embraced worthy new artists through the years, deftly and judiciously drawing the line between critical acclaim and popular success. Payton Davis, Shelby Foote, Walker Percy, William HoVman, Madison Jones, Reynolds Price, Robert Morgan, R. H. W. Dillard, Wendell Berry, Doris Betts, William Goyen, Mary Lee Settle, Randall Kenan, David Huddle, Allan Gurganus, Dorothy Allison—these are a few of the writers Garrett has championed. If some names sound less familiar, Garrett, in these pages, will inspire readers to swift investigation. The author’s charm, wit, and anecdotal style make reading Southern Excursions a delight, and yet there’s no mistaking his erudition. Wise like a prophet, with a talent scout’s enthusiasm, Garrett is not afraid to tell unwelcome truths, covering topics that include southern publishing houses and literary quarterlies, the alliance between writers and academia, the state of criticism and theory, and, most eloquently, the persistence of place, memory, and the Civil War as themes in southern letters. Southern Excursions is a book for the ages, stowing as it does the sage views of one as learned, respected— and modest—in his time as George Garrett. “My strong suggestion [to readers],” he states, “is to plunge in and fare forward. Experience the story before turning to or trusting the opinions and judgments of others, myself included.”

Finalist for the 2018 National Book Award for Nonfiction. In this sweeping new biography, Colin Calloway uses the prism of George Washington's life to bring focus to the great Native leaders of his time--Shingas, Tanaghrisson, Bloody Fellow, Joseph Brant, Red Jacket, Little Turtle--and the tribes they represented: the Iroquois Confederacy, Lenape, Miami, Creek, Delaware; in the process, he returns them to their rightful place in the story of America's founding. The Indian World of George Washington spans decades of Native American leaders' interactions with Washington, from his early days as surveyor of Indian lands, to his military career against both the French and the British, to his presidency, when he dealt with Native Americans as a head of state would with a foreign power, using every means of diplomacy and persuasion to fulfill the new republic's destiny by appropriating their land. By the end of his life, Washington knew more than anyone else in America about the frontier and its significance to the future of his country. The Indian World of George Washington offers a fresh portrait of the most revered American and the Native Americans whose story has been only partially told. Calloway's biography invites us to look again at the history of America's beginnings and see the country in a whole new light.