A fundamental component of Britain's early success, naval impressment not only kept the Royal Navy afloat--it helped to make an empire. In total numbers, impressed seamen were second only to enslaved Africans as the largest group of forced laborers in the eighteenth century. In The Evil Necessity, Denver Brunsman describes in vivid detail the experience of impressment for Atlantic seafarers and their families. Brunsman reveals how forced service robbed approximately 250,000 mariners of their livelihoods, and, not infrequently, their lives, while also devastating Atlantic seaport communities and the loved ones who were left behind. Press gangs, consisting of a navy officer backed by sailors and occasionally local toughs, often used violence or the threat of violence to supply the skilled manpower necessary to establish and maintain British naval supremacy. Moreover, impressments helped to unite Britain and its Atlantic coastal territories in a common system of maritime defense unmatched by any other European empire. Drawing on ships' logs, merchants' papers, personal letters and diaries, as well as engravings, political texts, and sea ballads, Brunsman shows how ultimately the controversy over impressment contributed to the American Revolution and served as a leading cause of the War of 1812. Early American HistoriesWinner of the Walker Cowen Memorial Prize for an Outstanding Work of Scholarship in Eighteenth-Century Studies

In A Necessary Evil, Pulitzer Prize-winning author Garry Wills shows that distrust of government is embedded deep in the American psyche. From the revolt of the colonies against king and parliament to present-day tax revolts, militia movements, and debates about term limits, Wills shows that American antigovernment sentiment is based on a fundamental misunderstanding of our history. By debunking some of our fondest myths about the Founding Fathers, the Constitution, and the taming of the frontier, Wills shows us how our tendency to hold our elected government in disdain is misguided.

In Kentucky, the slavery debate raged for thirty years before the Civil War began. While whites in the lower South argued that slavery was good for master and slave, many white Kentuckians maintained that because of racial prejudice, public safety, and property rights, slavery was necessary but undeniably evil. Harold D. Tallant shows how this view bespoke a real ambivalence about the desirability of continuing slavery in Kentucky and permitted an active abolitionist movement in the state to exist alongside contented slaveholders. Though many Kentuckians were increasingly willing to defend slavery against northern opposition, they did not always see this defense as their first political priority. Tallant explores the way in which the disparity between Kentuckians' ideals and their actions helped make Kentucky a quintessential border state.

A Necessary Evil? is divided into seven chapters: the first establishes the background for slavery in the new nation and sets the stage for the debate while the second chapter records the arguments over slavery from the Constitutional Convention. Chapters three, four, and five turn to the New England, Middle, and Southern states respectively and present the complete record of slavery and the ratification debate in these regions.

This is a reissue of a book which is an exploration and defence of the notion of modality 'de re', the idea that objects have both essential and accidental properties. It is one of the first full-length studies of the modalities to emerge from the debate to which Saul Kripke, David Lewis, Ruth Marcus and others have contributed. The argument is developed by means of the notion of possible worlds, and ranges over key problems including the nature of essence, trans-world identity, negative existential propositions, and the existence of unactual objects in other possible worlds. In the final chapters Professor Plantinga applies his logical theories to the clarification of two problems in the philosophy of religion - the Problem of Evil and the Ontological Argument.

Adam Mulvaney lives a double life. By day, he’s the spoiled youngest son of an eccentric billionaire. By night, he’s an unrepentant killer, one of seven psychopaths raised to right the wrongs of a justice system that keeps failing. Noah Holt has spent years dreaming of vengeance for the death of his father, but when faced with his killer, he learns a daunting truth he can’t escape. His father was a monster. Unable to ignore his own surfacing memories, Noah embarks on a quest to find the truth about his childhood with the help of an unlikely ally: the very person who murdered his father. Since their confrontation, Adam is obsessed with Noah, and he wants to help him uncover the answers he seeks, however dark they may be. The two share a mutual attraction, but, deep down, Noah knows Adam’s not like other boys. Adam can’t love. He wasn’t born that way. But he refuses to let Noah go, and Noah’s not sure he wants him to. Can Adam prove to Noah that passion, power, and protection are just as good as love? Unhinged is a fast-paced, roller coaster ride of a romance with an HEA and no cliffhangers. It features a dirty-talking, possessive psychopath and a sweet cinnamon roll of a boy with Daddy issues and a core of steel. There’s gratuitous violence, very dark humor, enough steam to fog up a hundred car windows, and something a lot like love. This is book one in the Necessary Evils series. Each book follows a different couple.

John Fox Jr. published this great romantic novel of the Cumberland Mountains of Kentucky and Virginia in 1908, and the book quickly became one of AmericaÕs favorites. It has all the elements of a good romanceÑa superior but natural heroine, a hero who is an agent of progress and enlightenment, a group of supposedly benighted mountaineers to be drawn into the flow of mainstream American culture, a generous dose of social and class struggle, and a setting among the misty coves and cliffs of the blue Cumberlands. Reprinted with a foreword by John Ed Pearce, The Trail of the Lonesome Pine has all the excitement and poignance that caught and held readersÕ interest when the book first appeared.