What role should the media play in conflicts that arise during transitions to democracy? What makes the role of the media in Africa different from those in other parts of the world? What ethical responsibilities and obligations do the media have towards societies mired in conflict and characterized by social and economic inequality, ethnic and racial polarization and histories of oppression and violence? The Ethics of Engagement sets out to answer thesequestions by considering various examples of conflicts in African democracies and proposes an "ethics of listening" as a normative framework for the media.

A comprehensive volume that offers the most current thinking on the practice and theory of engagement With contributions from an international panel of leaders representing diverse academic and professional fields The Handbook of Communication Engagement brings together in one volume writings on both the theory and practice of engagement in today’s organizations and societies. The expert contributors explore the philosophical, theoretical, and applied concepts of communication engagement as it pertains to building interaction and connections in a globalized, networked society. The Handbook of Communication Engagement is comprehensive in scope with case studies of engagement from various disciplines including public relations, marketing, advertising, employee relations, education, public diplomacy, and politics. The authors advance the current thinking in engagement theory, strategy, and practice and provide a review of foundational and emerging research in engagement topics. The Handbook of Communication Engagement is an important text that: Provides an overview of the foundations and philosophies of engagement Identifies the contexts of engagement relating to specific areas across government and corporations, including CSR, consumer, activism, diplomacy, digital, and social impact Includes examples of contemporary engagement practice Presents applications of engagement and technology Offers insights on the future directions of engagement The Handbook of Communication Engagement offers an essential reference for advanced undergraduate, graduate students, practitioners and scholars from communication, media, advertising, public relations, public policy, and public diplomacy areas. The volume contains a compendium of the writings on the most recent advances on the theory and practice of engagement. Winner of the 2018 PRIDE Award for Innovation, Development, and Educational Achievement from the Public Relations Division of the National Communication Association.

The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls 'screen stories,' are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume--from television shows and movies to advertisements--can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us.

The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls 'screen stories,' are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume--from television shows and movies to advertisements--can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us.

A refreshing alternative to the longstanding view that Sartre is an extreme individualist, placing him instead at the centre of the debate over civic virtue and democratic participation.

Jean-Paul Sartre was one of the most distinctive and vociferous social critics of the twentieth century. As editor of the French post-war journal Les Temps Modernes, Sartre was able to complement his literary and philosophical views with essays devoted to practical ethical and political issues. The post-war era was one of the most fruitful, exciting and daring periods for Sartre's thinking. His published and unpublished works disclose a striking feature of Sartrean existentialism. The commonly-held view is that existentialism champions radical individualism and disparages community, social roles and civic participation. This book challenges this received wisdom, showing that Sartrean existentialism is in fact a deeply social philosophy. T. Storm Heter demonstrates the vitality of Sartre's landmark essays 'What is Literature?' and 'Anti-Semite and Jew', and reveals the importance of the 'Notebooks for an Ethics', a rich and often ignored manuscript containing Sartre's most extensive discussion of ethical and political concepts. Drawing on these sources, Heter argues that Sartrean authenticity is an ethically and politically important virtue. Contrary to popular belief, the virtue of authenticity is not a mere codeword for sincerity and personal acceptance. Authenticity requires interpersonal recognition and group participation. We cannot be authentic in a vacuum, for the very dynamic of authenticity requires that others recognize our authentic identities. This book not only defends Sartrean ethics against charges of formalism, emptiness and extreme subjectivism, but also shows that authenticity is an important civic virtue, relevant to the social and political institutions of the modern world.