Rarely seen drawings and watercolors by some of the most influential French artists of the nineteenth century are the subject of this richly illustrated publication from The Baltimore Museum of Art and the Walters Art Museum. From revealing preparatory sketches to exquisite finished watercolors, more than 100 works by artists such as Eugene Delacroix, Honore Daumier, Paul Cezanne, and Edgar Degas illuminate the range of French art over the course of a century of innovation. The BMA and the Walters have combined holdings of more than 900 French drawings from the nineteenth century, one of the nation's strongest and richest collections of French art from this period. The publication also includes works from the Peabody Institute Art Collection of the Maryland State Archives. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The catalogue includes essays by Jay McKean Fisher, William R. Johnston, and Cheryl K. Snay that provide insights into the artistic, commercial, and social functions that drawings served for their creators and collectors, as well as how collecting patterns influenced the development of modernism. Conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes in technique as well as style. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and the Walters Art Museum, this book presents a panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online database of more than 900 nineteenth-century French drawings in the holdings of these Baltimore museums.

“An emotional trip down memory lane for those of us who count our favorite restaurants as cherished personalities and members of our family.” —Danny Meyer, founder of Shake Shack From romantic spots like Le Bernardin to beloved holes-in-the-wall like Corner Bistro, John Donohue renders people’s favorite restaurants in a manner that captures the emotional pull a certain place can have on the hearts of New Yorkers. All the Restaurants in New York is a collection of these drawings, characterized by their appealingly loose and gently distorted lines. These transportive images are intentionally spare, leaving the viewer room to layer on their own meaning and draw connections to their own memories of a place, of a time, of an atmosphere. Featuring an eclectic mix of 100 restaurants—from Minetta Tavern to Frankies 457 and River Café—this charming collection of drawings is accompanied by interviews with the owners, chefs, and loyal patrons of these much-loved restaurants. “I love John’s spare, romantic, quirky portrayals of iconic New York restaurants so much that I purchased over a dozen of his prints to hang around my office. These places come to define our lives in New York—that job right next to Balthazar, that boyfriend who lived above Prune, that interview that took place at ‘21’ . . . They deserve this spotlight, this tribute.” —Amanda Kludt, Editor in Chief, Eater “John Donohue is the Rembrandt of New York City’s restaurant facades. His collection is an invaluable, evocative guide to the ever-changing, slowly vanishing landscape of the city’s great dining scene. It belongs on the bookshelf of every devout chowhound and fresser.” —Adam Platt, Restaurant Critic, New York magazine

The Upadesa Sarah (Upadesa Saram) by Bhagavan Sri Ramana Maharshi. Translated with Commentary by Nome. Bhagavan Sri Ramana Maharshi, abiding in the eternal Silence of the Self, composed The Essence of Spiritual Instruction for the supreme good of all in response to the supplications of the devoted Muruganar. The poet-devotee was writing in Tamil the story of the wayward rishis who dwelled in the Daruka forest and practiced rites for the attainment of powers that they desired. Their egos humbled by Siva and perceiving the error of their approach, they humbly sought spiritual instruction from Siva. Siva graciously bestowed the instruction, and it is these teachings that Muruganar requested Sri Bhagavan, Siva himself, to reveal in verse form. So, the Maharshi composed thirty verses in Tamil. Later, Sri Bhagavan translated them into Sanskrit. The Tamil version is entitled Upadesa Undiyar, and the Sanskrit version is entitled Upadesa Sarah and is also referred to as Upadesa Saram. This work is the English translation of the Sanskrit Upadesa Sarah. With each verse there is a ten-point commentary emphasizing the profound significance of the verse for those practicing Self-inquiry in the quest of nondual Self-Knowledge. An appendix that contains just the Sanskrit text with transliteration is included for ease of recitation and similar purposes.

broke down after the defeat of Prthviraja, the descendants of the Chauhan

The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African American reality that are rarely depicted” (The Boston Globe). Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award. Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins. Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.