In this provocative retelling of the story of political corruption in the modern period, Ruth A. Miller argues that narratives of political corruption rely upon an explicitly pornographic rhetoric and have been instrumental in carving out lawless or exceptional space. Drawing upon an extensive and wide-ranging literature, she examines corruption, the erotic, and legal exceptionalism as they appear in media representations of Saddam Hussein as "corrupt leader," nineteenth-century political cartoons, Pier Pasolini's film Salo, Ernst Kantorowicz's theorization of the body politic, Giorgio Agamben's analysis of biopolitics, and Achille Mbembe's discussion of the postcolony. Miller comments on both the erotic nature of the state of exception and colonial or postcolonial manifestations of it, and presents a new voice in ongoing conversations about law, violence, and sexuality in the contemporary world.

DONNA’S CORRUPTION is the first series in new erotic saga SMOKING LESBIANS from Sarah Blitz. This hilarious and sexy series tells the story of a group of lesbians determined to infiltrate and corrupt the Anti-Smoking/Anti-Lesbian League. With plenty of laughs and plenty of scorching sex, this is one series you don’t want to miss! Warning: This ebook contains very explicit descriptions of a lesbian sex. Only mature readers who won’t find that offensive should read this story.

When I saw a light glowing in the darkness of the heavy rainstorm raging around me, I took it as a sign from my Lord. After all, am I not one of his treasured creations, sent to walk among His creatures and share His gospel? But upon arrival at the building with the lantern, I discovered the absurdity of the Lord’s humor - I had been led to a brothel! All around me were women of great beauty, in various states of undress, and their female matron was eyeing me with a smile on her face and her hands on her luscious rolls. I felt compelled to flee, but the storm left me with no choice. I would have to spend the night. Little did I know, however, that in the middle of the night, I would find myself awakened by the matron and three of her most beautiful girls, pinning me down in bed - and intent on breaking my vow of chastity. I am determined to resist, yet with so much female flesh rubbing against me, and the matron perching atop me with a glint in her eye and no clothes to be seen, how long can I hold out?

Answering the calls made to overcome methodological nationalism, this volume is the first examination of the links between corruption and imperial rule in the modern world. It does so through a set of original studies that examine the multi-layered nature of corruption in four different empires (Great Britain, Spain, the Netherlands and France) and their possessions in Asia, the Caribbean, Latin America and Africa. It offers a key read for scholars interested in the fields of corruption, colonialism/empire and global history. The chapters ‘Introduction: Corruption, Empire and Colonialism in the Modern Era: Towards a Global Perspective’, ‘“Corrupt and rapacious”: Colonial Spanish-American past through the eyes of early nineteenth century contemporaries. A contribution from the history of emotions’, and ‘Colonial Normativity? Corruption in the Dutch-Indonesian Relationship in the Nineteenth and Early-Twentieth Centuries’ are Open Access under a CC BY 4.0 license at link.springer.com.

New Testament textual critics who used language to group texts into families and genealogies were not pioneering new approaches, but rather borrowing the metaphors and methods of natural scientists. Texts began to be classified into "families, tribes, and nations," and later were racialized as "African" or "Asian," with distinguishable "textual physiognomies" and "textual complexions." These genealogies would later be traced to show the inheritance of "corruptions" and "contamination" through generations, an understanding of textual diversity reflective of eighteenth- and ninteenth-century European anxieties over racial corruption and degeneration. While these biological metaphors have been powerful tools for textual critics, they also produce problematic understandings of textual "purity" and agency, with the use of scientific discourse artificially separating the work of textual criticism from literary interpretation.

When Jillian is browsing online she comes across lewd images of Futanari women with Horse endowments. Faced with shame she is then humiliated by a witch who knowingly curses her to live like the images she ran across. Can Jillian find a cure before succumbing to her inner desires?