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Dailey explores the development of English martyr literature through Reformation religious controversy in sixteenth and seventeenth century England.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In an age of faithlessness, spin and cynicism, how many of us would be prepared to stand on a ladder, a rope around our neck, facing a gruesome death for no apparent crime, and choose not to recant and live but to die for our beliefs? How many of us, like Thomas Garnet, would say, 'I give my body to Caesar [James I] and my soul to God'? This compelling and finely researched compilation of the lives and state murders of Catholics from all walks of life in the sixteenth and seventeenth centuries demands our attention as a reinforcement of Christian commitment and an antidote to indifference. Malcolm Pullan's stated aim is to reach a general readership, and his text is full of historical background material and fascinating detail. He firmly believes that we should not consign England's Catholic martyrs to some obscure corner of our consciousness. Their Faith lives still; they were true to it till death. Surely they did not die in vain.

Between 1535 and 1603, more than 200 English Catholics were executed by the State for treason. Drawing on an extraordinary range of contemporary sources, Anne Dillon examines the ways in which these executions were transformed into acts of martyrdom. Utilizing the reports from the gallows, the Catholic community in England and in exile created a wide range of manuscripts and texts in which they employed the concept of martyrdom for propaganda purposes in continental Europe and for shaping Catholic identity and encouraging recusancy at home. Particularly potent was the derivation of images from these texts which provided visual means of conveying the symbol of the martyr. Through an examination of the work of Richard Verstegan and the martyr murals of the English College in Rome, the book explores the influence of these images on the Counter Reformation Church, the Jesuits, and the political intentions of English Catholics in exile and those of their hosts. The Construction of Martyrdom in the English Catholic Community, 1535-1603 shows how Verstegan used the English martyrs in his Theatrum crudelitatum of 1587 to rally support from Catholics on the Continent for a Spanish invasion of England to overthrow Elizabeth I and her government. The English martyr was, Anne Dillon argues, as much a construction of international, political rhetoric as it was of English religious and political debate; an international Catholic banner around which Catholic European powers were urged to rally.