The well-respected historian Manfried Rauchensteiner analyses the outbreak of World War I, Emperor Franz Joseph's role in the conflict, and how the various nationalities of the Habsburg Monarchy reacted to the disintegration of this 640-yearold empire in 1918. After Archduke Franz Ferdinand"s assassination in Sarajevo in 1914, war was inevitable. Emperor Franz Joseph intended it, and everyone in Vienna expected it. How the war began and how Austria-Hungary managed to avoid capitulation only weeks later with the help of German troops reads like a thriller. Manfried Rauchensteiner"s book is based on decades of research and is a fascinating read to the very end, even though the final outcome, the collapse of the Austro-Hungarian Dual Monarchy, is already known. Originally published in German in 2013 by Böhlau, this standard work is now available in English.

This book follows the hapless Lieutenant Otto Prohaska in the waning years of the Austro-Hungarian Empire and finds Otto taking an ill-considered break from duties to engage in a mad fling with a Polish actress. After a desperate attempt to elude his lover's husband, he finds himself mistaken by anarchists as one of their own. Otto soon masters their code names and secret handshakes, but when he also learns of their plans to assassinate the Archduke Ferdinand in Sarajevo, his duty is clear. He must alert his superiors—now, if only he can find someone who will believe him!

David Herrmann's work is the most complete study to date of how land-based military power influenced international affairs during the series of diplomatic crises that led up to the First World War. Instead of emphasizing the naval arms race, which has been extensively studied before, Herrmann draws on documentary research in military and state archives in Germany, France, Austria, England, and Italy to show the previously unexplored effects of changes in the strength of the European armies during this period. Herrmann's work provides not only a contribution to debates about the causes of the war but also an account of how the European armies adopted the new weaponry of the twentieth century in the decade before 1914, including quick-firing artillery, machine guns, motor transport, and aircraft. In a narrative account that runs from the beginning of a series of international crises in 1904 until the outbreak of the war, Herrmann points to changes in the balance of military power to explain why the war began in 1914, instead of at some other time. Russia was incapable of waging a European war in the aftermath of its defeat at the hands of Japan in 1904-5, but in 1912, when Russia appeared to be regaining its capacity to fight, an unprecedented land-armaments race began. Consequently, when the July crisis of 1914 developed, the atmosphere of military competition made war a far more likely outcome than it would have been a decade earlier.

Franz Joseph I and Karl. These emperors ruled a multiethnic empire destined to become one of the central powers in World War I. In addition to the studio portraits shown, the candid photos offer an authentic view of life in the trenches and on the battlefield. Each photo has been carefully chosen and researched to offer the reader detailed information on the k.u.k (royal and imperial) Empires air, motor and medical corps, as well as infantry, artillery, pioneer and railroad troops. There are chapters covering highly decorated elite units, such as the Bosnian and the Kaiserschuetzen. A full color section of heretofore unpublished photos of original head dress, uniforms, equipment and accessories used by the k.u.k armed forces provides valuable information on the materials, markings, stamps, and construction of field caps, cavalry helmets and flight gear. Also included in this section are pilot badges and cap and collar insignia. This book is an indispensable resource for all historians, collectors, re-enactors, war gamers and model builders. 550 colour & b/w photographs

Japanese Fashion examines the entire sweep of Japanese clothing history, from the sophisticated fashion systems of late-Edo period kimonos to the present day, providing possible theories of how Japan made this fashion journey and linking current theories of fashion to the Japanese example. The book is unique in that it provides the first full history of the last 200 years of Japanese clothing. It is also the first book to include Asian fashion as part of global fashion as well as fashion theory. It adds a hitherto absent continuity to the understanding of historical and current fashion in Japan, and is pioneering in offering possible theories to account for that entire history. By providing an analysis of how that entire history changes our understanding of the way fashion works, this book will be an essential text for all students of fashion and design.

Hans Christian Andersen was a Danish author best known for writing children's stories including "The Little Mermaid" and "The Ugly Duckling." But he didn't just write short stories, and his intended audience wasn't restricted to children. In addition to his fairy tales, Andersen wrote poems, plays, novels, travel books, essays, and more. He hungered for recognition at home (Denmark) and abroad-and he got it! Eventually. Today, his stories can be read in over one hundred languages. But no matter what language they're in, Andersen's tales have got something for everyone. In them, you'll find beauty, tragedy, nature, religion, artfulness, deception, betrayal, love, death, judgment, penance, and-occasionally-a happy ending. They're complex tales, but since Andersen himself was pretty complex, we like to think that art imitates life. Or something like that. "The Emperor's New Clothes" (Danish: Kejserens nye Kl?der) is a short tale by Hans Christian Andersen about two weavers who promise an Emperor a new suit of clothes that is invisible to those who are unfit for their positions, stupid, or incompetent. When the Emperor parades before his subjects in his new clothes, no one dares to say that he doesn't see any suit of clothes until a child cries out, "But he isn't wearing anything at all!" The tale has been translated into over a hundred languages. Includes a unique illustration!