Marrying plain Kate

Marrying plain Kate James Hargrave, Earl of Arden, urgently needed a wife and who better than his best friend's sister? He wasn't looking for passion in this marriage of convenience, and plain Kate Honeycourt had been on the shelf for years. Why, then, should she so firmly turn him down? Surely she couldn't be holding out for a love-match? Although, curiously, the more he saw of Kate, the more aware he became of her attractions. Maybe love wasn't as impossible as he d once thought

A respectable marriage reveals private passions and dangerous secrets in this “sensual and intriguing” Victorian romance (Publishers Weekly). Lucy Ashton had long ago given up her quest for true love. Instead, she plays the expected role of a society lady: flirting, dancing, and dabbling in the new fashion of spiritualism. She even marries when—and who—she’s supposed to. If the stuffy Duke of Sussex cannot spark the passion she craves, he can at least give her a family and a home of her own. But when her polite marriage reveals a caring and sensual man, Lucy begins to wonder if she can indeed have it all. As a member of a secretive organization, Lord Sussex is not the man London society has come to admire. Meanwhile, Lucy harbors a few troublesome ghosts of her own. Thus, when a blackmail scheme turns to threats of danger, the newfound peace of the Sussex marriage is cast upon the rocks. Passion has a price, Lucy learns. And not all ghosts stay buried.

A'Beckett and Leech were original contributors to "Punch, or the London Charivari" magazine, established 1841. It became the famous "Punch" magazine and remained in publication to 2002. A'Beckett also wrote editorials for a similar concept magazine, "Figaro in London" that ceased publication in 1839. "In commencing this work, the object of the Author was, as he stated in the Prospectus, to blend amusement with instruction, by serving up, in as palatable a shape as he could, the facts of English History. He pledged himself not to sacrifice the substance to the seasoning; and though he has certainly been a little free in the use of his sauce, he hopes that he has not produced a mere hash on the present occasion. His object has been to furnish something which may be allowed to take its place as a standing at the library table, and which, though light, may not be found devoid of nutriment."--Preface.

This two-volume set brings together a collection of writings and speeches by James Wilson, one of only six signers of both the Declaration of Independence and the United States Constitution. His works had a significant impact on the deliberations that produced the cornerstone documents of American democracy.

What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.