Centered squarely on the Negro-white conflict, both Dutchman and The Slave are literally shocking plays--in ideas, in language, in honest anger. They illuminate as with a flash of lightning a deadly serious problem--and they bring an eloquent and exceptionally powerful voice to the American theatre. Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

Adrift in the Mediterranean, Ben and his loyal dog Ned-cursed by an avenging angel to roam the earth forever-fall into the clutches of a slaver, and have no one to rely on but each other in their quest for freedom.

One of the country's leading activist curators explores how corporations and governments have used art and culture to mystify and manipulate us. The production of culture was once the domain of artists, but beginning in the early 1900s, the emerging fields of public relations, advertising and marketing transformed the way the powerful communicate with the rest of us. A century later, the tools are more sophisticated than ever, the onslaught more relentless. In Culture as Weapon, acclaimed curator and critic Nato Thompson reveals how institutions use art and culture to ensure profits and constrain dissent--and shows us that there are alternatives. An eye-opening account of the way advertising, media, and politics work today, Culture as Weapon offers a radically new way of looking at our world.

Fans of the New York Times bestselling Redwall series will be delighted with Brian Jacques' latest. The legend of the Flying Dutchman, the ghost-ship doomed to sail the seas forever, has been passed down throughout the centuries. But what of the boy, Neb, and his dog, Den, who were trapped aboard that ship? What was to become of them? Sent off on an eternal journey of their own, the boy and his dog roam the earth through out the centuries in search of those in need. Braving wind and waves and countless perils, they stumble across a 19th-century village whose very existence is at stake. Saving it will take the will and wile of all the people--and a very special boy and dog. "The swashbuckling language brims with color and melodrama; the villains are dastardly and stupid; and buried treasure, mysterious clues, and luscious culinary descriptions (generally involving sweets) keep the pages turning." (Booklist)