With her betrothal to a duke in tatters and scandal imminent, Diana Kingman has two choices: live in certain ignominy or flee into obscurity. Diana wants solitude. She never wished to wed in the first place. However, her father will stop at nothing to betroth her to one of the finest titles in the realm...no matter how loathsome the bearer. Escape is Diana’s only option, and she’ll pay any price to achieve freedom. Universally blamed for the death of his wife and unborn child, Simon Hastings doesn’t dispute his guilt over an accident he cannot even remember. He hasn’t had a drink since, nor a moment’s peace. Determined to be a better man, Simon rescues a young woman in need—only to be accused of kidnapping. They must marry to save him from prison. But how can a man haunted by the love he lost and a woman afraid to get too close find happiness together?

When Lord Greene wagers his daughter's hand in marriage in a card game, no one is less surprised the woman herself. The only thing that shocks Olive is that the man that he has gambled her away to is none other than The Duke of Ruin.Rumours abound that the Sixth Duke of Everleigh callously murdered his late wife and killed her lover in a duel --and now Olive is to become his bride.Ruan Ashford took one look at Olive Greene and knew that he had to have her in his bed. The beautiful, auburn-haired temptress will make a perfect Duchess; there's only one problem - his new wife despises him.When a chance arises for Olive to disappear she readily grabs hold of it, and soon the Duke of Ruin is hunting the Cornish countryside for his runaway bride. When he finds her can he convince her that he's not the dreadful villain the world thinks him to be and that his love for her is real?

When a wager goes wrong… Painfully shy Jane Huxley is the furthest thing from a diamond of the first water. Bookish, bespectacled, and, well, plain, she never expected to befriend a dissolute charmer like Colin Lacey, much less agree to help him retrieve a lost family heirloom. Fortunately, he is nothing like his cold, rigid older brother. Unfortunately, he is not above deception if it means winning a wager. And that puts Jane in a most precarious position. A formidable duke will marry a plain Jane… For Harrison Lacey, the Duke of Blackmore, protecting his family honor is not a choice, it is a necessity. So, when his cad of a brother humiliates the unwitting Lady Jane, Harrison must make it right, even if it means marrying the chit himself. And a marriage of convenience will become so much more… Her reputation hanging by a thread, Jane agrees to wed the arrogant Duke of Blackmore, although she’s convinced it will result in frostbite. Only after lingering glances lead to devastating kisses does she begin to suspect the truth: Perhaps—just perhaps—her duke is not as cold as he appears.

A disreputable duke All of London is abuzz with the shocking exploits of Thornton Matherton, Duke of Wyldehaven, a man as sinful and wild as his name. He plays fast and loose with money, drink, and women. Or does he? An impostor has tarnished Thornton's good name, and the real duke will not rest until he has proven his virtue. A righteous lady Abandoned by her aristocratic father when she was a child, Miranda Fontaine despises the nobility. Despite her distrust, she visits the Duke of Wyldehaven on an urgent mission. Determined to keep a deathbed promise, Miranda will do whatever it takes to pin down the notorious duke . . . even if it means seducing him herself. Passion's ruin Desperate to escape the web of deceit and clear his name, Thomas cannot bear the distraction of Miranda's supple skin and alluring eyes. Her beauty will be his undoing . . . and her bed will be the site of his most wicked ruin . . .

Everyone Nicholas Bateman ever loved has died. Except Violet Caulfield, which must mean he never loved her. Nine years after she threw him over to marry a viscount, Nick is a widowed duke who prefers isolation. When a friend convinces him to leave his lair of self-imposed solitude, he considers taking another wife, provided she agrees to his terms: no emotional attachment of any kind. Now widowed, Lady Violet Pendleton hopes for a second chance with the man she’s always loved. But she isn’t prepared for the desolation in his soul or the animosity he still bears toward her. Despite those obstacles, it’s clear their passion hasn’t dimmed. However, the heat between them isn’t enough to melt the Duke of Ice, and this time Violet may find herself the jilted party. Can love, once so tragically lost, finally be found?

A NEW YORK TIMES NOTABLE BOOK OF 2018 An Edgar Award nominee for best critical / biographical Best of 2018 according to Kirkus, The Boston Globe,The New York Times, The Portland Mercury, Bustle, Thrillist, and Electric Lit A New York Times Editor's Choice, a best of summer 2018 according to Bitch Magazine, Harpers Bazaar, The Millions, Esquire, Refinery29, Nylon, PopSugar, The Chicago Tribune, Book Riot, and CrimeReads In this poignant collection, Alice Bolin examines iconic American works from the essays of Joan Didion and James Baldwin to Twin Peaks, Britney Spears, and Serial, illuminating the widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster men’s stories. Smart and accessible, thoughtful and heartfelt, Bolin investigates the implications of our cultural fixations, and her own role as a consumer and creator. Bolin chronicles her life in Los Angeles, dissects the Noir, revisits her own coming of age, and analyzes stories of witches and werewolves, both appreciating and challenging the narratives we construct and absorb every day. Dead Girls begins by exploring the trope of dead women in fiction, and ends by interrogating the more complex dilemma of living women – both the persistent injustices they suffer and the oppression that white women help perpetrate. Reminiscent of the piercing insight of Rebecca Solnit and the critical skill of Hilton Als, Bolin constructs a sharp, perceptive, and revelatory dialogue on the portrayal of women in media and their roles in our culture.

He’s controlled. Meticulous. Immaculate. No one would expect the proper Duke of Westmead to be a member of London’s most illicit secret club. Least of all: his future wife. Having overcome financial ruin and redeemed his family name to become the most legendary investor in London, the Duke of Westmead needs to secure his holdings by producing an heir. Which means he must find a wife who won’t discover his secret craving to spend his nights on his knees – or make demands on his long scarred-over heart. Poppy Cavendish is not that type of woman. An ambitious self-taught botanist designing the garden ballroom in which Westmead plans to woo a bride, Poppy has struggled against convention all her life to secure her hard-won independence. She wants the capital to expand her exotic nursery business – not a husband. But there is something so compelling about Westmead, with his starchy bearing and impossibly kind eyes -- that when an accidental scandal makes marriage to the duke the only means to save her nursery, Poppy worries she wants more than the title he is offering. The arrangement is meant to be just business. A greenhouse for an heir. But Poppy yearns to unravel her husband’s secrets – and to tempt the duke to risk his heart. "An astonishingly good debut...The whole book is a breath of fresh air, both a complex, layered story and a soaring romance with two very real people at its heart." -- The New York Times Book Review Author’s Note: Dear readers, please be aware this is an angsty, twisty book written in the style of a gothic romance, and there are some dark moments along the path to a happy ending for our characters. No spoilers here, but if you are a sensitive reader please do consult the reviews before diving in. Yours, Scarlett 2018 Romance Writers of America Golden Heart ® Winner for Best Historical Romance "Desert Isle Keeper...The alliance is unexpected, fascinating and a refreshing departure from typical Regency romances, and I never wanted The Duke I Tempted to end." -- All About Romance "Peckham’s meticulous character work pays off in spectacular, grandly romantic fashion and The Duke I Tempted ends with particularly cathartic and hard-won happily ever after." -- BookPage "Gothic romances are tempestuous by definition, but this one is dramatic even by those heightened standards...If you want something to speed your heart and stop your breath as you read beneath the covers, with only the meager flashlight beam warding off the enveloping night — then you have a rare treat in store." -- The Seattle Review of Books "A one-sitting, late-into-the-night read, The Duke I Tempted ran away with my heart." -- Book Ink Reviews