In Mexico’s Sierra Norte de Puebla, beliefs that were held before the coming of Europeans continue to guide the lives of modern Aztecs. For residents of San Martín Zinacapan, life in and on the earth is animated by the same forces, through which people seek to maintain a cohesive view of the relationship of mankind, the cosmos, and the natural world. This delicate balance of the human spirit maintains the health and well-being of villagers, and is an essential part of the social and ideological framework that makes a person’s life whole. This book describes the basic elements of a belief system that has survived the onslaught of Catholicism, colonialism, and the modern world. Timothy Knab has spent thirty years working in this area of Mexico, learning of the Most Holy Earth and following what its people there call "the good path." He was initiated as a dreamer, learned the prayers and techniques for curing maladies of the human soul, and from his long association with the Sanmartinos has constructed a thorough account of their beliefs and practices. Learning to recount dreams, forming a dreamtale, and "carrying it on one’s back" to the waking world is the first part of the practitioner’s labor in curing. But dreamtales are shown to be more than parables in this world, for they embody the ethos and cosmovision that link Sanmartinos with their traditions and the Most Holy Earth. Building on this background, Knab describes how the open-ended interpretation of dreams is the practitioner’s primary instrument for restoring a client’s soul to its proper equilibrium, thus providing a practical approach to finding and resolving everyday problems. Many anthropologists hold that such beliefs have long since disappeared into the nebulous past, but in San Martín they remain alive and well. The underworld of the ancestors, talocan or Tlalocan for the Aztecs, is still a vital part of everyday life for the people of the Sierra Norte de Puebla. The Dialogue of Earth and Sky is an important record of a culture that has maintained a precolumbian cosmovision for nearly 500 years, revealing that this system is as resonant today with the ethos of Mesoamerican peoples as it was for their ancestors.

Seventeen-year-old Skylar has been haunted for as long as she can remember by fleeting yet powerful sensations that something is horribly wrong. But despite the visions of disaster that torment her, nothing ever happens, and Sky's beginning to think she's crazy. Then she meets a mysterious, otherworldly boy named Win and discovers the shocking truth her premonitions have tapped into: that our world no longer belongs to us. For thousands of years, life on Earth has been at the mercy of alien scientists who care nothing for humans and are using us as the unwitting subjects of their time-manipulating experiments. Win belongs to a rebel faction seeking to put a stop to it, and he needs Skylar's help to save the world and keep the very fabric of reality together. Megan Crewe's latest tale takes readers on a mind-bending journey through time with a cast of unforgettable characters.

Typescript, dated 1990. Unmarked typescript used for the production at Second Stage, 2162 Broadway, New York, N.Y., which opened Feb. 4, 1991.

Galileo’s Dialogue Concerning the Two Chief World Systems, published in Florence in 1632, was the most proximate cause of his being brought to trial before the Inquisition. Using the dialogue form, a genre common in classical philosophical works, Galileo masterfully demonstrates the truth of the Copernican system over the Ptolemaic one, proving, for the first time, that the earth revolves around the sun. Its influence is incalculable. The Dialogue is not only one of the most important scientific treatises ever written, but a work of supreme clarity and accessibility, remaining as readable now as when it was first published. This edition uses the definitive text established by the University of California Press, in Stillman Drake’s translation, and includes a Foreword by Albert Einstein and a new Introduction by J. L. Heilbron.

In the tradition of Iron and Silk and Touch the Dragon, Jamie Zeppa’s memoir of her years in Bhutan is the story of a young woman’s self-discovery in a foreign land. It is also the exciting début of a new voice in travel writing. When she left for the Himalayan kingdom of Bhutan in 1988, Zeppa was committing herself to two years of teaching and a daunting new experience. A week on a Caribbean beach had been her only previous trip outside Canada; Bhutan was on the other side of the world, one of the most isolated countries in the world known as the last Shangri-La, where little had changed in centuries and visits by foreigners were restricted. Clinging to her bags full of chocolate, hair conditioner and Immodium, she began the biggest challenge of her life, with no idea she would fall in love with the country and with a Bhutanese man, end up spending nine years in Bhutan, and begin a literary career with her account of this transformative journey. At her first posting in a remote village of eastern Bhutan, she is plunged into an overwhelmingly different culture with squalid Third World conditions and an impossible language. Her house has rats and fleas and she refuses to eat the local food, fearing the rampant deadly infections her overly protective grandfather warned her about. Gradually, however, her fear vanishes. She adjusts, begins to laugh, and is captivated by the pristine mountain scenery and the kind students in her grade 2 class. She also begins to discover for herself the spiritual serenity of Buddhism. A transfer to the government college of Sherubtse, where the housing conditions are comparatively luxurious and the students closer to her own age, gives her a deeper awareness of Bhutan’s challenges: the lack of personal privacy, the pressure to conform, and the political tensions. However, her connection to Bhutan intensifies when she falls in love with a student, Tshewang, and finds herself pregnant. After a brief sojourn in Canada to give birth to her son, Pema Dorji, she marries Tshewang and makes Bhutan her home for another four years. Zeppa’s personal essay about her culture shock on arriving in Bhutan won the 1996 CBC/Saturday Night literary competition and appeared in the magazine. She flew home to accept the prize, where people encouraged her to pursue her writing. Her letters from Bhutan also featured on CBC’s Morningside. The book that grew out of this has been published in Canada and the United States to ecstatic reviews, followed by British, German, Dutch, Italian and Spanish editions. Although cultural differences finally separated Jamie and Tshewang in 1997 while she was writing the book and she returned to Canada, she will always feel at home in Bhutan. Zeppa shares her compelling insights into this land and culture, but Beyond the Sky and the Earth is more than a travel book. With rich, spellbinding prose and bright humour, it describes a personal journey in which Zeppa acquires a deeper understanding of what it means to leave one’s home behind, and undergoes a spiritual transformation.

World-renowned canopy biologist Nalini Nadkarni has climbed trees on four continents with scientists, students, artists, clergymen, musicians, activists, loggers, legislators, and Inuits, gathering diverse perspectives. In Between Earth and Sky, a rich tapestry of personal stories, information, art, and photography, she becomes our captivating guide to the leafy wilderness above our heads. Through her luminous narrative, we embark on a multifaceted exploration of trees that illuminates the profound connections we have with them, the dazzling array of goods and services they provide, and the powerful lessons they hold for us. Nadkarni describes trees' intricate root systems, their highly evolved and still not completely understood canopies, their role in commerce and medicine, their existence in city centers and in extreme habitats of mountaintops and deserts, and their important place in folklore and the arts. She explains tree fundamentals and considers the symbolic role they have assumed in culture and religion. In a book that reawakens our sense of wonder at the fascinating world of trees, we ultimately find entry to the entire natural world and rediscover our own place in it.

""Bevis has done a wonderful job building the worlds that the gods occupy as well as giving them a place in the modern world." Amazon Top Reviewer and author, Margaret Lesh "I stayed up way too late, again! I had to know what happened! You might call me irresponsible, and that may be true. But when a series comes along and grabs you like Daughters of Zeus, it really can't be helped." Amazon Top Reviewer and author, Rachel Wagner "I need to calm down before I write this review because I am still reeling from the book. OMG! I thought book 1: Persephone was good, but this was WAY BETTER! Lastly, OMG!!! I need book 3 so badly . . ." Amazon Top Reviewer and author, Mary Smith The Daughters of Zeus Series, Book Two Some vows can never be broken, especially when you've recently found out you're a goddess. In the flick of a eyelash Persephone has gone from being a high school junior in Athens, Georgia to the wife of Hades, god of the Underworld. Under his platonic protection, she's waiting for springtime, when Boreas, the sinister god of winter, will stop stalking her. But even Hades can't keep Boreas and his minions from threatening her. Finally she escapes back to the world of the living. Maybe she can just go back to normal--and forget that she's fallen in love with Hades. She's wrong. Thanatos--a friend from the Underworld, has betrayed her. Persephone can't tell anyone about Thanatos' betrayal, and it drives a wedge between her and Hades. And then there's Aphrodite, the gorgeous goddess who was born among the ocean waves with more charm than she can control. Persephone's dearest ally, Melissa, is furious and jealous when Aphrodite starts winning Persephone's friendship. Persephone turns to a human boy for friendship. But will their relationship put him in danger? Persephone must choose between her human life and her responsibilities as a goddess. If she doesn't, she could lose that life and Hades, too. But either way, she may not survive her father's schemes. After all, she's Zeus's daughter. Kaitlin Bevis spent her childhood curled up with a book and a pen. If the ending didn't agree with her, she rewrote it. Because she's always wanted to be a writer, she spent high school and college learning everything she could to achieve that goal. After graduating college with a BFA and Masters in English, Kaitlin went on to write The Daughters of Zeus series. www.kaitlinbevis.com"