A tropical island full of secrets. Two Victorian ghosts, trapped for eternity. And a seventeen-year-old girl determined not to be next. Eulalie Island should be a paradise, but to Addie Spencer, it’s more like a prison. Forced to tag along to the remote island on her mother’s honeymoon, Addie isn’t thrilled about being trapped there for two weeks. The island is stunning, with its secluded beaches and forests full of white flowers. But there's something eerie and unsettling about the place. After Addie meets an enigmatic boy on the beach, all the flowers start turning pink. The island loves you, he tells her. But she can’t stop sleepwalking at night, the birds keep calling her name, and there’s a strange little girl in the woods who wants to play hide-and-seek. When Addie learns about two sisters who died on the island centuries ago, she wonders if there’s more to this place, things only she can see. Beneath its gorgeous surface, Eulalie Island is hiding dark, tangled secrets. And if Addie doesn't unravel them soon, the island might never let her go.

It is October 1914, and Swedish naval officer Lars Tobiasson-Svartman is charged with a secret mission to take depth readings around the Stockholm archipelago. In the course of his work, he lands on the rocky isle of Halsskr. It seems impossible f...

Nearly every depressed person is assured by doctors, well-meaning friends and family, the media, and ubiquitous advertisements that the underlying problem is a chemical imbalance. Such a simple defect should be fixable, yet despite all of the resources that have been devoted to finding a pharmacological solution, depression remains stubbornly widespread. Why are we losing this fight? In this humane and illuminating challenge to defect models of depression, psychologist Jonathan Rottenberg argues that depression is a particularly severe outgrowth of our natural capacity for emotion. In other words, it is a low mood gone haywire. Drawing on recent developments in the science of mood—and his own harrowing depressive experience as a young adult—Rottenberg explains depression in evolutionary terms, showing how its dark pull arises from adaptations that evolved to help our ancestors ensure their survival. Moods, high and low, evolved to compel us to more efficiently pursue rewards. While this worked for our ancestors, our modern environment—in which daily survival is no longer a sole focus—makes it all too easy for low mood to slide into severe, long-lasting depression. Weaving together experimental and epidemiological research, clinical observations, and the voices of individuals who have struggled with depression, The Depths offers a bold new account of why depression endures—and makes a strong case for de-stigmatizing this increasingly common condition. In so doing, Rottenberg offers hope in the form of his own and other patients’ recovery, and points the way towards new paths for treatment.

Translated by Ann Patrick Ware Introduces a perspective on evil and salvation to address "the evil women do, " the evil they suffer, and women's redemptive experiences of God and salvation.

Finalist for the National Book Critics Circle Award in Biography A double portrait of two of America’s most influential writers that reveals the surprising connections between them—and their uncanny relevance to our age of crisis Up from the Depths tells the interconnected stories of two of the most important writers in American history—the novelist and poet Herman Melville (1819–1891) and one of his earliest biographers, the literary critic and historian Lewis Mumford (1895–1990). Deftly cutting back and forth between the writers, Aaron Sachs reveals the surprising resonances between their lives, work, and troubled times—and their uncanny relevance in our own age of crisis. The author of Moby-Dick was largely forgotten for several decades after his death, but Mumford helped spearhead Melville’s revival in the aftermath of World War I and the 1918–1919 flu pandemic, when American culture needed a forebear with a suitably dark vision. As Mumford’s career took off and he wrote books responding to the machine age, urban decay, world war, and environmental degradation, it was looking back to Melville’s confrontation with crises such as industrialization, slavery, and the Civil War that helped Mumford to see his own era clearly. Mumford remained obsessed with Melville, ultimately helping to canonize him as America’s greatest tragedian. But largely forgotten today is one of Mumford’s key insights—that Melville’s darkness was balanced by an inspiring determination to endure. Amid today’s foreboding over global warming, racism, technology, pandemics, and other crises, Melville and Mumford remind us that we’ve been in this struggle for a long time. To rediscover these writers today is to rediscover how history can offer hope in dark times.

'I saw my teacher in the queue in the supermarket last Christmas. Miss Baxter. I was surprised to see her. She'd been dead six months.' In Out of the Depths, Cathy MacPhail introduces her latest character, Tyler Lawless, who has an unusual and sometimes scary gift. She is able to see dead people. And sometimes they speak to her, asking for her help. When Tyler moves to a new school she is hoping to make a fresh start. But it is very difficult to make a fresh start when a boy who is supposed to be dead appears in your classroom, and statues in the school seem to come alive and point towards the place where the dead boy, Ben Kincaid, was murdered. Will Tyler be able to assist Ben with his pleas for help, or will she be dismissed as an attention-seeking teller of tall tales? A thrilling and spooky tale from the acclaimed Cathy MacPhail.

A tropical island full of secrets. Two Victorian ghosts, trapped for eternity. And a seventeen-year-old girl determined not to be next. Eulalie Island should be a paradise, but to Addie Spencer, it’s more like a prison. Forced to tag along to the remote island on her mother’s honeymoon, Addie isn’t thrilled about being trapped there for two weeks. The island is stunning, with its secluded beaches and forests full of white flowers. But there's something eerie and unsettling about the place. After Addie meets an enigmatic boy on the beach, all the flowers start turning pink. The island loves you, he tells her. But she can’t stop sleepwalking at night, the birds keep calling her name, and there’s a strange little girl in the woods who wants to play hide-and-seek. When Addie learns about two sisters who died on the island centuries ago, she wonders if there’s more to this place, things only she can see. Beneath its gorgeous surface, Eulalie Island is hiding dark, tangled secrets. And if Addie doesn't unravel them soon, the island might never let her go.