The compelling new bestseller from the nation’s favourite storyteller.

"Ever wonder what it's really like to grow up in Manhattan with a famous mom or dad? Well, Joanna Philbin is going to tell you. The Daughters is authentic and well-told. Gossip Girl herself would love this new series." --Cecily von Ziegesar, author of the #1 New York Times bestselling series Gossip Girl They didn't ask for fame. They were born with it. The only daughter of supermodel Katia Summers, witty and thoughtful Lizzie Summers likes to stick to the sidelines. The sole heir to Metronome Media and daughter of billionaire Karl Jurgensen, outspoken Carina Jurgensen would rather climb mountains than social ladders. Daughter of chart-topping pop icon Holla Jones, stylish and sensitive Hudson Jones is on the brink of her own music breakthrough. By the time freshman year begins, unconventional-looking Lizzie Summers has come to expect fawning photographers and adoring fans to surround her gorgeous supermodel mother. But when Lizzie is approached by a fashion photographer that believes she's "the new face of beauty," Lizzie surprises herself and her family by becoming the newest Summers woman to capture the media's spotlight. Don't miss this insider's look at what it's like to be the child of a world-famous celebrity, all while trying to navigate the ups and downs of high school.

In Regency England, a woman risks scandal, disgrace, even her own life for a forbidden passion in this “sure-to-please saga” (Kirkus Reviews). From the moment the handsome, raffish stranger with the gold earring throws her a kiss, Jessica Frenshaw is enchanted. Rumored to be a half-Spanish wanderer who can predict the future, Romany Jake is unjustly put on trial for murder. After the verdict banishes him from England, Jessica despairs of ever seeing him again. But one fateful day, Jake Cadorson returns to reclaim what he has lost—including the woman who saved him from the gallows. From the ballrooms and lavish estates of Regency England through the bitter bloodshed of the Napoleonic Wars, Return of the Gypsy weaves a spellbinding tale of blackmail, murder, and illicit passion as a woman risks everything for the man she loves—a man who isn’t what he seems.

The mission is to give fathers short, practical ideas to build quality relationships with their 8- 12-year-old daughters.

Winner of the 2015 PEN Southwest Book Award “Endlessly powerful. . . . Here is one you should not miss, a gratifying feast in lush, lyrical, and full-throated form.”—NPR.org Lulu can't sing. Since the traumatic birth of her daughter, the internationally renowned soprano hasn't dared utter a note. She's afraid that her body is too fragile and that she may have lost her talent to a long-dreaded curse afflicting all of the mothers in her family. When Lulu was a child, her strong-willed grandmother Ada filled her head with fables of the family's enchanted history in the Polish countryside. A fantastical lore took hold—an incantatory mix of young love, desperate hope, and one sinister bargain that altered the family's history forever. Since that fateful pact, Ada tells Lulu, each mother in their family has been given a daughter, but each daughter has exacted an essential cost from her mother. Ada was the first to recognize young Lulu's transcendent talent, spotting it early on in their cramped Chicago apartment, then watching her granddaughter ascend to dizzying heights in packed international concert halls. But as the curse predicted, Lulu's mother, a sultry and elusive jazz singer, disappeared into her bitterness in the face of Lulu's superior talent—before disappearing from her family's life altogether. Now, in the early days of her own daughter's life, Lulu now finds herself weighing her overwhelming love for her child against the burden of her family's past. In incandescent prose, debut novelist Adrienne Celt skillfully intertwines the sensuous but precise physicality of both motherhood and music. She infuses The Daughters with the spirit of the rusalka, a bewitching figure of Polish mythology that inspired Dvorák's classic opera. The result is a tapestry of secrets, affairs, and unimaginable sacrifices, revealing a family legacy laced with brilliance, tragedy, and most mysterious and seductive of all—the resonant ancestral lore that binds each mother to the one that came before.

Never Let Me Go meets The Giver in this haunting debut about a cult on an isolated island, where nothing is as it seems. Years ago, just before the country was incinerated to wasteland, ten men and their families colonized an island off the coast. They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers -- chosen male descendants of the original ten -- are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires. The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly -- they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others. Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing. Gather the Daughters is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.

When New York City fourteen-year-old Corina impulsively reveals incriminating information about her multi-billionaire father, he replaces her unlimited funds with an antiquated cell phone, a Metrocard, and a twenty-dollar weekly allowance.