A gripping, dark enemies to lovers LGBTQ+ YA fantasy about two girls who must choose between saving themselves, each other, or their sinking island home. Every year on St. Walpurga's Eve, Caldella's Witch Queen lures a boy back to her palace. An innocent life to be sacrificed on the full moon to keep the island city from sinking. Lina Kirk is convinced her brother is going to be taken this year. To save him, she enlists the help of Thomas Lin, the boy she secretly loves, and the only person to ever escape from the palace. But they draw the queen's attention, and Thomas is chosen as the sacrifice. Queen Eva watched her sister die to save the boy she loved. Now as queen, she won't make the same mistake. She's willing to sacrifice anyone if it means saving herself and her city. When Lina offers herself to the queen in exchange for Thomas's freedom, the two girls await the full moon together. But Lina is not at all what Eva expected, and the queen is nothing like Lina envisioned. Against their will, they find themselves falling for each other as water floods Caldella's streets and the dark tide demands its sacrifice. Perfect for fans of: The Wicked Deep and A Curse So Dark and Lonely Witchy tales Dark fantasy fiction LGBTQ books Enemies to lovers romance Praise for The Dark Tide: "Striking the perfect balance, The Dark Tide demands to be read in one held breath as its tide bears down on all."—Foreword, Starred Review "A dark scenic adventure, sensitively written for romantics, Jasinska's debut novel is a fantasy of promises, betrayal, unrequited love, and black magic."—School Library Journal, Starred Review "The Dark Tide is the dark, queer fantasy of your dreams that's part beauty and the beast, part something entirely new and original... a lush world that begs to be lived in... It's beautiful, and fast paced, and everything I ever want from a fairy tale."—Cat VanOrder, Bookmarks (Winston-Salem, NC) "Fans of the enemies-to-lovers trope will be ecstatic with this book...The Dark Tide offers an exciting and immersive story with a strong feminist slant that subverts common YA tropes and forges its own original path."—The Nerd Daily

Around noon on January 15, 1919, a group of firefighters was playing cards in Boston's North End when they heard a tremendous crash. It was like roaring surf, one of them said later. Like a runaway two-horse team smashing through a fence, said another. A third firefighter jumped up from his chair to look out a window-"Oh my God!" he shouted to the other men, "Run!" A 50-foot-tall steel tank filled with 2.3 million gallons of molasses had just collapsed on Boston's waterfront, disgorging its contents as a 15-foot-high wave of molasses that at its outset traveled at 35 miles an hour. It demolished wooden homes, even the brick fire station. The number of dead wasn't known for days. It would be years before a landmark court battle determined who was responsible for the disaster.

A woman must uncover the secrets of her dead husband’s past in this electrifying thriller from the author of the New York Times bestseller The Blue Zone. An explosion rips through New York City's Grand Central Station one morning, destroying the train Karen Friedman's husband, a successful hedge fund manager, is riding in to work. Days later, with many bodies still unidentifiable, Karen resigns herself to the awful truth: her husband of eighteen years is dead. On that same day, a suspicious hit-and-run accident leaves a young man dead in Karen's hometown of Greenwich, Connecticut. Ty Hauck, a detective, becomes emotionally caught up in the case and finds a clue that shockingly connects the two seemingly unrelated events. Months later, two men show up at Karen's home digging into Charles's business dealings. Hundreds of millions of dollars are missing—and the trail points squarely to Charles. With doubt suddenly cast on everything she has ever known, Karen, with Hauck, steps into a widening storm of hedge fund losses, international scams, and murder. And as the investigations converge, these two strangers touched by tragedy are pulled into a deepening relationship and unwittingly open the door to a twisted—and deadly—conspiracy.

Bestselling phenomenon Simon McCleave is back with a gripping, atmospheric new crime thriller series set on the Isle of Anglesey. Will there be blood in the water?

When a half-century old skeleton is discovered beneath the floorboards during the renovation of Cloak and Dagger Bookstore, Adrien turns to hot and handsome ex-lover Jake Riordan -- now out-of-the closet and working as a private detective.

Winner of the University Of Queensland Non-Fiction Book Award A deeply personal exploration of Australia's colonisation past, present and future by one of Australia's finest contemporary authors. This is a difficult piece to write. It cuts closer to the bone than most of what I have written; closer to my bones, through my blood and flesh to the bones of truth and country; there is truth here, not disguised but in the open and that truth hurts. In Lies, Damned Lies acclaimed author Claire G. Coleman, a proud Noongar woman, takes the reader on a journey through the past, present and future of Australia, lensed through her own experience. Beautifully written, this literary work blends the personal with the political, offering readers an insight into the stark reality of the ongoing trauma of Australia’s violent colonisation. Colonisation in Australia is not over. Colonisation is a process, not an event – and the after-effects will continue while there are still people to remember it. PRAISE FOR CLAIRE G. COLEMAN ‘An urgent examination of oneself and one’s country. Written with a booming cadence that demands to be read aloud, again and again.’ – Tara June Winch, Miles Franklin Award winning author of The Yield ‘You may think you’re woke, but Coleman never sleeps.’ – Dr Tyson Yunkaporta, bestselling author of Sand Talk ‘Coleman is unflinching.’ – Sydney Review of Books on Terra Nullius​ ‘Coleman stuns with this imaginative, astounding debut about colonisation.’ – Publishers Weekly on Terra Nullius ‘A powerful, sobering piece of writing that makes us face an Australia we try to forget, but should always remember.’ – Adelaide Review on Terra Nullius ​