Discover the works of Joe Brainard, whose quirky style earned him a reputation as a “recognizable American phenomenon” and “oddball classicist”—with a foreword by 4321 author Paul Auster (John Ashbery) An artist associated with the New York School of poets, Joe Brainard (1942-1994) was a wonderful writer whose one-of-a-kind autobiographical work I Remember has had a wide and growing influence. It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. “Brainard disarms us with the seemingly tossed-off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance,” writes Paul Auster in the introduction to this collection. “These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits.” Assembled by the author’s longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.

Writings on art from 1941 to 1988.

God’s Word has always had enemies, but in recent years the inspiration and authority of Scripture have been attacked with renewed vigor. Respected scholar D. A. Carson has written widely on the nature of Scripture over the past thirty years, and here presents a timely collection of his work in two parts. In part 1, Carson selects essays written on such themes as how to interpret the Bible, recent developments in the doctrine of Scripture, unity and diversity in the New Testament, and redaction criticism. Presenting a theologically balanced and confessional perspective, Carson defines the terms of a number of debates, critiques interpretive methods and theories, and suggests positive guidelines for future action. Part 2 presents critical reviews of nine books dealing with the inspiration and authority of Scripture. Though substantial in content, Carson’s detailed reviews will foster careful thought and perspective in those who are relatively new to the debates surrounding biblical inspiration and authority. This volume is a diverse collection that will prove to be a helpful resource to both seasoned pastors and scholars and those who are just starting serious study of the Bible.

In 1956 Bayard Rustin taught Martin Luther King Jr. strategies of nonviolence during the Montgomery Bus Boycott, thereby launching the civil rights movement. Widely acclaimed as a founding father of modern black protest, Rustin reached international notoriety in 1963 as the openly gay organizer of the March on Washington. Long before the March on Washington, Rustin's leadership placed him at the vanguard of social protest. His gay identity, however, became a point of contention with the movement, with the controversy embroiling even King himself. Time on Two Crosses offers an insider's view of many of the defining political moments of our time. From Gandhi's impact on African Americans, white supremacists in Congress, and the assassination of Malcolm X to Rustin's never-before-published essays on Louis Farrakhan, affirmative action, and the call for gay rights, Time on Two Crosses chronicles five decades of Rustin's commitment to justice and equality.

"This volume introduces the diverse voices that comprise Guston's linguistic tapestry. Guston never stopped talking for too long. There may have been periods of silence precipitated by existential moments of doubt, but such lapses seem anomalous when measured against the voluminous transcriptions gleaned and edited by Clark Coolidge. Coolidge has done an admirable job arranging and presenting the book's contents, entirely relevant to anyone curious about Guston, and by extension, American Art of the post-World War II period."—Douglas Dreishpoon, chief curator at Knox-Albright Gallery

Volume 4, Studies in Theology, is the concluding volume in theCollected Writings of John Murray.Like the preceding volumes it presents a selection of the finest work, produced mainly during his long and distinguished ministry as Professor of Systematic Theology at Westminister Theological Seminary, Philadelphia. Volume 4 includes articles dealing with several areas of doctrine which lay close to Murray's heart. Among them is the hitherto unpublished work, 'Jesus, the Son of God', which is possibly thr last piece of theological writing. Its chief characteristic - as with all of Murray's writings - lies in the way in which the text of Scripture suffuses everything he says. This concern to be thoroughly biblical applied also to his doctrine of Scripture, to Christology, and to his understanding of the proclamation of the gospel and the Christian ethic. Outstanding articles in each of these areas may be found in these pages.