Set against a ticking clock, this "haunting" and "atmospheric" thriller pits a ruthless cult against a mother's love, revealing that our darkest secrets are the hardest ones to leave behind (Sally Hepworth, New York Times bestselling author of The Good Sister). Four days to go Amy has only ever known life in the Clearing, amidst her brothers and sisters--until a newcomer, a younger girl, joins the "family" and offers a glimpse of the outside world. Three days to go Freya is going to great lengths to seem like an "everyday mum," even as she maintains her isolated lifestyle, hoping to protect her young son and her dog. Two days to go When news breaks of a missing girl--a child the same age as Freya's son, Billy--Amy and Freya find themselves headed for a shocking collision. One day to go

In this bittersweet romance, two teens living decades apart form a bond that will change their lives forever. Amy is drawn to the misty, mysterious clearing behind her Aunt Mae’s place because it looks like the perfect place to hide from life. A place to block out the pain of her last relationship, to avoid the kids in her new town, to stop dwelling on what her future holds after high school. Then, she meets a boy lurking in the mist—Henry. Henry is different from any other guy Amy has ever known. And after several meetings in the clearing, she’s starting to fall for him. But Amy is stunned when she finds out just how different Henry really is. Because on his side of the clearing, it’s still 1944. By some miracle, Henry and his family are stuck in the past, staving off the tragedy that will strike them in the future. Amy’s crossing over to Henry’s side brings him more happiness than he’s ever known—but her presence also threatens to destroy his safe existence. In The Clearing, author Heather Davis crafts a tender and poignant tale about falling in love, finding strength, and having the courage to make your own destiny—a perfect book to slip into and hide away for awhile.

"Focusing on transformations of love and self over time and in bereavement. White's subjects are autobiographical--love, marriage, the deaths of his father, mother, and, more centrally, his first wife. Questioning memory and self-deception, the poems employ language and metaphors drawn from ordinary life. Winner, Walt McDonald First-Book Competition 2007"--Provided by publisher.

A poetry debut that’s “a lush, lyrical book about a world where women are meant to carry things to safety and men leave decisively” (Henri Cole). Luminous and electric from the first line to the last, Allison Adair’s debut collection navigates the ever-shifting poles of violence and vulnerability with a singular incisiveness and a rich imagination. The women in these poems live in places that have been excavated for gold and precious ores, and they understand the nature of being hollowed out. From the midst of the Civil War to our current era, Adair charts fairy tales that are painfully familiar, never forgetting that violence is often accompanied by tenderness. Here we wonder, “What if this time instead of crumbs the girl drops / teeth, her own, what else does she have”? The Clearing knows the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before . . . from a similar injury or kiss.” There is a dark beauty in this work, and Adair is a skilled stenographer of the silences around which we orbit. Described by Henri Cole as “haunting and dirt caked,” her unromantic poems of girlhood, nature, and family linger with an uncommon, unsettling resonance. Winner of the 2019 Max Ritvo Poetry Prize Praise for The Clearing “A dark and bodily nod to folk- and fairy-tale energy.” —Boston Globe “The poems in Adair’s debut draw on folklore and the animal world to assert feminist viewpoints and mortal terror in lush musical lines, as when “A fat speckled spider sharpens / in the shoe of someone you need.” —New York Times Book Review, “New & Noteworthy Poetry” “Like Grimms’ fairy tales, Adair’s poems are dark without being bleak, hopeless, or disturbing. Readers will find the collections lush language and provocative imagery powerfully resonant.” —Publishers Weekly (Starred Review)

Toni Morrison’s wooded and verdant clearing, a central trope in her novel Beloved, is the model for this book. The collection is a distinctive review, examination, and (re)discovery of Morrison’s work and cultural impacts as defined by emerging and acclaimed artists, scholars, and public figures.

"A former police academy classmate and protaegae asks Tracy to help solve a cold case that involves the suspicious suicide of a Native American high school girl forty years earlier. But as Tracy probes one small town's memory and finds dark, well-concealed secrets hidden within the community's fabric, her own life may be endangered"--

When Hannah Green's dog comes out of the woods carrying a sneaker that contains a partially decomposed foot, she thinks it's the worst thing that could ever happen to her. She is wrong. Hannah and her best friend, Ashley, decide to play detective but find themselves in the middle of a decades-old mystery. What is the strange old woman Mama Bayole hiding in her decrepit farmhouse? Why is the local librarian so determined to prevent them from researching town history? Who is following them around Hopedale, New Hampshire? The girls make a shocking discovery about what has been happening in the woods behind Hannah's house. As they get closer to the truth, things take a dangerous turn, and they play a deadly game of cat-and-mouse that may end up costing them their lives.