Kenia, Mhyrre, and Tyrael discover something wonderful, something magical at the bottom of the lake. But they're not the first ones to find it, and now they may be the last.

NEW YORK TIMES BESTSELLER. SEMI-FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR ART OF THE ESSAY. One of Amazon, Buzzfeed, ELLE, Electric Literature and Pop Sugar's Best Books of 2018. Named one of the Best Books of October and Fall by Amazon, Buzzfeed, TIME, Vulture, The Millions and Vol. 1 Brooklyn. “Hilarious, nimble, and thoroughly illuminating.” —Colson Whitehead, author of The Underground Railroad A globe-spanning, ambitious book of essays from one of the most enthralling storytellers in narrative nonfiction In his highly anticipated debut essay collection, Impossible Owls, Brian Phillips demonstrates why he’s one of the most iconoclastic journalists of the digital age, beloved for his ambitious, off-kilter, meticulously reported essays that read like novels. The eight essays assembled here—five from Phillips’s Grantland and MTV days, and three new pieces—go beyond simply chronicling some of the modern world’s most uncanny, unbelievable, and spectacular oddities (though they do that, too). Researched for months and even years on end, they explore the interconnectedness of the globalized world, the consequences of history, the power of myth, and the ways people attempt to find meaning. He searches for tigers in India, and uncovers a multigenerational mystery involving an oil tycoon and his niece turned stepdaughter turned wife in the Oklahoma town where he grew up. Through each adventure, Phillips’s remarkable voice becomes a character itself—full of verve, rich with offhanded humor, and revealing unexpected vulnerability. Dogged, self-aware, and radiating a contagious enthusiasm for his subjects, Phillips is an exhilarating guide to the confusion and wonder of the world today. If John Jeremiah Sullivan’s Pulphead was the last great collection of New Journalism from the print era, Impossible Owls is the first of the digital age.

The resort town of Weneshkeen, nestled along Michigan’s Gold Coast, has become a complex melting pot: townies and old timers mix with ritzy summer folk, migrant cherry pickers, wily river guides, and a few Ojibwe Indians. As the summer blooms, these lives mingle in surprising ways–a lifelong resident and Vietnam Vet pursues the take-no-guff deputy sheriff, while plotting revenge against the jet-skiers polluting his beloved lake; a summer kid from downstate stumbles into a romance with the sexiest rich girl in town; the town’s retired reverend discovers the Internet and a new friend in his computer tutor. A resonant social comedy with richly-drawn characters and quirky charm, The Lake, the River & the Other Lake welcomes you into a world that you may never want to leave.

New York Times Bestseller Winner of the Los Angeles Times Book Prize Winner of the J. Anthony Lukas Award "Nimbly splices together history, science, reporting and personal experiences into a taut and cautiously hopeful narrative.… Egan’s book is bursting with life (and yes, death)." —Robert Moor, New York Times Book Review The Great Lakes—Erie, Huron, Michigan, Ontario, and Superior—hold 20 percent of the world’s supply of surface fresh water and provide sustenance, work, and recreation for tens of millions of Americans. But they are under threat as never before, and their problems are spreading across the continent. The Death and Life of the Great Lakes is prize-winning reporter Dan Egan’s compulsively readable portrait of an ecological catastrophe happening right before our eyes, blending the epic story of the lakes with an examination of the perils they face and the ways we can restore and preserve them for generations to come.

Washington County, located on the Mississippi River in the heart of the Yazoo-Mississippi Delta, is the culture that cotton built. Founded by hearty pioneers willing to risk even their lives for the unexcelled wealth that the "white gold" of cotton promised, the county was literally carved out of a swampy, cane-covered wilderness where the brave were as likely to reap an early grave as elaborate grandeur. This collection of more than two hundred photographs from the late nineteenth century through the mid-twentieth depicts the unique and pervasive dichotomies that the struggle to weave the "Cotton Kingdom" produced, especially the twin threads of prosperity and poverty. Here men struck it rich in an unprecedented short time, but here they lost it just as quickly. While high cotton bought white men opulent homes and the leisure to produce literary classics, simultaneously it bought the black man little more than a shotgun shack and the pain that birthed the blues. Witness the challenges presented to the mule by the machine and to the isolation of the county's way of life by international war and the infusion of industry. Despite the divisions, this collection also illustrates the common, commendable effort by the citizens of one American county in the South to clear their land, cultivate their fields, build their homes, pave their streets, construct their highways, lay their railroads, and protect it all from flood, fever, and fire with an unfaltering faith in the future.

Four girls. Four stories. And an ending none of them saw coming. When Vanessa, Lindsey, and Claire sneak away from Camp Kimi for a night of junk food and ghost stories, they meet Dani, a strange and distant girl none of them have seen before. As each tells her own scary tale, they reveal personal truths they could never share directly. But the newcomer has a story of her own, and before they know it, the three friends find themselves an unwitting part of it-and there might be no escape.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).