From a place beyond the space/time continuum, known as No-Time, Samuel Sassodoro, is born into this world. He possesses a certain faculty for bringing together the opposing forces of Good and Evil that beleaguer mankind; a potential for moving towards a new rung on the ladder of psychic evolution. Yet Evil would oppose any such change. Samuel must find within himself the integrity and courage to confront The Whore and Her monstrous ally, The Antichrist. When all seems lost, help arrives from a totally unexpected quarter. This is a tale of human frailty and its conscious recognition, whereby all is possible, and nothing is inconceivable.

The Chronicles of Samuel Sassodoro, Book Two represents the conclusion to the soul journey of Samuel. He must again face trials and ordeals, but not alone, as both Tanas, the erstwhile Beelzebub, and Lasse, once Sachlas, work for the common goal: The redemption of mankind.

The new edition of this popular course in translation from French into English offers a challenging practical approach to the acquisition of translation skills, with clear explanations of the theoretical issues involved. A variety of translation issues are considered including: *cultural differences *register and dialect *genre *revision and editing. The course now covers texts from a wide range of sources, including: *journalism and literature *commercial, legal and technical texts *songs and recorded interviews. This is essential reading for advanced undergraduates and postgraduate students of French on translation courses. The book will also appeal to wide range of language students and tutors.

"This is Marokvia's second memoir, following Immortelles: Memoir of a Will-o'-the-Wisp), which focused largely on her French childhood (she was born in 1908). Here she moves ahead to her 1939 marriage in Germany to a German artist and photographer named Abel. After they were married in a civil ceremony, it was particularly jarring for her when the clerk gave her not the traditional Bible but Mein Kampf. When Germany invaded France, the couple's citizenship status became ambiguous. Abel was forced to work as a photographer for the German army or face imprisonment. Marokvia, left alone and watched as a possible French spy in Germany, drew on a well of strength to live a quiet, determined life and survive the war. Passionate, straightforward, and enthralling, this new memoir offers a glimpse of the seldom-seen life of a French citizen in Germany during World War II. Now in her late nineties, Marokvia is working on the final installment of a trilogy, which will pick up with the couple's postwar move to America."--Library Journal.

During wartime, paranoia, gossip, and rumor become accepted forms of behavior and dominant literary tropes. The Peculiar Sanity of War examines the impact of war hysteria on definitions of sanity and on standards of behavior during World War I. Drawing upon Joseph Conrad's comprehensive understanding of war's impact on soldiers and civilians alike, and extending Michel Foucault's construction of madness and reason, Kingsbury expands the definition of war neurosis to include peculiar sanity at home as well as on the front lines. While other investigations of World War I consider shell shock to be the only definable war madness, Kingsbury is the first to build a powerful argument around the insanity of the home front's vilification of the enemy. Ultimately, Kingsbury's study establishes peculiar sanity, among civilians and soldiers, as an inevitable response to war's madness. The Peculiar Sanity of War begins by locating the roots of war mania in Edwardian hypocrisy, then moves on to examine the way propaganda operates in nontraditional texts, such as housekeeping guides, and in the novels of Joseph Conrad, Ford Madox Ford, H. G. Wells, Rebecca West, Edith Wharton, Willa Cather, Rudyard Kipling, Virginia Woolf, and H. D. Celia Kingsbury's eloquent and moving book . . . brings together war and madness in unexpected ways. Beginning with a phrase from Joseph Conrad, she diagnoses the condition of a culture gone awry, a 'peculiar sanity.' . . . --from Laurence Davies's foreword

'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.

In this innovative collection, an international group of scholars come together to discuss literary metaphors and cognitive metaphor theory. The volume's goals are three-fold. The first aim of the book is to present some recent approaches to metaphor which have no immediate connection with cognitive metaphor theory and have developed independently of it. While the cognitive approach has become the leading paradigm in the English speaking world, elsewhere (in Europe) rhetorical, semantic, and logical models have remained in use and continue to be elaborated. These models have so far had little international exposure. Their inclusion in this study is meant to provide a balance to the cognitive paradigm and to open up a possible discussion of the advantages and disadvantages of cognitive metaphor theory for the analysis of literary texts. The second aim of the collection is to illustrate a range of successful applications of the new cognitive models to literary texts. And, the third aim of the study is to provide an assessment of cognitive metaphor theory from a literary point of view.