When Ruka was younger, she saw a ghost in the water at the aquarium where her dad works. Now she feels drawn toward the aquarium and the two mysterious boys she meets there, Umi and Sora. They were raised by dugongs and hear the same strange calls from the sea as she does. Ruka's dad and the other adults who work at the aquarium are only distantly aware of what the children are experiencing as they get caught up in the mystery of the worldwide disappearance of the oceans' fish. -- VIZ Media

The Children of the Sea (1897) is a novella by Joseph Conrad. The story originally appeared with a title featuring a racial slur, a subject of controversy even before Chinua Achebe published his monumental essay “An Image of Africa: Racism in Conrad’s ‘Heart of Darkness.’” Often considered the first major work of Conrad’s career, The Children of the Sea is often read as an allegory on the dangers of individualism and the moral shortcomings of modern humanity. The novella is also notable for its preface, in which Conrad provides a brief-yet-stirring manifesto on the art of literature: “A work that aspires, however humbly, to the condition of art should carry its justification in every line.” On board the Narcissus, a merchant ship bound from Bombay to London, a West Indian man by the name of James Wait lies below deck suffering from tuberculosis. Because of the sudden onset of his illness, some of the sailors believe he is faking his condition in order to avoid work. When the ship capsizes in a storm near the Cape of Good Hope, a group of brave men goes below deck to rescue Wait from near-certain death. As the weather improves enough for the Narcissus to be righted, suspicion regarding the Afro-Caribbean man’s health threatens a mutiny among the crew. With a beautifully designed cover and professionally typeset manuscript, this edition of Joseph Conrad’s The Children of the Sea is a classic work of British literature reimagined for modern readers.

Jim, Dehdeh and Ruka's mom finally track down Anglade's yacht, but neither the rogue scientist nor Umi or Ruka are on board. All that remains is a cryptic invitation to Jim. While Jim tries to figure out the game his ex-colleague is playing and Kanako dives into memories of her daughter Ruka, the strange seachanges continue around the globe. -- VIZ Media

After following Umi deep into the ocean, Ruka finds herself in an undersea cave where she hears a voice calling to her. She soon realizes it is the meteorite in her stomach, telling her the next step in her journey. The FINAL VOLUME of this majestic tale. -- VIZ Media

The sea has a story to tell you, one you’ve never heard before… R to L (Japanese Style). Umi and Sora are not alone in their strange connection to the sea. Forty years ago, Jim met another young boy with the same powers. As penance for letting the boy die, Jim has been searching the world for other children with those same ties to the ocean. Anglade, a wunderkind who was once Jim's research partner, lures Sora away with the promise of answers. This leaves Umi severely depressed, and it is up to Ruka to help her new friend find his brother. But time is quickly running out... When Ruka was younger, she saw a ghost in the water at the aquarium where her dad works. Now she feels drawn toward the aquarium and the two mysterious boys she meets there, Umi and Sora. They were raised by dugongs and hear the same strange calls from the sea that she does. Ruka’s dad and the other adults who work at the aquarium are only distantly aware of what the children are experiencing as they get caught up in the mystery of the worldwide disappearance of the ocean’s fish.

He was born of the sea... Selkie prince Conn ap Llyr denies his deeply sensual nature to rule over the immortal Children of the Sea. But when the Children of Fire threaten the Selkies' Sanctuary, Conn must obey his haunting visions-and seek a woman thousands of miles away... She was born on land... Schoolteacher Lucy Hunter knows nothing about her Selkie heritage or the prophecy that drives Conn to find her. She is content with her life on the quiet Maine island of World's End. That is, until a proud, compelling stranger appears to challenge her assumptions and awaken her desires... Their love will tear them between two worlds... To combat Fire, Conn needs Lucy's magic-even if this means stealing her away to Sanctuary. As the demon threat grows, so does their passion, overcoming Lucy's fears and Conn's guarded heart. But soon they face a devastating choice. Will their love be enough to save them? Or will their destinies tear them apart?

Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer. Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, "Children of the Sea," as those "in this world whose names don't matter to anyone but themselves." The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in "A Wall of Fire Rising," who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, "Epilogue: Women Like Us," she writes: "Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more." The stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense (we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast). Spare, elegant and moving, these stories cohere into a superb collection.