In a brilliant and ambitious thriller that combines elements of Jean Auel’s The Clan of the Cave Bear and Ken Follett’s The Pillars of the Earth into a riveting, multifaceted tale of love, art, courage, and war, Martin Walker brings to life the creation of an extraordinary work of prehistoric cave art and the struggle to possess it in our own time. Martin Walker’s richly interwoven novel opens with the arrival of a mysterious package for a young American woman working in a London auction house. Brought by a British officer, it contains a 17,000-year-old fragment of a cave painting left to him by his father, a former World War II hero. The fragment, significant and stunning in itself, is also the key to the existence of an un-known cave that may be more important in the history of art and human creation than the world-famous one at Lascaux. It triggers a storm of publicity and commands the attention of the French authorities all the way up to the President of the Republic, who seems to know more about the painting's origins than anyone else... As the young American woman, the British officer, and a French government art historian explore the ancient province of Périgord to determine the painting’s origins, their search serves as backdrop for three compelling stories. There is the tale of the British officer’s father who lands in Nazi-occupied France in 1944 to organize the Resistance, culminating in a series of battles to prevent the SS Das Reich Panzer Division from reaching the Normandy beaches in time to repel the D-Day invasion, which leads to an account of the subsequent discovery—and cover-up—of the lost cave and its paintings. And there is also the moving story of the young artist who painted them, the woman he loved, and the ancient culture that produced the first recognizable human art but required the sacrifice of its own creators. Filled with vivid, historically accurate details and imaginative re-creations of prehistoric life, The Caves of Périgord blends a complex plot and richly diverse characters into a seamless narrative of romance, tragedy, and heroism from past to present.

In a brilliant and ambitious thriller that combines elements of Jean Auel’s The Clan of the Cave Bear and Ken Follett’s The Pillars of the Earth into a riveting, multifaceted tale of love, art, courage, and war, Martin Walker brings to life the creation of an extraordinary work of prehistoric cave art and the struggle to possess it in our own time. Martin Walker’s richly interwoven novel opens with the arrival of a mysterious package for a young American woman working in a London auction house. Brought by a British officer, it contains a 17,000-year-old fragment of a cave painting left to him by his father, a former World War II hero. The fragment, significant and stunning in itself, is also the key to the existence of an un-known cave that may be more important in the history of art and human creation than the world-famous one at Lascaux. It triggers a storm of publicity and commands the attention of the French authorities all the way up to the President of the Republic, who seems to know more about the painting's origins than anyone else... As the young American woman, the British officer, and a French government art historian explore the ancient province of Périgord to determine the painting’s origins, their search serves as backdrop for three compelling stories. There is the tale of the British officer’s father who lands in Nazi-occupied France in 1944 to organize the Resistance, culminating in a series of battles to prevent the SS Das Reich Panzer Division from reaching the Normandy beaches in time to repel the D-Day invasion, which leads to an account of the subsequent discovery—and cover-up—of the lost cave and its paintings. And there is also the moving story of the young artist who painted them, the woman he loved, and the ancient culture that produced the first recognizable human art but required the sacrifice of its own creators. Filled with vivid, historically accurate details and imaginative re-creations of prehistoric life, The Caves of Périgord blends a complex plot and richly diverse characters into a seamless narrative of romance, tragedy, and heroism from past to present.

“The next best thing to actually seeing the prehistoric cave art of southern Franc[e] . . . A rapturous guide through five major Ice Age sites” (Archaeology). The cave art of France’s Dordogne region is world-famous for the mythology and beauty of its remarkable drawings and paintings. These ancient images of lively bison, horses, and mammoths, as well as symbols of all kinds, are fascinating touchstones in the development of human culture, demonstrating how far humankind has come and reminding us of the ties that bind us across the ages. Over more than twenty-five years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In Stepping-Stones she combines her expertise in both art and archaeology to convey an intimate understanding of the “cave experience.” Her keen insights communicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself. Focusing on five fascinating sites, including the famed Font de Gaume and others that still remain open to the public, this book reveals striking similarities between art forms of the Paleolithic and works of modern artists and gives us a unique pathway toward understanding the culture of the Dordogne Paleolithic peoples and how it still touches our lives today. “Her vivid descriptions help readers visualize the Cro-Magnon man or woman painting the beautiful bison, horses, mammoths, and other symbols. [A] fine reading experience.” —Library Journal

A perpetual breeze blows through Amour-sur-Belle, a village so ugly that even the English refuse to live there. Guillaume Ladoucette the barber is forced to give up his business as the advancing age of his customers means many have gone bald. He decides to set himself up as a matchmaker instead, for, despite its name, love is the one thing that Amour-sur-Belle lacks. Some shun Denise Vigier because her grandmother was found guilty of horizontal collaboration during the war. The bar owner refuses to serve Madame Fournier, the mushroom poisoner. And Madame Ladoucette and Madame Moreau have been trading insults for so long they have become almost a form of greeting. 'Not everyone falls instantly head over heels,' the matchmaker counsels. 'Love is like a good cassoulet, it needs time and determination.' But how can a matchmaker make love simmer - when he has not yet solved the problem of his own troubled heart?

The first installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno. Meet Benoît Courrèges, aka Bruno, a policeman in a small village in the South of France. He’s a former soldier who has embraced the pleasures and slow rhythms of country life. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes all that. Now Bruno must balance his beloved routines—living in his restored shepherd’s cottage, shopping at the local market, drinking wine, strolling the countryside—with a politically delicate investigation. He’s paired with a young policewoman from Paris and the two suspect anti-immigrant militants. As they learn more about the dead man’s past, Bruno’s suspicions turn toward a more complex motive. "Enjoyable.... Martin Walker plots with the same finesse with which Bruno can whip up a truffle omelette, and both have a clear appreciation for a life tied to the land." —The Christian Science Monitor "A nice literary pairing with the slow-food movement.... [It is] lovely...to linger at the table." —Entertainment Weekly "A wonderfully crafted novel as satisfying as a French pastry but with none of the guilt or calories." —Tuscon Citizen's Journal

Bruno, the beloved chief of police in the idyllic French town of St. Denis, is back! This time a mysterious death brings ancient secrets to light, and it's up to our hero--and favorite gourmand--to connect the tangled threads of past and present When a woman's body is found at the foot of a cliff near St. Denis, Bruno suspects a connection to the great ruin that stands on the cliff above: the Château de Commarque, a long-ago Knights Templar stronghold which, along with the labyrinth of prehistoric caves beneath it, continues to draw the interest of scholars. With the help of Amélie, a young newcomer to the Dordogne, Bruno learns that the dead woman was an archaeologist searching for a religious artifact of incredible importance, the discovery of which could have dramatic repercussions throughout the Middle East--not to mention in St. Denis. And the woman's ties to Islamic terrorists can only heighten the pressure on Bruno to unravel the centuries-old mystery. Meanwhile, an old flame of Bruno's is assigned to work with him on the case, and the two find time, naturellement, to enjoy the supreme pleasures of the wine, food, and beauty of the Dordogne.

This installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno will take all of Bruno's resolve and quick thinking to untangle a mystery that will reach its deadly denouement at the château of an aging rock star. But in true Bruno fashion, at least lunchtime is never in danger. It’s summer in the Dordogne and the heirs of a modest sheep farmer learn that they have been disinherited. Their father’s estate has been sold to an insurance company in return for a policy that will place him in a five-star retirement home for the rest of his life. But the farmer dies before he can move in. Was it a natural death? Or was there foul play? Chief of Police Bruno Courrèges is soon on the case, embarking on an investigation that will lead him to several shadowy insurance companies owned by a Russian oligarch with a Cypriot passport. The arrival of the oligarch’s daughter in the Périgord only further complicates one of Bruno’s toughest cases yet.