The Carthaginians reveals the complex culture, society and achievements of a famous, yet misunderstood, ancient people. Beginning as Phoenician settlers in North Africa, the Carthaginians then broadened their civilization with influences from neighbouring North African peoples, Egypt, and the Greek world. Their own cultural influence in turn spread across the Western Mediterranean as they imposed dominance over Sardinia, western Sicily, and finally southern Spain. As a stable republic Carthage earned respectful praise from Greek observers, notably Aristotle, and from many Romans – even Cato, otherwise notorious for insisting that ‘Carthage must be destroyed’. Carthage matched the great city-state of Syracuse in power and ambition, then clashed with Rome for mastery of the Mediterranean West. For a time, led by her greatest general Hannibal, she did become the leading power between the Atlantic and the Adriatic. It was chiefly after her destruction in 146 BC that Carthage came to be depicted by Greeks and Romans as an alien civilization, harsh, gloomy and bloodstained. Demonising the victim eased the embarrassment of Rome’s aggression; Virgil in his Aeneid was one of the few to offer a more sensitive vision. Exploring both written and archaeological evidence, The Carthaginians reveals a complex, multicultural and innovative people whose achievements left an indelible impact on their Roman conquerors and on history.

The Carthaginian Empire: 550 – 202 BCE argues for a new history of the Phoenician polity. In contrast to previous studies of the Carthaginian Empire that privileged evidence from Greco-Roman sources, Nathan Pilkington bases his study on evidence preserved in the archaeological and epigraphic records of Carthage and its colonies and dependencies. Using this evidence, Pilkington demonstrates that the Carthaginian Empire of the 6th– 4th centuries BCE — as recovered archaeologically and epigraphically — bears little resemblance to currently accepted historical reconstructions. He then presents an independent archaeological and epigraphic reconstruction of the Carthaginian Empire. In this presentation, the author argues that the Carthaginian Empire developed later, chronologically, and was less extensive, geographically, than reconstructions based on the Greco-Roman source tradition suggest. Pilkington further shows that Carthage developed a similar infrastructure of imperial power to those developed in Rome and Athens. Like its contemporaries, Carthage used colonization, the establishment of metropolitan political institutions at dependent polities, and the reorganization of trade into a metropolitan hub-and-spoke system to develop imperial control over subordinated territories.

Carthage is mainly known as the city that was utterly destroyed by the Romans in 146 BC. This book tells the story about this fascinating city, which for centuries was the center of a far-flung trade network in the Mediterranean. Carthage was founded by Phoenician migrants, who settled in the north of what is now Tunisia, probably in the ninth century BC. The city's strategic location was key to its success. From here, the Carthaginians could dominate both seafaring trade and the overland trade with the African interior. Carthage, Fact and Myth presents the most recent views of Carthaginian society, its commerce and politics, and the way its society was organized. Chapters, written by leading experts, describe the founding of Carthage, its merchant and war fleets, and the devastating wars with Rome. These include the campaigns of the famous Carthaginian commander Hannibal who crossed the Alps with his army and elephants to pose a grave threat to Rome, but he was ultimately unable to prevail. Tunisian experts describe Roman Carthage - the city as it was rebuilt by the Emperor Augustus - and discuss the later Christian period. Finally, the reader encounters a wealth of information about European images of Carthage, from 16th-century prints to the Alix series of comics.

The first full-scale history of Hannibal's Carthage in decades and "a convincing and enthralling narrative." (The Economist ) Drawing on a wealth of new research, archaeologist, historian, and master storyteller Richard Miles resurrects the civilization that ancient Rome struggled so mightily to expunge. This monumental work charts the entirety of Carthage's history, from its origins among the Phoenician settlements of Lebanon to its apotheosis as a Mediterranean empire whose epic land-and-sea clash with Rome made a legend of Hannibal and shaped the course of Western history. Carthage Must Be Destroyed reintroduces readers to the ancient glory of a lost people and their generations-long struggle against an implacable enemy.

Carthage, the port-city in Tunisia first settled by Phoenicians from Tyre, grew to extend a competitive maritime trading empire all over the Western Mediterranean and beyond, increasingly defended by the best navy of the period. In the 6th century BC this came into confrontation with Greek colonists in Sicily, starting major wars that lasted through the 5th and 4th centuries, and involved much interaction with different Greek forces. During the 3rd century Carthage first clashed with Roman armies, and in the course of three wars that raged over Spain, Sicily and Italy the Romans suffered the greatest defeats in their early history at the hands of Hamilcar, Hannibal and Hasdrubal Barca, leading multinational armies of North Africans and Europeans.

Trebia. Trasimene. Cannae. With three stunning victories, Hannibal humbled Rome and nearly shattered its empire. Even today Hannibal's brilliant, if ultimately unsuccessful, campaign against Rome during the Second Punic War (218-202 BC) make him one of history's most celebrated military leaders. This biography by Cornelius Nepos (c. 100-27 BC) sketches Hannibal's life from the time he began traveling with his father's army as a young boy, through his sixteen-year invasion of Italy and his tumultuous political career in Carthage, to his perilous exile and eventual suicide in the East. As Rome completed its bloody transition from dysfunctional republic to stable monarchy, Nepos labored to complete an innovative and influential collection of concise biographies. Putting aside the detailed, chronological accounts of military campaigns and political machinations that characterized most writing about history, Nepos surveyed Roman and Greek history for distinguished men who excelled in a range of prestigious occupations. In the exploits and achievements of these illustrious men, Nepos hoped that his readers would find models for the honorable conduct of their own lives. Although most of Nepos' works have been lost, we are fortunate to have his biography of Hannibal. Nepos offers a surprisingly balanced portrayal of a man that most Roman authors vilified as the most monstrous foe that Rome had ever faced. Nepos' straightforward style and his preference for common vocabulary make Life of Hannibal accessible for those who are just beginning to read continuous Latin prose, while the historical interest of the subject make it compelling for readers of every ability.

This epic retelling of the legendary Carthaginian military leader’s assault on the Roman empire begins in Ancient Spain, where Hannibal Barca sets out with tens of thousands of soldiers and 30 elephants. After conquering the Roman city of Saguntum, Hannibal wages his campaign through the outposts of the empire, shrewdly befriending peoples disillusioned by Rome and, with dazzling tactics, outwitting the opponents who believe the land route he has chosen is impossible. Yet Hannibal’s armies must take brutal losses as they pass through the Pyrenees mountains, forge the Rhone river, and make a winter crossing of the Alps before descending to the great tests at Cannae and Rome itself. David Anthony Durham draws a brilliant and complex Hannibal out of the scant historical record–sharp, sure-footed, as nimble among rivals as on the battlefield, yet one who misses his family and longs to see his son grow to manhood. Whether portraying the deliberations of a general or the calculations of a common soldier, vast multilayered scenes of battle or moments of introspection when loss seems imminent, Durham brings history alive.