This volume analyzes how political movements, ideas, and events shaped the American novel.

This volume explores the most exciting trends in 21st century US fiction's genres, themes, and concepts.

Many twentieth-century literary writers were directly involved in political parties and causes, and many viewed their writing as part of their activism. This book explores literature's direct relationship to politics, offering new ways of thinking about the troubled relationship between literature and politics.

The twentieth-century English novel encompasses a vast body of work, and one of the most important and most widely read genres of literature. Balancing close readings of particular novels with a comprehensive survey of the last century of published fiction, this Companion introduces readers to more than a hundred major and minor novelists. It demonstrates continuities in novel-writing that bridge the century's pre- and post-War halves and presents leading critical ideas about English fiction's themes and forms. The essays examine the endurance of modernist style throughout the century, the role of nationality and the contested role of the English language in all its forms, and the relationships between realism and other fictional modes: fantasy, romance, science fiction. Students, scholars and readers will find this Companion an indispensable guide to the history of the English novel.

The Cambridge Companion to Nineteenth-Century American Literature and Politics addresses the political contexts in which nineteenth-century American literature was conceived, consumed, and criticized. Individual chapters examine how US literature from this period engaged with broad political concepts and urgent political issues, such as liberalism, conservatism, radicalism, nationalism, communitarianism, sovereignty, religious liberty, partisanship and factionalism, slavery, segregation, immigration, territorial disputes, voting rights, gendered spheres, and urban/rural tensions. Chapters on literary genres and forms show how poetry, drama, fiction, oratory, and nonfiction participated in political debate. The volume's introduction situates these chapters in relation to two larger disciplines, the history of political thought and literary history. This Companion provides a valuable resource for students and instructors interested in Nineteenth-Century American literature and politics.

Publisher description

In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and émigré literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.