Living in harmony with your neighbor isn't always easy, but it's doubly difficult if you're a bear living in a New York City brownstone, getting ready to hibernate, and the kangaroos' tap dancing upstairs and Miss Cat's piano playing reverberate through the walls and floors. But Miss Cat has her own complaint: the cooking smells from the pigs downstairs. Happily, the wise owl landlord rearranges everybody so they can live in peace. This warm and funny story, slightly revised from the 1972 original, shows the young reader that you can learn to respect and live with others who are different from you.

The much-awaited reissue and reexpression of the classic New York row-house book Bricks and Brownstone, with all-new and updated text, new color photography, and luxury slipcase. The classic book Bricks & Brownstone, the first and still the only volume to examine in depth the changing form and varied architectural styles of the much-loved New York City row house, or brownstone, was first published in 1972. That edition helped pave the way for a brownstone revival that has transformed New York's historic neighborhoods over the past half-century. Rizzoli published a revised and expanded edition of the book in 2003, to much fanfare. This edition revisits the classic comprehensively, with an updated text and additional chapters, and an abundance of specially commissioned color photography. It offers to an eager audience the long-awaited re-issue of the landmark volume in a brilliant new form. Boasting more than 250 color and black-and-white images, this definitive volume traces New York's row houses from colonial days through World War I, examining in detail the Federal, Greek Revival, Gothic Revival, Italianate, and Second Empire architectural styles of the early and mid-nineteenth century, as well as the Neo-Grec, Queen Anne, Romanesque, Renaissance Revival, and Colonial Revival styles of the late nineteenth and early twentieth centuries. The new Bricks & Brownstone remains the gold standard reference on brownstone architecture and interiors, and one of the few truly classic histories of New York's urbanism and real estate development.

Considered one of the city's most notorious industrial slums in the 1940s and 1950s, Brownstone Brooklyn by the 1980s had become a post-industrial landscape of hip bars, yoga studios, and beautifully renovated, wildly expensive townhouses. In The Invention of Brownstone Brooklyn, Suleiman Osman offers a groundbreaking history of this unexpected transformation. Challenging the conventional wisdom that New York City's renaissance started in the 1990s, Osman locates the origins of gentrification in Brooklyn in the cultural upheavals of the 1960s and 1970s. Gentrification began as a grassroots movement led by young and idealistic white college graduates searching for "authenticity" and life outside the burgeoning suburbs. Where postwar city leaders championed slum clearance and modern architecture, "brownstoners" (as they called themselves) fought for a new romantic urban ideal that celebrated historic buildings, industrial lofts and traditional ethnic neighborhoods as a refuge from an increasingly technocratic society. Osman examines the emergence of a "slow-growth" progressive coalition as brownstoners joined with poorer residents to battle city planners and local machine politicians. But as brownstoners migrated into poorer areas, race and class tensions emerged, and by the 1980s, as newspapers parodied yuppies and anti-gentrification activists marched through increasingly expensive neighborhoods, brownstoners debated whether their search for authenticity had been a success or failure.

Upon his father's death, Salem inherits a mansion as well as an unfinished battle with creatures from another world, which requires him to seek the help of his guardian familiar and the colorful performers of Dr. Kinoshita's Circus of Unearthly Delights.

Archie Goodwin goes undercover on the waterfront in a new mystery by the author who “does a masterly job with the Wolfe legacy” (Booklist). Archie Goodwin is not overly fond of Theodore Horstmann, who takes care of the orchids on the rooftop of Nero Wolfe’s West Thirty-Fifth Street brownstone. But as loyal assistant to the legendary private detective, Archie will put his animosity aside when the surly orchid-keeper stumbles through the front door beaten within an inch of his life. While the gardener lies in a coma, Nero sends Archie to poke around his apartment near the river. The place is neatly kept, if not quite as elegant as the brownstone, but across the street on Tenth Avenue Archie quickly discovers the longshoremen’s watering hole in whose back room Horstmann has been playing a lot of bridge lately. The smoky tavern is packed with tough dockworkers and recent European immigrants, and Archie does his best to blend in, filling the victim’s empty seat in his running card game, as he attempts to learn what sort of shady business might have led to attempted murder. But when one of his new bridge partners is killed, Archie finds himself caught up in something much bigger than a bar fight . . . Trouble at the Brownstone serves up postwar New York City atmosphere in a fast-paced mystery featuring Nero Wolfe, “one of the two or three most beloved detectives in fiction” (Publishers Weekly). “Mr. Goldsborough has all of the late writer’s stylistic mannerisms down pat.” —The New York Times

Set in Brooklyn during the Depression and World War II, this 1953 coming-of-age novel centers on the daughter of Barbadian immigrants. "Passionate, compelling." — Saturday Review. "Remarkable for its courage." — The New Yorker.