John chose the title-poem for its simple, believable story. The rest accrued in the usual way. He found those now grouped in City of Flowers particularly moving to write.

Travis Tacey doesn't have it easy: his mom's in the hospital suffering from brain trauma after a terrible car accident, and his father has lost his good sense in the aftermath and kicked him out. Homeless, penniless, and only fourteen years old, Travis tries to make money off of his singing and guitar playing skills. But when his beloved guitar—a family heirloom—is stolen, Travis grows desperate. By a stroke of luck, he gets a job helping a guitar maker. Through Travis's love of music, his devotion to his family, and the kindness of strangers, he begins to find his way in the world. But how will he keep his family together?

The idea for the book came about while I was working abroad on a theater show, with a fair bit of downtime. Before leaving, I'd been helping our son, Arlen, as he made first contact with a few instruments: keyboards and synthesizers, guitar, and a variety of tuned percussion instruments. It did not always go well. His intense love of music was matched by an equally intense desire for immediate results. This combination often led to a considerable amount of frustration. To help Arlen cope with this frustration, I decided to write a short rhyming story that would be similar in many ways to those found in his favorite picture books. My initial vision was for the book to encourage practice and sticktoitiveness, enshrining the many virtues of delayed gratification. Mercifully, I came to my senses and abandoned that idea as utter nonsense. It dawned on me that our boy's innocence and earnestness fueled a kind of rock power, that unnamed spark of creative joy that many of us in the music industry have chased in practice spaces and recording studios for decades. It's the very thing that makes a kid, a kid. Our five-year-old boy is Thoreau's "childlike mirthfulness" come to life. He dances like there's no one watching; he doesn't know any other way. He sings with abandon, and sometimes, he roars. In the end, I thought that if he learns something from the book, wonderful, but above all else, I wanted this book to help ensure that he never forgets how to roar.

The country music superstar shares what the guitar has meant to him as a means of finding his own voice, who inspired his love of music, and memorable stories about the great guitar players he has encountered over the years.

Whether theyre acoustic or electric; a Fender, Gibson, or Rickenbacker; whether theyre used to play rock or blues or country; guitars have revolutionized the music industry and have struck a chord with music fans everywhere. An anthology of memoirs, stories, and reminiscences about acoustic and electric guitars and their vital role in all styles of music, This Old Guitar is the supreme tribute to this popular instrument and pop culture icon. The stories in "This Old Guitar" cover such themes as first guitars, learning to play, guitar love and lust, oddball guitars, famous guitars that made (or didnt make) history, playing air guitar, the cliches of smashing and burning guitars, and more. The stories come from journalists and historians well-known in the music industry, including Dan Forte (former editor of Guitar Player and Guitar World magazines), Michael Wright (author of "Guitar Stories" vols. 1 and 2, and contributor to "Vintage Guitar" magazine), Ward Meeker (editor of "Vintage Guitar" magazine), and Charles Shaar Murray (Author of "Crosstown Traffic and Boogie Man"). Sidebars include quotes from such famous musicians as Willie Nelson, Eric Clapton, Muddy Waters, T-Bone Walker, B. B. King, Pete Townshend, Jimi Hendrix, and more.

This is the story of how Les Paul created the world's first solid- body electric guitar, countless other inventions that changed modern music, and one truly epic career in rock and roll. How to make a microphone? A broomstick, a cinderblock, a telephone, a radio. How to make an electric guitar? A record player's arm, a speaker, some tape. How to make a legendary inventor? A few tools, a lot of curiosity, and an endless faith in what is possible. Featuring richly detailed, dynamic illustrations by Brett Helquist, this unforgettable biography will resonate with inventive readers young and old.

To many vintage guitar fans, it seems inconceivable that Gibson dumped the Sunburst Les Paul in 1960 and, during the following year, introduced a completely new design, the one that we know now as the SG (“solid guitar”). At the time, however, it made good business sense. Sales of the Les Paul were faltering, and Gibson decided to blow a breath of fresh air through its solidbody electric guitar line. The company described the result as an “ultra-thin, hand-contoured, double-cutaway body.” The modernistic amalgam of bevels and points and angles was a radical departure, and this new book tells the story of all the SG models that followed: the Junior, Special, Standard, Custom, and more. There are interviews with and stories about Gibson personnel through the years, and all the major SG players, including Pete Townshend, Frank Zappa, Eric Clapton, Angus Young, George Harrison, Gary Rossington, Tony Iommi, and Derek Trucks. In the tradition of Tony Bacon's bestselling series of guitar books, The SG Guitar Book is three great volumes in one package: a collection of drool-worthy pictures of the coolest guitars; a gripping story from the earliest prototypes to the latest exploits; and a detailed collector's database of every production SG model ever made.