This Is An Unconventional Interpretation Of The Mahabharata With Yudhisthir As The Hero. It Seeks To Emphasie That The Relevance Of This Epic Extends Beyond Limitations Of Time, And That The Underlying Philosophy Of The Classic Can Be Explored, Again And Again, To Find New Truths Emerging Each Time.

Though the Kuru family survived on Vyasadeva’s seeds, he never belonged to the house. Moreover, being an ascetic, he was even exempted from obligations of the complicated dynamics of human relationships. This armed him with a ruthless dispassion and he could go on telling his stories with stoical detachment, free from any bias and uncontaminated by quintessential human dilemmas. But had any of his characters given his own account of the story, would not that have lent a different dimension to the events seducing ordinary mortals like us to identify, if not compare, our private crises with those of our much celebrated heroes? The Unfallen Pandava is an imaginary autobiography of Yudhishthira, attempting to follow the well-known story of the Mahabharata through his eyes. In the process of narrating the story, he examines his extremely complicated marriage and relationship with brothers turned co-husbands, tries to understand the mysterious personality of his mother in a slightly mother-fixated way, conducts manic and depressive evaluation of his own self and reveals his secret darkness and philosophical confusions with an innate urge to submit to a supreme soul. His own story lacks the material of an epic, rather it becomes like confession of a partisan who, prevailing over other more swashbuckling characters, finally discovers his latent greatness and establishes himself as the symbolic protagonist.

In Raja Yudhisthira, Kevin McGrath brings his comprehensive literary, ethnographic, and analytical knowledge of the epic Mahabharata to bear on the representation of kingship in the poem. He shows how the preliterate Great Bharata song depicts both archaic and classical models of kingly and premonetary polity and how the king becomes a ruler who is viewed as ritually divine. Based on his precise and empirical close reading of the text, McGrath then addresses the idea of heroic religion in both antiquity and today; for bronze-age heroes still receive great devotional worship in modern India and communities continue to clash at the sites that have been—for millennia—associated with these epic figures; in fact, the word hero is in fact more of a religious than a martial term.One of the most important contributions of Raja Yudhisthira, and a subtext in McGrath's analysis of Yudhisthira’s kingship, is the revelation that neither of the contesting moieties of the royal Hastinapura clan triumphs in the end, for it is the Yadava band of Krsna who achieve real victory. That is, it is the matriline and not the patriline that secures ultimate success: it is the kinship group of Krsna—the heroic figure who was to become the dominant Vaisnava icon of classical India—who benefits most from the terrible Bharata war.

Intended to be a treatise on life itself, this epic poem embraces religion and ethics, polity and government, philosophy and the pursuit of salvation. This collection of more than 4,000 verses is supplemented by a glossary, genealogical tables, and an index correlating the verses with the original Sanskrit text.

Yudhishtar and Draupadi is a long poem in rhymed sonnets based on one of the most important episodes in the Mahabharata. In it, Pavan Varma gives us a new and challenging interpretation of the encounter between the Pandavas and the Yaksha of the Poisoned Pool. During their years of exile, the Pandavas happen upon a pool in the Dvaitvana forest. They thirst for the water, but its guardian will not allow them to drink until they have answered his questions. Four of the brothers die at the hands of the Yaksha after failing to solve the riddles, and then it is Yudhishtarýs turn. The narrative of Yudhishtar and Draupadi begins with the eldest Pandava facing the Yaksha. Determined to bring his brothers back to life, and protect the beautiful Draupadi, the eldest Pandava draws upon his fabled diplomacy and wisdom to answer every one of the Yakshaýs questions faultlessly. As he does so, the reader is given rare and beautifully couched insights into some of the most fundamental questions of life, love, death and benediction. Pavan Varma also uses the episode to look into the uneasy relationship between Yushishtar, and the alluring Draupadi. His austerity and straightforwardness come in the way of his passion for Draupadi, who loves Arjun above everyone else. The complex interplay between the two gives the poet the opportunity to meditate on key apsects of men and women in love.

Samrat Yudhishthir is the hero of Mahabharat. He has been described as the greatest emperor that lived on this earth. He ruled the entire planet through military, wisdom, dharma and economics. He has been glorified in Mahabharat by Vyasadeva. His character and wisdom has become the folklore of history. I am sure he will inspire many future leaders of this world. This book debunks many misconceptions being spread about him such as 'gambler', 'weak', indecisive' and 'slow'.Understanding Yudhishthir will actually build appreciation for the culture of Dharma which he championed throughout his life.

"Pooja Kapoor, a betrayed wife and mother, is forced to question her beliefs and marriage when she discovers that her husband, Rahul, has fallen in love with Atif, a young Muslim man. Bereft and desperate for divine intervention, she is compelled to confront painful truths about the past, the duality in God and husband, and the secrets that threaten to destroy everything in their wake."--P. [2] of cover.