Rising science fiction and fantasy star P. Djèlí Clark brings an alternate New Orleans of orisha, airships, and adventure to life in his immersive debut novella The Black God's Drums. Alex Award Winner! In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air--in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums. But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations. Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans. “A sinewy mosaic of Haitian sky pirates, wily street urchins, and orisha magic. Beguiling and bombastic!”—New York Times bestselling author Scott Westerfeld At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Taking the influential work of Arthur Huff Fauset as a starting point to break down the false dichotomy that exists between mainstream and marginal, a new generation of scholars offers fresh ideas for understanding the religious expressions of African Americans in the United States. Fauset's 1944 classic, Black Gods of the Metropolis, launched original methods and theories for thinking about African American religions as modern, cosmopolitan, and democratic. The essays in this collection show the diversity of African American religion in the wake of the Great Migration and consider the full field of African American religion from Pentecostalism to Black Judaism, Black Islam, and Father Divine's Peace Mission Movement. As a whole, they create a dynamic, humanistic, and thoroughly interdisciplinary understanding of African American religious history and life. This book is essential reading for anyone who studies the African American experience.

This is a collection of folk tales from the exotic island of Trinidad, woven out of the vivid legends that live in the minds of the island’s handsome inhabitants. Witchcraft and curses that spell death hang in the air, with happiness always just a step away from disaster. The distinctions between man, nature, and the animal world blur and recede when a hunter shakes off the evil of the city and glides lithely into the forest, when a boa constrictor comes to the aid of a young married couple, or when a servant girl hears the beckoning call of the sea god. There is about these tales a dream quality—of women in white lace dresses, men in bright shirts and pantaloons, their sudden joys, and their no less sudden griefs. Moving in a rhythm of their own, streaked by the wild logic of pagan lore, these stories of a place in the Caribbean where fact and fancy entwine are enchanting. In an article in Esquire Magazine entitled “The Renaissance Man/1957” Helen Lawrenson wrote of Geoffrey Holder: Every once in a while there comes along a man so multi-talented in the arts that no one specific field can satisfy his creative energy... Newest and most promising of this type of exuberant virtuoso is an extraordinary young man named Geoffrey Holder, who...since he came to this country from his native Trinidad, has achieved recognition as a painter, actor, creative dancer, singer, choreographer, composer, librettist, costume designer, scenic designer, writer and photographer. Michael Myerberg, the theatrical entrepreneur...calls him “the greatest talent that; has appeared in recent years, with a fantastic intelligence...one of the truly great ones!” Assisted by Tom Harshman, a well-traveled freelance writer, Mr. Holder claims a permanent place in the world of writing with BLACK GODS, GREEN ISLANDS.

Banning Black Gods is a global examination of the legal challenges faced by adherents of the most widely practiced African-derived religions in the twenty-first century, including Santeria/Lucumi, Haitian Vodou, Candomblé, Palo Mayombe, Umbanda, Islam, Rastafari, Obeah, and Voodoo. Examining court cases, laws, human rights reports, and related materials, Danielle N. Boaz argues that restrictions on African diaspora religious freedom constitute a unique and pervasive form of anti-Black discrimination. Emphasizing that these twenty-first-century cases and controversies are not a new phenomenon but rather a reemergence of colonial-era ideologies and patterns of racially motivated persecution, Boaz focuses each chapter on a particular challenge to Black religious freedom. She examines issues such as violence against devotees, restrictions on the ritual slaughter of animals, limitations on the custodial rights of parents, and judicial refusals to recognize these faiths as protected religions. Boaz introduces new issues that have never been considered as a question of religious freedom before—such as the right of Palo Mayombe devotees to possess remains of the dead—and she brings together controversies that have not been previously regarded as analogous, such as the right to wear headscarves and the right to wear dreadlocks in schools. Framing these issues in comparative perspective and focusing on transnational and transregional issues, Boaz advances our understanding of the larger human rights disputes that country-specific studies can overlook. Original and compelling, this important new book will be welcomed by students and scholars of African diaspora religions and discerning readers interested in learning more about the history of racial discrimination

Red Shadows is a dark adventure story by Robert E.Howard. Howard was an American writer known for his pulp fiction stories. Our protagonist, Solomon Kane, is a somber-looking man who wanders the world with no apparent goal other than to vanquish evil in all its forms.

Includes plays by Langston Hughes, Randolph Edmonds, May Miller, William Branch, Edgar White, Phillip Hayes Dean, and Ron Milner

Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn. Download a FREE sneak peek today! Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world fifty years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and a familiar person from her past, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city—or face the possibility he could be exactly who he seems... A Master of Djinn is poised to launch P. Djèlí Clark’s SFF career to new heights as the highly-anticipated debut readers are clamoring for. Novellas by P. Djèlí Clark The Black God's Drums The Haunting of Tram Car 015 Ring Shout At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.