18 year-old Rita Gaspereaux is suddenly "orphaned" when her con-artist father's illegal enterprise blows up around her. Alone and broke in San Francisco 1922, she must now navigate his criminal world, all the time haunted by tales of a black bird statuette reputed to possess otherworldly, wish-fulfilling powers. Rita has learned much from her father about the dark fringes of society. But has she learned enough? Fortunately, she is not without her own resources. What helps her most to cope with the greed, cruelty, and deceit around her is her almost obsessive reading of fiction, particularly the novel she possesses (and is possessed by) at the time of her father’s death. This book-within-the-book, a source of escape and solace for the blossoming young con-artist, tells the story of another 18 year-old, a Dorothy G. from Kansas. The two young women couldn't be more different. But as the story proceeds their lives become entwined in unexpected ways. The haunting conclusion is breathtaking.

The Château du Ciel was once the destination for the rich and famous to play, drink and ski—complete with a private railway to shuttle those desiring extra privacy—now, however, the guests are few and far between. The New Year’s Eve party was supposed to hoist the rundown hotel back to its former status, until a massive blizzard hits, trapping the guests who’ve come to celebrate the grand hotel’s last hurrah. The circumstances might even be romantic, if the hotel wasn't reputed to be haunted. When hotel employee Mave Michael finds the resident artist dead, and shortly thereafter hotel security finds Mave alone with the body, the reputation that Mave has fought long and hard to outrun comes back to haunt her. You see, her father is a notorious hitman who is serving multiple life sentences in prison. She has changed her name and location dozens of times, but he somehow manages to track her down—even sending her a postcard on the eve of her birthday, January 1st. She’s the perfect choice to frame for murder, and now the number one suspect. Mave can no longer deny the lessons in survival her father taught her, and calls on that and her uncanny sixth-sense in “finding” lost objects to navigate the maze of the hotel. To save herself, she not only has to stop running from her own past, she must unearth the history of the hotel, its elite guests and buried secrets—one deadly sin at a time. An homage to classic gothic horror, that proves that the ghosts of family and classism are alive and well.

In this New York Times bestseller, discover the inside story of Clarence "Big Man" Clemons -- his life before, during, and beyond the E-Street Band, including never-before-told adventures with Bruce Springsteen, the band, and an incredible cast of other famous characters. Here's a glimpse of what's inside: The truth behind the final hours of making Born To Run The real story of how the E-Street Band got its name What happened when Clarence and Ringo Starr were sitting in a hotel room and Clarence got the call that Bruce was breaking up the band How Bruce and Clarence met that dark, stormy night at the Student Prince The E-Street band's show at Sing-Sing prison where all of their equipment blows out right as they take the stage The secret that Robert De Niro told Clarence and Bruce they had to keep for 25 years This is not your average rock book. It is something creative, unique, and new. It is the story of E-Street. It is the story of stories. It is the story of the Big Man.

Even before they immigrate to America, Hanna and her family dream of the new life they will have there. "You will see, Hanna," Papa said. "There are streets of gold." But when they arrive, they find life very different from what they had imagined. Their apartment is small and Hanna and her brothers must sleep on a mattress on the floor. Mama spends her days knitting shawls and sweaters to sell on the streets but no one stops to buy. And Papa can find no work. Hanna looks everywhere for the gold Papa promised them but it is not to be found. What will happen to their dream of a new, better life in America? One day a seemingly insignificant find on a slushy street leads to an opportunity for a brighter future. And like many others before them, Hanna and her family realize that through small steps and hard work they can make their American dream come true.

When Candice Curry was a little girl, she put her hand in her father's back pocket so that she wouldn't get lost in large crowds. Little did she know that as she followed him, he was plying his trade: conning people. Her family drove stolen cars, lived in stolen houses, and shopped with stolen credit cards. Drug use was regular, as were visits from strange people who were trying to track her father down. Though she eventually cut ties with her father, Candice could not ignore the scars that were left from her childhood. This is her story, one steeped in secrets but one that, ultimately, led her to a place of forgiveness and freedom. As she struggles to understand her criminal father, as well as her own imperfect life, Candice comes to realize that we are not defined by our circumstances but rather by how we react to those circumstances. She's found peace in the knowledge that God doesn't love us because we're perfect--but because he is.

A tribute to Jane C. Goodale, Pulling the Right Threads discusses the vibrant ethnographer and teacher's principles for mentoring, collaborating, and performing fieldwork. Known for her ethnographic research in the Pacific, development of the Association of Social Anthropology in Oceania, and influence in the anthropology department at Bryn Mawr College, Goodale and other contributors renew the debate in anthropology over the authenticity of field data and representations of other cultures. Together, they take aim at those who claim ethnography is outmoded or false.

This is a coming-of-age novel, set in Dublin, and tells the story of Mary Makebelieve. Mary Makebelieve lives with her mother, who is a charwoman, in a one-room tenement flat. While her mother goes out to work every day, Mary wanders the city, observing. This city comes alive in Mary's eyes painting a picture of both domestic and urban life. As she turns 16, she becomes aware of her body changing into a woman's and she is also becoming aware of men. She admires and fears a police officer who takes an interest in her.