"Resplendent.... A masterwork of history."--Ron Jacobs, Counterpunch In eyewitness testimonies and hundreds of remarkable photographs, The Battle for People's Park, Berkeley 1969 commemorates the fiftieth anniversary of one of the most searing conflicts that closed out the tumultuous 1960s: the Battle for People's Park. In April 1969, a few Berkeley activists planted the first tree on a University of California-owned, abandoned city block on Telegraph Avenue. Hundreds of people from all over the city helped build the park as an expression of a politics of joy. The University was appalled, and warned that unauthorized use of the land would not be tolerated; and on May 15, which would soon be known as Bloody Thursday, a violent struggle erupted, involving thousands of people. Hundreds were arrested, martial law was declared, and the National Guard was ordered by then-Governor Ronald Reagan to crush the uprising and to occupy the entire city. The police fired shotguns against unarmed students. A military helicopter gassed the campus indiscriminately, causing schoolchildren miles away to vomit. One man died from his wounds. Another was blinded. The vicious overreaction by Reagan helped catapult him into national prominence. Fifty years on, the question still lingers: Who owns the Park?

Peopleas Park in Berkeley was born when a diverse coalition of activists seized a vacant lot to build a park in 1969. The authorities reacted violently, leading to riots in which police shot into crowds, killing one bystander and wounding over 100 people. The battle over Peopleas Park became a symbol for the battles of the 1960s between the counter-culture and mainstream society. While the dramatic story of the Parkas violent creation in 1969 has been thoroughly told, no book until now has brought the story up to date. This book illustrates how the Park is still a living counter-cultural experiment and a model for do-it-yourself ecological and social direct action. The book features hundreds of historical images and photographs of the Parkas present uses: as a community garden and native plant repository; as a liberated zone for concerts and political rallies; and as one of the few places open to all peoplearich and poor, homeless and housedain an increasingly consumer-dominated Berkeley. The book uses interviews, news clipping, political tracts, and primary documents to show how generations of activists have fought to allow the users of the Park to control its development, operation, and maintenanceaembodying the principal of user development in the face of constant police repression.

Following the success of Quirky Berkeley, "arbiter of the eccentric" (The New York Times) Tom Dalzell returns to take readers on a tour of even more artwork that peppers the proudly idiosyncratic Northern California city. Stroll along iconic Telegraph Avenue for views of painted-metal portrait sculptures of figures ranging from Rasputin to Mario Savio--even Heyday's founder, Malcolm Margolin--at the Mad Monk Center for Anachronistic Media. Hike up Marin for views of the steel skeleton forever riffing on a tenor saxophone. Dalzell points out murals honoring the Sandinistas and bas-relief sculptures of legendary Oakland Athletics on the home of a member of the Great Tortilla Conspiracy. And just where can you find the quirkiest garden ever? Included in every write-up are profiles of the residents, whom Dalzell is careful to portray not as stereotypical "Berzerkeleyites" but as individuals who have found their true north of exuberant self-expression.

Berkeley, California, was the bellwether of the political, social, and cultural upheaval that made the 1960s a unique period of American history--a time when the top-down methods of a conservative establishment collided head-on with the bottom-up, grass-roots ethos of the civil rights movement and an increasingly well-educated and individualistic middle class. W.J. Rorabaugh, who attended the graduate school of the University of California at Berkeley in the early 1970s, presents a lively and informative account of the events that overtook and changed forever what had once been a quiet, conservative white suburb. The rise of the Free Speech Movement, which gave a voice to disfranchised students; the growth and increasing militance of a black community struggling to end segregation; the emergence of radicalism and the anti-war movement; the blossoming of "hippie" culture, with its scorn for materialism and enthusiasm for experimentation with everything from sex and drugs to Eastern philosophies; the beginnings of modern-day feminism and environmentalism--and how all of these coalesced in the explosive conflict over People's Park--are traced in a meticulously researched and authoritative narrative. At issue was the question of power, and the struggle between the establishment and the powerless led to developments that the advocates of a freer society could scarcely have foreseen: Ronald Reagan, elected governor of California in reaction to the events at Berkeley, and Edwin H. Meese III, who battled against the student movement and People's Park, rose to national power in the 1980s (without, however, gaining any popularity in Berkeley, where Walter Mondale won 83 percent of the vote in 1984). An invaluable account of its time and place, this book anchors the '60s in American history, both before and since that colorful decade.

"The Imagination of the New Left" brings to life the social movements and events of the 1960s that made it a period of world-historical importance: the Prague Spring; the student movements in Mexico, Japan, Sri Lanka, Italy, Yugoslavia, and Spain; the Test Offensive in Vietnam and guerilla movements in Latin America; the Democratic Convention in Chicago; the assassination of Martin Luther King; the near-revolution in France of May 1968; and the May 1970 student strike in the United States. Despite its apparent failure, the New Left represented a global transition to a newly defined cultural and political epoch, and its impact continues to be felt today.

Faux Queen: A Life in Drag is the memoir of a ballet-obsessed girl who moves to San Francisco from the suburbs and finds her people at the drag club. It joyously chronicles Monique Jenkinson’s creation of her drag persona Fauxnique, the people and cultural practices that crash her identity into being, her journey through one of the most experimental moments in queer cultural history, and her rise through the nightlife underground to become the first cisgender woman crowned as a major pageant-winning drag queen. Jenkinson finds authenticity through the glee of drag artifice and articulation through the immediacy of performing bodies. She pens a valentine to gay men and their culture while relaying the making of an open-minded feminist and queer ally. Faux Queen finds deep healing in irreverence and posits that it might be possible for us to come together in fabulous difference on the dance floor.

From the king of “Gonzo” journalism and bestselling author who brought you Fear and Loathing in Las Vegas comes another astonishing volume of letters by Hunter S. Thompson. Brazen, incisive, and outrageous as ever, this second volume of Thompson’s private correspondence is the highly anticipated follow-up to The Proud Highway. When that first book of letters appeared in 1997, Time pronounced it "deliriously entertaining"; Rolling Stone called it "brilliant beyond description"; and The New York Times celebrated its "wicked humor and bracing political conviction." Spanning the years between 1968 and 1976, these never-before-published letters show Thompson building his legend: running for sheriff in Aspen, Colorado; creating the seminal road book Fear and Loathing in Las Vegas; twisting political reporting to new heights for Rolling Stone; and making sense of it all in the landmark Fear and Loathing on the Campaign Trail '72. To read Thompson's dispatches from these years—addressed to the author's friends, enemies, editors, and creditors, and such notables as Jimmy Carter, Tom Wolfe, and Kurt Vonnegut—is to read a raw, revolutionary eyewitness account of one of the most exciting and pivotal eras in American history.