The title of this book refers to the classic time and place for magic, witchcraft, and divination in Russia. The Bathhouse at Midnight, by one of the world's foremost experts on the subject, surveys all forms of magic, both learned and popular, in Russia from the fifth to the eighteenth century. While no book on the subject could be exhaustive, The Bathhouse at Midnight does describe and assess all the literary sources of magic, witchcraft, astrology, alchemy, and divination from Kiev Rus and Imperial Russia, and to some extent Ukraine and Belorussia. Where possible, Ryan identifies the sources of the texts (usually Greek, Arabic, or West European) and makes parallels to other cultures, ranging from classical antiquity to Finnic. He finds that Russia shares most of its magic and divination with the rest of Europe. Subjects covered include the Evil Eye, the Number of the Beast, omens, dreams, talismans and amulets, plants, gemstones, and other materials thought to possess magic properties. The first chapter gives a historical overview, and the final chapter summarizes the political, religious, and legal aspects of the history of magic in Russia. The author also provides translations of some key texts. The Bathhouse at Midnight will be invaluable for anyone&—student, teacher, or general reader&—with an interest in Russia, magic, or the occult. It is unique in its field and is set to become the definitive study of Russian magic.

T.D. Kokoszka grew up in Texas with a Jewish mother and a Polish-American father. While he was aware of roots going back to Eastern Europe from both families, he found it hard to learn very much about them. He knew that Polish people would whack one another with palm leaves around Easter, and he knew that his great-grandmother purportedly believed in forest spirits known as borowy. However, it wasn't until he was in his teens that he became vaguely aware of an ancient people known as the Slavs who gave rise to the Polish, Ukrainian, Russian, Serbian, Bulgarian, Slovakian, Slovene, and Czech languages. It quickly became clear to him that this was a family of cultures currently under-represented in popular culture, and even in western scholarship. Not simply a regurgitation of scholarship from the Soviet period - and presenting new analyses by using previously neglected resources - Bogowie: A Study of Eastern Europe's Ancient Gods offers one of the most painstaking scholarly reconstructions of Slavic paganism. These new resources include not only an overview of folklore from many different Slavic countries but also comparisons with Ossetian culture and Mordvin culture, as well as a series of Slavic folktales that Kokoszka analyzes in depth, often making the case that the narratives involved are mythological and shockingly ancient. Readers will recognize many European folktale types and possibly learn to look at these folktales differently after reading this book.

Larger in area than the United States and Europe combined, Siberia is a land of extremes, not merely in terms of climate and expanse, but in the many kinds of lives its population has led over the course of four centuries. Janet M. Hartley explores the history of this vast Russian wasteland—whose very name is a common euphemism for remote bleakness and exile—through the lives of the people who settled there, either willingly, desperately, or as prisoners condemned to exile or forced labor in mines or the gulag. From the Cossack adventurers’ first incursions into “Sibir” in the late sixteenth century to the exiled criminals and political prisoners of the Soviet era to present-day impoverished Russians and entrepreneurs seeking opportunities in the oil-rich north, Hartley’s comprehensive history offers a vibrant, profoundly human account of Siberia’s development. One of the world’s most inhospitable regions is humanized through personal narratives and colorful case studies as ordinary—and extraordinary—everyday life in “the nothingness” is presented in rich and fascinating detail.

A study of the 'demonic markers' that run throughout Dostoevsky's fiction, this also explores the narrative and generic implications of the way Dostoevsky inscribed the demonic in his fictional works - implications that point to a new understanding of familiar concepts in the work of this Russian master.

When so much in Russia has changed, the banya remains. For over one thousand years Russians of every economic class, political party, and social strata have treated bathing as a communal activity integrating personal hygiene and public health with rituals, relaxation, conversations, drinking, political intrigue, business, and sex. Communal steam baths have survived the Mongols, Peter the Great, and Soviet communism and remain a central and unifying national custom. Combining the ancient elements of earth, water, and fire, the banya paradoxically cleans bodies and spreads disease, purifies and defiles, creates community and underscores difference. Here, Ethan Pollock tells the history of this ubiquitous and enduring institution. He explores the bathhouse's role in Russian identity, following public figures (from Catherine the Great to Rasputin to Putin), writers (such as Chekhov and Dostoevsky), foreigners (including Mark Twain and Casanova), and countless other men and women into the banya to discover the meanings they have found there. The story comes up to the present, exploring the continued importance of banyas in Russia and their newfound popularity in cities across the globe. Drawing on sources as diverse as ancient chronicles, government reports, medical books, and popular culture, Pollock shows how the banya has persisted, adapted, and flourished in the everyday lives of Russians throughout wars, political ruptures, modernization, and urbanization. Through the communal bathhouse, Without the Banya We Would Perish provides a unique perspective on the history of the Russian people.

Stories about the occult, folk religions, superstition, and spiritual customs in Russia by one of the most essential twentieth-century writers of short fiction and essays. Though best known for her comic and satirical sketches of pre-Revolutionary Russia, Teffi was a writer of great range and human sympathy. The stories on otherworldly themes in this collection are some of her finest and most profound, displaying the acute psychological sensitivity beneath her characteristic wit and surface brilliance. Other Worlds presents stories from across the whole of Teffi’s long career, from her early days as a literary celebrity in Moscow to her post-Revolutionary years as an émigré in Paris. In the early story “A Quiet Backwater,” a laundress gives a long disquisition on the name days of the flora and fauna and on the Feast of the Holy Ghost, a day on which “no one dairnst disturb the earth.” The story “Wild Evening” is about the fear of the unknown; “The Kind That Walk,” a penetrating study of antisemitism and of xenophobia; and “Baba Yaga,” about the archetypal Russian witch and her longing for wildness and freedom. Teffi traces the persistent influence of the ancient Slavic gods in superstitions and customs, and the deep connection of the supernatural to everyday life in the provinces. In “Volya,” the autobiographical final story, the power and pain of Baba Yaga is Teffi’s own.