In this fantasy/allegory, Rogers retells the life of biblical character King David.

Aidan returns after three years away in Feechiefen Swamp to find--much to his dismay--that the only way to protect his country from the invading Pyrthens is to overthrow the tyrant King Darrow.

King Darrow sends Aidan Errolson on an impossible quest, hoping he will never return, and although Aidan has enough friends to succeed on the journey, even he might not be able to defeat the powerful enemy that awaits him at its end.

“I only know one man who might be able to tell me where I come from, and that man is a liar and a fraud.” As far back as he can remember, the orphan Grady has tramped from village to village in the company of a huckster named Floyd. With his adolescent accomplice, Floyd perpetrates a variety of hoaxes and flimflams on the good citizens of the Corenwald frontier, such as the Ugliest Boy in the World act. It’s a hard way to make a living, made harder by the memory of fatter times when audiences thronged to see young Grady perform as “The Wild Man of the Feechiefen Swamp.” But what can they do? Nobody believes in feechies anymore. When Floyd stages an elaborate plot to revive Corenwalders’ belief in the mythical swamp-dwellers known as the feechiefolk, he overshoots the mark. Floyd’s Great Feechie Scare becomes widespread panic. Eager audiences become angry mobs, and in the ensuing chaos, the Charlatan’s Boy discovers the truth that has evaded him all his life—and will change his path forever.

Action, intrigue, and danger follow Scarboy wherever he goes, especially in the Enchanted City, where the “imperfect” are cast away and orphans are enslaved. Scarboy manages to escape the evil Enchanter to safety in Great Park, but has yet to confront his greatest fear—and he’ll need enormous courage to conquer it! An exciting series from best-selling authors David and Karen Mains, the gold-medallion award-winning Tales of the Kingdom offers fast-paced action and exciting storytelling with a enduring Christian message. Enjoy these classic allegories teach kids and adults the importance of trusting God as they unveil fundamental truths about good and evil.

Shortlisted for The Readings Children's Book Prize 2015 Adventure and danger lie just off the edge of the map in this swashbuckling new trilogy! Quinn's older brothers may long for adventure, but he is content with a quiet life on the farm. Destiny, however, has other plans. The King is determined to create the first map of the world and has scoured the kingdom for boys who could become mapmakers. When Quinn is chosen for the King's training school, he's amazed - but that is nothing compared to his shock when he is selected as one of the three mapmakers and finds himself on board a ship, competing for the big prize. So begins Quinn's reluctant journey deep into the unknown, on a ship captained by a slave, with a stowaway girl on board, and a mysterious sea monster that seems to be following them. Hot on their trail are the other competitors for the King's prize, who will stop at nothing to win. The Mapmaker Chronicles: Race to the End of the World is packed with action, adventure and intrigue, as Quinn battles unexpected enemies, discovers strange new lands and tries to conceal two very big secrets from his crewmates... 'Not since Emily Rodda's Deltora Quest series has there been such an exciting adventure tale from an Australian author' - Readings The Mapmaker Chronicles 1. Race to the End of the World 2. Prisoner of the Black Hawk 3. Breath of the Dragon (October 2015)

“Many of my ardent admirers would be roundly shocked and disturbed if they realized that everything I believe is thoroughly moral, thoroughly Catholic, and that it is these beliefs that give my work its chief characteristics.” —Flannery O’Connor Flannery O’Connor’s work has been described as “profane, blasphemous, and outrageous.” Her stories are peopled by a sordid caravan of murderers and thieves, prostitutes and bigots whose lives are punctuated by horror and sudden violence. But perhaps the most shocking thing about Flannery O’Connor’s fiction is the fact that it is shaped by a thoroughly Christian vision. If the world she depicts is dark and terrifying, it is also the place where grace makes itself known. Her world—our world—is the stage whereon the divine comedy plays out; the freakishness and violence in O’Connor’s stories, so often mistaken for a kind of misanthropy or even nihilism, turn out to be a call to mercy. In this biography, Jonathan Rogers gets at the heart of O’Connor’s work. He follows the roots of her fervent Catholicism and traces the outlines of a life marked by illness and suffering, but ultimately defined by an irrepressible joy and even hilarity. In her stories, and in her life story, Flannery O’Connor extends a hand in the dark, warning and reassuring us of the terrible speed of mercy.