Before turning to novel-writing, William Kronick enjoyed a long career as both a documentary and theatrical filmmaker. As writer-director, his highly acclaimed Network Specials ranged from the National Geographic's Alaska! to six Plimpton! entertainments to Mysteries of the Great Pyramid. In the feature arena, he directed the comedy, The 500 Pound Jerk, and the Second Unit on such major productions as King Kong (1976), Flash Gordon and others. His first novel, The Cry of Sirens (2004) was followed by Cooley Wyatt, then N. Y. / L. A. All three explore, in the framework of morality tales, the dynamics of authentic artistic talent, celebrity and commerce in our modern culture. Each one centers on a violent act involving a physical or moral crime committed by the protagonist; both he and the reader must decide what represents appropriate justice. His fourth novel, All Stars Die, tells of two lovers for whom morality is not the issue, but their dark secrets are. The Art of Self-Deception returns to the themes of Mr. Kronick's first three novels.

Explains why self-deception is at the heart of many leadership problems, identifying destructive patterns that undermine the successes of potentially excellent professionals while revealing how to improve teamwork, communication, and motivation. Reprint.

"Focuses on the phenomenon of self-deception, and proposes a radical revision of our commonplace understanding of it as a token of irrationality. Argues that self-deception can illuminate the rationalistic functions of character"--Provided by publisher.

With a new chapter This new edition of Herbert Fingarette's classic study in philosophical psychology now includes a provocative recent essay on the topic by the author. A seminal work, the book has deeply influenced the fields of philosophy, ethics, psychology, and cognitive science, and it remains an important focal point for the large body of literature on self-deception that has appeared since its publication. How can one deceive oneself if the very idea of deception implies that the deceiver knows the truth? The resolution of this paradox leads Fingarette to fundamental insights into the mind at work. He questions our basic ideas of self and the unconscious, personal responsibility and our ethical categories of guilt and innocence. Fingarette applies these ideas to the philosophies of Sartre and Kierkegaard, as well as to Freud's psychoanalytic theories and to contemporary research into neurosurgery. Included in this new edition, Fingarette's most recent essay, "Self-Deception Needs No Explaining (1998)," challenges the ideas in the extant literature.

Unknowingly, too many of us operate from an inward mindset—a narrow-minded focus on self-centered goals and objectives. When faced with personal ineffectiveness or lagging organizational performance, most of us instinctively look for quick-fix behavioral band-aids, not recognizing the underlying mindset at the heart of our most persistent challenges. Through true stories and simple yet profound guidance and tools, The Outward Mindset enables individuals and organizations to make the one change that most dramatically improves performance, sparks collaboration, and accelerates innovation—a shift to an outward mindset.

We lie to ourselves every day: about how well we drive, how much we're enjoying ourselves - even how good looking we are. In this ground-breaking book, Robert Trivers examines not only how we self-deceive, but also why, taking fascinating examples from aviation disasters, con artists, sexual betrayals and conflicts within families. Revealing, provocative and witty, Deceit and Self-Deception is one of the most vital books written this century, and will make you rethink everything that you think you know. 'Original and important . . . remarkable, thick with ideas.' Financial Times 'One of the great thinkers in the history of Western thought.' Steven Pinker 'A swift tour of links between deception and evolutionary progress . . . fascinating.' Economist 'I devoured it from cover to cover . . . exhilarating.' Guardian 'A powerful book . . . essential for anyone who wants to try to counter their own unconscious biases.' Independent

Before turning to novel-writing, William Kronick enjoyed a long career as both a documentary and theatrical filmmaker. As writer-director, his highly acclaimed Network Specials ranged from the National Geographic's Alaska! to six Plimpton! entertainments to Mysteries of the Great Pyramid. In the feature arena, he directed the comedy, The 500 Pound Jerk, and the Second Unit on such major productions as King Kong (1976), Flash Gordon and others. His first novel, The Cry of Sirens (2004) was followed by Cooley Wyatt, then N. Y. / L. A. All three explore, in the framework of morality tales, the dynamics of authentic artistic talent, celebrity and commerce in our modern culture. Each one centers on a violent act involving a physical or moral crime committed by the protagonist; both he and the reader must decide what represents appropriate justice. His fourth novel, All Stars Die, tells of two lovers for whom morality is not the issue, but their dark secrets are. The Art of Self-Deception returns to the themes of Mr. Kronick's first three novels.