Among the earliest known works on choosing, caring for, and riding horses, this book is still hailed as one of the most complete, thoughtful, and accessible guides of its type.

NOT THE MORRIS H. MORGAN PUBLIC DOMAIN VERSION. This is a NEW (2010) easy-to-read translation by ancient Greek language scholar and horsewoman Dr. A. Nyland and is NOT one of the many century-old public domain translations NOR is it a reworded public domain version. Great advances which have been made in ancient Greek word meaning in the last twenty years were unknown to the translators of the public domains of the late nineteenth and early twentieth centuries. Despite the current trend for non-translators to reproduce public domain versions as a commercial venture, be aware that such public domain versions do not take advantage of recent scholarship in word meaning.Xenophon was an ancient Greek soldier who lived from around 430-354 BC. His "Art of Horsemanship" is his work on selecting and educating horses. It was not the first work of its kind, an earlier being that by Simon of Athens. This book also includes excerpts by Aristotle, Columella, Diogenes Laertius, Herodotos, Juvenal, Livy, Pliny the Elder, Simon of Athens, Suetonius, Theomnestus, Virgil, (and two of Xenophon's other works mentioning horsemanship,) which are relevant to Xenophon's The Art of Horsemanship. This is a NEW English translation by Dr A. Nyland.

Horse trainer Jonathan Field has made a name for himself with his unique ability to give people simple, understandable, doable steps that lead to working with a horse “at liberty” in a safe and progressive manner. True engagement with a horse at liberty isn’t just about removing tack and stepping outside the arena—it’s about connection, trust, and communication through movement. Enrich your relationship with your horse, improve your “feel,” and teach your horse to respond to the subtlest of cues; no matter your discipline, whether you compete or ride for pleasure, liberty training can change the way you interact with horses forever.

Horseback riding is one of the world’s most popular activities. Much has been written about the various styles, techniques, and competitive events in the sport. But all too often resources, authors, and even instructors neglect the most important and unique aspect of riding: the relationship between rider and horse. In The Gentle Art of Horseback Riding, Gincy Self Bucklin shares her horse-friendly approach for developing comfortable, competent riders. Its step-by-step lesson format makes it an excellent resource for those who teach riding to others. Whether you are just beginning or have ridden before, Bucklin’s methods can improve your skills and make you a better, more confident rider. Inside The Gentle Art of Horseback Riding, you’ll learn that the key to success at every level is understanding your horse and how to relate to him physically, mentally, and emotionally. This will help you advance more quickly, feel more confident, and have more fun. You’ll also discover much, much more: • The seven steps for dealing with fear-related stress • Interpreting your horse’s behavior and body language • Saddling up, riding in half-seat positions, and using the reins • Basic movements, including walk, trot, canter, turns, and transitions • More advanced trotting, cantering, galloping, hill work, and fence jumping skills Whether you have a serious or casual interest in the sport as a whole or just one of its many disciplines, The Gentle Art of Horseback Riding is a must-read. Insightful and fascinating, it will enhance the riding experience for you and your horse.

First published in 1959, The Way to Perfect Horsemanship was immediately recognized as a classic work of equestrian literature. It offers insight into the psychology of the horse as well as its muscular system and the mechanics of movement. It explains in detail the basic principles of training, the fundamentals of riding, and the effect of training aids. Everyone, from trainers to occasional riders, will benefit from this book.

At a certain point in my life I became fed up with the Equine industry, I didn't like the way people treated horses, I didn't like the way people talked about horses and I didn't like the way people looked at horses. In despair and heart broke over the loss of my first love I gradually came to see horses in a new and different light, they became a canvas for me, there movement a form of art and the work I put in a practice of art, an expression of self. This book strives to be a clinical discussion of art and art theory in the same vein as it's name sake, the classic treaties by Xenophon. I do not expect the reader to finish this book and start up a career as a colt starter, yet I hope the reader finishes this book and and finds themselves compelled to study the lines of there horse, drawn to observe the movement of the eye and ear, staggered by the dimensional depth of each foot fall. Were I to wake and find myself in some strange land that had no horses I would first find myself a pen and pencil and draw myself a horse to look at.