Dressed head-to-toe in black, often with extreme make-up, the gothic look has been a popular once since the 1980s. Gothic art is about more than just album covers and ephemera; it's about fashion, book jackets, cinematography, computer graphics and fine arts. And its influence frequently seeps through into mainstream culture.The first ever English language collection of gothic images available. Features 224 pages of gothic photography and artwork. Contains up to date references that encompass the modern gothic movement as well as the original movement that came from punk. Gathers imagery from around the world, including previously unpublished photographs and artwork. Each chapter includes two special features, including profiles of influential artists or styles. Features articles on the work of well-known artists such as Anne Sudworth and Roman Dirge as well as graphic design teams Parched Art, Leisure Process and 23 Envelope.

Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over more than 200 years. Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open up cathedrals to daylight. A period of great economic and social change, the Gothic era also saw the development of a new iconography celebrating the Holy Mary – in drastic contrast to the fearful themes of dark Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and International Gothic movement.

After the global hit Ars Sacra, Rolf Toman and his team embark on a journey once more. The famous French cathedrals of Chartres, Reims and Laon are not the only highlights of this volume. Outstanding treasures of medieval imagery such as religious panel paintings, Madonna statues, illumination and goldsmith art; courtly culture also gets attention. With his passion and meticulousness, photographer Achim Bednorz succeeded to get details in front of his camera that cannot even be perceived on the original locally. The photographs that are exclusive for this volume are particularly well-presented in their large format. The author Bruno Klein wrote his take on Gothic history to fit, and swiftly takes the reader into a past medieval world almost forgotten. SELLING POINTS: Completely new breath-taking photographs by Achim Bednorz The composition will pull the reader into the book emotionally Completely new texts by the editor of bestseller Ars Sacra (Rolf Toman) Contains the most current scientific knowledge on the topic Lavish layout and high quality look like Ars Sacra 800 photographs

Developments in medieval science that elevated sight above the other senses found religious expression in the Christian emphasis on miracles, relics, and elaborate structures. In his incisive survey of Gothic art and architecture, Roland Recht argues that this preoccupation with vision as a key to religious knowledge profoundly affected a broad range of late medieval works. In addition to the great cathedrals of France, Recht explores key religious buildings throughout Europe to reveal how their grand designs supported this profusion of images that made visible the signs of scripture. Metalworkers, for example, fashioned intricate monstrances and reliquaries for the presentation of sacred articles, and technical advances in stained glass production allowed for more expressive renderings of holy objects. Sculptors, meanwhile, created increasingly naturalistic works and painters used multihued palettes to enhance their subjects’ lifelike qualities. Reimagining these works as a link between devotional practices in the late Middle Ages and contemporaneous theories that deemed vision the basis of empirical truth, Recht provides students and scholars with a new and powerful lens through which to view Gothic art and architecture.

American Gothic Art and Architecture in the Age of Romantic Literature analyses the impact British Gothic novels and historical romances had on American art and architecture in the Romantic era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott’s romances better after viewing Scott’s Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities. Contents Introduction Chapter One. Gothic Monticello: Thomas Jefferson’s Garden Narratives Chapter Two. ‘Banditti Mania’: The Gothic Haunting of Washington Allston Chapter Three. ‘Arranging the Trap Doors’: The Gothic Revival Castles of Alexander Jackson Davis Chapter Four. Old Dwellings Transmogrified: The Homes of James Fenimore Cooper and Washington Irving Chapter Five. Gothic Castles in the Landscape: Thomas Cole, Sir Walter Scott And the Hudson River School of Painting Chapter Six. The Theatrical Spectacle of Medieval Revival: Edwin Forrest’s Fonthill Castle Conclusion. ‘Clap It Into a Romance:’ Nathaniel Hawthorne’s Gothic Houses

Gathering artists from across the globe, this work showcases the Gothic world in its many and varied forms - from the conventional media of paint and pencil, to digital nightmares, abstract sculptures and provocative toys.

This magisterial study of Gothic architecture traces the meaning and development of the Gothic style through medieval churches across Europe. Ranging geographically from Poland to Portugal and from Sicily to Scotland and chronologically from 1093 to 1530, the book analyzes changes from Romanesque to Gothic as well as the evolution within the Gothic style and places these changes in the context of the creative spirit of the Middle Ages. In its breadth of outlook, its command of detail, and its theoretical enterprise, Frankl's book has few equals in the ambitious Pelican History of Art series. It is single-minded in its pursuit of the general principles that informed all aspects of Gothic architecture and its culture. In this edition Paul Crossley has revised the original text to take into account the proliferation of recent literature--books, reviews, exhibition catalogues, and periodicals--that have emerged in a variety of languages. New illustrations have also been included.