Who gets to be where? The Arsenal of Exclusion & Inclusion examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion and inclusion, describes how they have been used, and speculates about how they might be deployed (or retired) for the sake of more open cities in which more people have access to more places. With contributions from over fifty architects, planners, geographers, historians, and journalists, The Arsenal offers a wide-ranging view of the forces that shape our cities. by Interboro (Tobias Armborst, Daniel D'Oca, Georgeen Theodore)

The Arsenal of Exclusion / Inclusion is a book about 101 "weapons" that architects, planners, policy-makers, developers, real estate brokers, community activists and other urban agents use to restrict or promote access to the space of the city. The Arsenal includes minor, seemingly benign things like "NO LOITERING" SIGNS and BOUNCERS, but also big, headline-grabbing entities like GATED COMMUNITIES and EMINENT DOMAIN. It includes policies like INCLUSIONARY ZONING and RENT CONTROL, but also physical things like BOMBS and those ARMRESTS that they put on park benches to make sure homeless people don't get too comfortable. Some of the entries in the Arsenal--like HALLOWEEN, FAMOUS PEOPLES' HOUSES, and JURY DUTY--are probably things you didn't know had anything to do with cities at all, let alone this war for what Henri Lefebvre called the "right to the city." With contributions from over fifty of the best minds in architecture, such as Julie Behrens, Bill Bishop, Lisa Brawley, Ava Bromberg, Marshall Brown, Common Room, Charles Connerly, Nathan Connolly, Margaret Crawford, Alexander D'Hooghe, Elizabeth Evitts Dickenson, David Freund, Gerald Frug, Vincent James, Jeffrey Johnson, Michael Kubo, Kaja Kuhl, Matthew Lassiter, Amy Lavine, Setha Low, Thomas Oles, Michael Piper, Wendy Plotkin, Jenny Polak, Albert Pope, Mathan Ratinam, Brian Ripel, James Rojas, Theresa Schwarz, Roger Sherman, Susan Sloan, Lior Strahilevitz, Meredith TenHoor, William TenHoor, Thumb Projects (Graphic Design), Stephen Walker and Jennifer Yoos, among others.

This book tells the story of the making of a community, which occurred hand-in-hand with the building of an archipelago of residences in the countryside north of Rome. Lina Malfona together with Fabio and Simone Petrini designed and built this archipelago of 'ultra-residential' villas, a place to experience private as well as public life. This book tells the story of the making of a community, which occurred hand-in-hand with the building of an archipelago of suburban residences, which reaffirm the value of the countryside within a technological and digital society. From 2010 onwards, Lina Malfona together with Petrini Architects and thanks to the support of the structural engineer Tommaso Malfona has been designing and building this archipelago of villas in the countryside north of Rome, which is also where their home-studio is located. This experimental residence has become a point of reference for the design of an innovative housing typology, an 'ultra-residential' villa as a place to experience private as well as public life. With Contributions of Pippo Ciorra (introduction); Kenneth Frampton, Stanley Allen (blurbs)

This volume analyzes how enduring democracy amid longstanding inequality engendered inclusionary reform in contemporary Latin America.

Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

Vacant Spaces NY begins gathering the incomplete data available and documenting vacant spaces in New York City. Organized from large to small, general to specific, vacancy in the United States to case studies of specific vacancies in Manhattan, Michael Meredith, Hilary Sample, and their architecture studio MOS imagine possibilities for repurposing current vacant spaces in New York City. This project began by walking around our neighborhood noticing empty storefronts. Once we saw them, they were everywhere. They followed us, appearing quietly throughout New York City. Many with no signage, no “for rent,” no “coming soon.” Usually empty, sometimes dusty, sometimes with brown paper covering the glass. Now, vacancy has only increased. In the densest city in the United States. During a housing crisis. Throughout a pandemic. The quantity of vacant spaces is anyone’s best guess. It’s only partially documented. They hide in plain sight. Vacant Spaces NY is organized from large to small, general to specific. It begins by looking at vacancy within the United States and continues down to each Manhattan neighborhood, where we zoom into specific vacant spaces, where we have provided as case studies that imagine some possibilities for transforming current vacant spaces into housing or social services. There is also a section on Covid 19, which infiltrated New York during our research. As a whole, this document is not meant to provide specific solutions. The data is incomplete. Case studies are limited. We are not policy experts or data analysts or urban planners. Instead, it is simply meant to show something we have taken for granted, vacant spaces, taking part in a collective process of imagining a better city.