The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.

The Arctic and the accounts of its exploration and heroes fascinated people in Victorian Britain. But how was this distant region represented to them? Which stories had lasting appeal and which were soon forgotten? How were the indigenous people represented, and what difficulties confronted the artist, photographer and engraver in depicting the Arctic? How and why did the images and forms of representation change during the nineteenth century? As Robert David tells is in this fascinating book, Britain's imagined Arctic was created through a staggering variety of representations: from travel narratives to works of art and panoramas, from museum, displays, tableaux vivants, and international exhibitions, to engravings in the illustrated press, as well as lectures organised by the geographical societies, school text books and adventure stories for children. There were also numerous cartoons, advertisements and board games, all of which fed the obsession. In this epic study of so many forms of representation over an extended time span, David has been able to reassess the whole nature of Arctic representation and how it changed in importance over time. Using this rich material in illuminating new ways, he argues that Arctic representations followed a different dynamic from those associated with more familiar locations of Empire, and so opens up a whole new area of study and discussion. 'The Arctic in the British imagination' is illustrated with engravings, photographs and paintings drawn from a number of sources and in many cases not previously published. The book will be of essential interest to academics, students and enthusiasts interested in the Arctic, as well as historians of representations.

From explorers’ accounts to boys’ adventure fiction, how Arctic exploration served as a metaphor for nation-building and empire in nineteenth-century Britain.

In the mid-nineteenth century, thirty-six expeditions set out for the Northwest Passage in search of Sir John Franklin's missing expedition. The array of visual and textual material produced on these voyages was to have a profound impact on the idea of the Arctic in the Victorian imaginary. Eavan O'Dochartaigh closely examines neglected archival sources to show how pictures created in the Arctic fed into a metropolitan view transmitted through engravings, lithographs, and panoramas. Although the metropolitan Arctic revolved around a fulcrum of heroism, terror and the sublime, the visual culture of the ship reveals a more complicated narrative that included cross-dressing, theatricals, dressmaking, and dances with local communities. O'Dochartaigh's investigation into the nature of the on-board visual culture of the nineteenth-century Arctic presents a compelling challenge to the 'man-versus-nature' trope that still reverberates in polar imaginaries today. This title is also available as Open Access on Cambridge Core.

The Imagined Arctic in Speculative Fiction explores the ways in which the Arctic is imagined and what function it is made to serve in a selection of speculative fictions: non-mimetic works that start from the implied question "What if?" Spanning slightly more than two centuries of speculative fiction, from the starting point in Mary Shelley’s 1818 Frankenstein to contemporary works that engage with the vast ramifications of anthropogenic climate change, analyses demonstrate how Arctic discourses are supported or subverted and how new Arctics are added to the textual tradition. To illuminate wider lines of inquiry informing the way the world is envisioned, humanity’s place and function in it, and more-than-human entanglements, analyses focus on the function of the actual Arctic and how this function impacts and is impacted by speculative elements. With effects of climate change training the global eye on the Arctic, and as debates around future northern cultural, economic and environmental sustainability intensify, there is a need for a deepened understanding of the discourses that have constructed and are constructing the Arctic. A careful mapping and serious consideration of both past and contemporary speculative visions thus illuminate the role the Arctic has played and may come to play in a diverse set of practices and fields.

Privileging the visual as the main method of communication and meaning-making, this book responds critically to the worldwide discussion about the Arctic and the North, addressing the interrelated issues of climate change, ethics and geopolitics. A multi-disciplinary, multi-modal exploration of the Arctic, it supplies an original conceptualization of the Arctic as a visual world encompassing an array of representations, imaginings, and constructions. By examining a broad range of visual forms, media and forms such as art, film, graphic novels, maps, media, and photography, the book advances current debates about visual culture. The book enriches contemporary theories of the visual taking the Arctic as a spatial entity and also as a mode of exploring contemporary and historical visual practices, including imaginary constructions of the North. Original contributions include case studies from all the countries along the Arctic shore, with Russian material occupying a large section due to the country’s impact on the region

British interest in the Arctic has returned to heights not seen since the end of the Cold War; concerns about climate change, resources, trade, and national security are all impacted by profound environmental and geopolitical changes happening in the Arctic. Duncan Depledge investigates the increasing geopolitical significance of the Arctic and explores why it took until now for Britain – once an ‘Arctic state’ itself – to notice how close it is to these changes, what its contemporary interests in the region are, and whether the British government’s response in the arenas of science, defence, and commerce is enough. This book will be of interest to both academics and practitioners seeking to understand contemporary British interest and activity in the Arctic.